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Sources
• Film Threat
• Movie Poop Shoot
• Quick Stop Entertainment
• rec.arts.movies.reviews
• TheMovieReport.com
Total Reviews: 2098
Michael Dequina

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     (1931)      "All of the layers are brought together through Clair's clever use of sound and image." [movie review]      TheMovieReport.com   
  
3/4
     (2006)      "Linklater creates an eerie, mysterious, menacing hyperreality that engulfs the mind and senses." [movie review]      TheMovieReport.com   
  
3/4
     (2001)      "The most astounding effect of all is not mecha, but orga: Haley Joel Osment's transcendent performance." [movie review]      TheMovieReport.com   
  
1/4
     (2002)      "A flimsy and tedious thriller." [movie review]      TheMovieReport.com   
  
3.5/4
     (2001)      "Miraculously manages to sidestep easy manipulation." [movie review]      TheMovieReport.com   
  
3/5
     (2002)      "About a Boy will warm your heart without making you feel guilty about it." [movie review]      Film Threat   
  
3/4
     (2002)      "Will warm your heart without making you feel guilty about it." [movie review]      TheMovieReport.com   
  
3.5/4
     (2002)      "A simple, silent, static shot of Nicholson's face is one of the most beautiful, powerful, indelible images of the 2002 movie year." [movie review]      TheMovieReport.com   
  
1/4
     (1999)      "The title says it all." [movie review]      TheMovieReport.com   
  
2.5/4
     (1997)      "For all the suspense the film does generate, the fairly flat climax is a disappointing payoff." [movie review]      TheMovieReport.com   
  
4/4
     (1989)      "What was once a well-made, well-acted mess is now a very poignant and satisfying sci-fi adventure." [movie review]      TheMovieReport.com   
  
0.5/4
     (1994)      "If you've seen the first minute, you've seen it all." [movie review]      TheMovieReport.com   
  
0/4
     (1995)      "Painful to sit through." [movie review]      TheMovieReport.com   
  
2/4
     (2007)      "The actors all do considerable justice to the Fab Four's classics, but they are ultimately failed by Taymor's neglect of actual story." [movie review]      TheMovieReport.com   
  
2/4
     (2002)      "Sentimentality and secretions, with a generous helping of blatant product placement, do not make for the most graceful of holiday entertainments." [movie review]      TheMovieReport.com   
  
4/4
     (2002)      "Thanks a lot, Charlie Kaufman. Thanks to you, I and millions of others can no longer use writer's block as a valid excuse for the sh*ttiness of our writing." [movie review]      TheMovieReport.com   
  
3/4
     (1997)      "Stalking does not sound like a viable basis for a romantic comedy, but director Griffin Dunne and screenwriter Robert Gordon have somehow made it work." [movie review]      TheMovieReport.com   
  
2.5/4
     (1999)      "Strictly for those who are currently watching the PBS series: that is, the preschool/kindergarten audience." [movie review]      TheMovieReport.com   
  
3/4
     (1999)      "Given so many vapid young would-be stars foisted upon the public by the Hollywood machinery, it is a rare delight indeed to come across one with actual talent and potential." [movie review]      TheMovieReport.com   
  
3/4
     (1986)      "An amiable little trifle that entertains during its scant running time." [movie review]      TheMovieReport.com   
  
3/4
     (2000)      "A refreshingly mature look at sexuality: these are people over 30 enjoying active sex lives and able to intelligently examine their actions and the consequences." [movie review]      TheMovieReport.com   
  
3/4
     (1997)      "The powerful performances by Nolte and Coburn make the film well worth a look, even if they are part of a less-than-developed whole." [movie review]      TheMovieReport.com   
  
2/4
     (1997)      "Alan Rudolph's romantic roundelay sounds a lot more interesting than it plays." [movie review]      TheMovieReport.com   
  
2.5/4
     (2003)      "An inoffensively average, formulaic entertainment with a marketing-problematic point of view." [movie review]      TheMovieReport.com   
  
4/4
     (1993)      "A moving and impassioned work from one of the foremost filmmakers today." [movie review]      TheMovieReport.com   
  
1/4
     (1999)      "What can one say about a film whose idea of comedy is having the two women sit around discussing whether or not they've had an 'organism' or not?" [movie review]      TheