 |
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2/4 |
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(1999) |
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"A cold piece of machinery."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1995) |
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"A sweet, surprisingly moving little fable."
[movie review] |
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TheMovieReport.com |
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2.5/4 |
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(1998) |
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"Universal should have left well enough alone, heeding the immortal closing words of Farmer Hoggett in the original."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2001) |
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"John Singleton has again succeeded in making a thoughtful and provocative film that long resonates in the mind."
[movie review] |
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TheMovieReport.com |
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0/4 |
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(1999) |
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"One completely unwatchable piece of bottom-feeding dreck."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(1995) |
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"Crowd-pleasing, energetic action comedy."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2003) |
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"Bad Boys II plays like one huge "f**k you" to [Bay's] critics by giving them all that they expect from him to the nth degree."
[movie review] |
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TheMovieReport.com |
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2/4 |
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(2002) |
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"Everything about has been done and seen before--even right down to the title, which the very same studio used as the moniker for a Laurence Fishburne/Ellen Barkin thriller."
[movie review] |
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TheMovieReport.com |
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1.5/4 |
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(2001) |
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"An insanely repetitive 77-minute display of pointless nihilism."
[movie review] |
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TheMovieReport.com |
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2.5/4 |
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(2000) |
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"Too much of a story that asks that the suspension of disbelief be stretched to uncomfortable lengths."
[movie review] |
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TheMovieReport.com |
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2/4 |
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(2007) |
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"Without a particularly funny nor compelling lead, the hits in the already scattershot script are weakened, to say nothing of the misses."
[movie review] |
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TheMovieReport.com |
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4/4 |
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(1942) |
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"What has been lost in the 60-plus years since its intial release is what a watershed work Bambi was for its time."
[movie review] |
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TheMovieReport.com |
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2/4 |
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(2000) |
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"Sly, stinging wit makes way for earnest and overblown preachiness."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2001) |
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"Without this Billy Bob Thornton and Cate Blanchett, it would be difficult to imagine this caper being such a spirited screwball romp."
[movie review] |
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TheMovieReport.com |
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4/4 |
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(1999) |
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"Achieves its own strange sort of perfection."
[movie review] |
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TheMovieReport.com |
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2/4 |
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(2002) |
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"Watching movies like this, it's easy to understand actresses' common complaint about the quality of roles for women of a certain age."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2002) |
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"A moving and understated story of love."
[movie review] |
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TheMovieReport.com |
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0/4 |
|
(1996) |
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"The most inane and inept hootfest (or, for that matter, hooterfest) to hit the big screen since Showgirls."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2002) |
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"A funny, warm, immensely likable, and all-ages-appealing film centering around the importance of heritage and family."
[movie review] |
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TheMovieReport.com |
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3/4 |
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(2004) |
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"This return visit to Calvin's Barbershop is like settling back in with old friends."
[movie review] |
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TheMovieReport.com |
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2/4 |
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(1998) |
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"Although its entertainment value to adults is negligible, it is a safe, harmless bet for families, one parents will neither regret nor fondly remember after it's over."
[movie review] |
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TheMovieReport.com |
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2/4 |
|
(2006) |
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"That the lead character is a 'male cow' complete with udders shows how confused the picture is."
[movie review] |
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TheMovieReport.com |
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1.5/4 |
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(1999) |
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"This uninspired, but mercifully short, adventure will hold some amusement for little kids but bore everyone else."
[movie review] |
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TheMovieReport.com |
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0/4 |
|
(1998) |
|
"Degenerates into a tedious series of unamusing and rather forced gross-out gags."
[movie review] |
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TheMovieReport.com |
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3/4 |
|
(1992) |
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"Shocking and effective but doesn't quite live up to all the hype."
[movie review] |
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TheMovieReport.com |
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2/4 |
|
(1999) |
|
"This type of maudlin, medicinal family film is a dime a dozen on the tube, where it belongs."
[movie review] |
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TheMovieReport.com |
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1/4 |
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(1997) |
|
"Schumacher has said that he wanted to 'put some "comic" back in comic book,' but he forgets what comic book he's dealing with--Batman, which is a 'comic' book in name only."
[movie review] |
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TheMovieReport.com |
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3/4 |
|
(1995) |
|
"Pluses: Tommy Lee Jones and Jim Carrey as Two-Face and the Riddler, respectively; and the stunning production design."
[movie review] |
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TheMovieReport.com |
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3/4 |
|
(1992) |
|
"A fast, funny, exciting assault on the senses that outshines the overrated original."
[movie review] |
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TheMovieReport.com |
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3/4 |
|
(2009) |
|
"That the film has a fair amount on its mind and expresses its concerns in an effectively restrained manner is just gravy on top of a true visual feast."
[movie review] |
|
TheMovieReport.com |
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| |
0/4 |
|
(2000) |
|
"I cannot help but think that maybe [Travolta's] laughing that he was able to sucker people into pouring millions of dollars toward making such an unspeakable waste."
[movie review] |
|
TheMovieReport.com |
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3/4 |
|
(2005) |
|
"Less like a story than an assemblage of moments and top-notch character acting, but as far as cinematic trifles go, it's guilt-free."
[movie review] |
|
TheMovieReport.com |
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3/4 |
|
(2000) |
|
"DiCaprio's teen idol status may be the primary reason he gets so much ink in the press now, but his talent will keep his name in the memory for years to come."
[movie review] |
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TheMovieReport.com |
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| |
3/4 |
|
(1997) |
|
"Atkinson is able to hit the comic jackpot through grunts, gestures, body movements, and, most of all, facial expressions."
[movie review] |
|
TheMovieReport.com |
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| |
2/4 |
|
(1997) |
|
"As hokey and banal as a sitcom, with predictable culture-clash gags and fairly flat one-liners."
[movie review] |
|
TheMovieReport.com |
|
|
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| |
3/4 |
|
(1996) |
|
"Not a whole lot goes on, but what does go on is engaging enough to merit a look."
[movie review] |
|
TheMovieReport.com |
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| |
3/4 |
|
(2001) |
|
"The first two acts of the film are strong enough to merit a recommendation, as is the consistently impressive work of Connelly."
[movie review] |
|
TheMovieReport.com |
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| |
3.5/4 |
|
(1999) |
|
"About more than Bosnia: it's about the immigrant experience; it's about tolerance; it's about making a difference; it's about learning to make the best of what one has."
[movie review] |
|
TheMovieReport.com |
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| |
4/4 |
|
(1991) |
|
"For once, the Disney hyperbole was right--the film is, indeed, a timeless cinema classic."
[movie review] |
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TheMovieReport.com |
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| |
2.5/4 |
|
(2005) |
|
"Diverting but overly episodic... never quite hangs together as a feature."
[movie review] |
|
TheMovieReport.com |
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| |
0/4 |
|
(1996) |
|
"Paramount was wise to release this one in December--just in time for critics to fit the film onto their year-end worst lists."
[movie review] |
|
TheMovieReport.com |
|
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| |
2/4 |
|
(2007) |
|
"Fails to capture either the sprightly spirit and poignant pathos of its subject's famous works."
[movie review] |
|
TheMovieReport.com |
|
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| |
2/4 |
|
(2000) |
|
"[Whenever] Hurley disappears, and so does much of the film's energy."
[movie review] |
|
TheMovieReport.com |
|
|
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| |
2/4 |
|
(2008) |
|
"The very definition of a disposable, kid-quieting fluff, done in a predictably Sandler way (read: watch out for Rob Schneider's umpteenth variation on the 'You can do it!' schtick)."
[movie review] |
|
TheMovieReport.com |
|
|
|
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| |
1.5/4 |
|
(2001) |
|
"Most people can live healthy lives without ever seeing this tired, uninspired piece of work."
[movie review] |
|
TheMovieReport.com |
|
|
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| |
2/4 |
|
(2000) |
|
"[Bardem] simply does what the script calls for him to do, which is basically sustain a look of pain for two-hours plus."
[movie review] |
|
TheMovieReport.com |
|
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| |
4/4 |
|
(1999) |
|
"An exploration of celebrity, identity, sexuality, and other issues that is never less than imaginative--not to mention insanely funny and consistently surprising."
[movie review] |
|
TheMovieReport.com |
|
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| |
3/4 |
|
(2002) |
|
"Gosling creates a staggeringly compelling character, a young man whose sharp intellect is at the very root of his contradictory, self-hating, self-destructive ways."
[movie review] |
|
TheMovieReport.com |
|
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| |
2/4 |
|
(1998) |
|
"All of Williams's glitz, delicious eye candy as it is, eventually overshadows his own script."
[movie review] |
|
TheMovieReport.com |
|
|
|
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| |
3/4 |
|
(1998) |
|
"A movie of moments--moments of raw, lyrical emotional power scattered over a nearly three-hour time expanse."
[movie review] |
|
TheMovieReport.com |
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|
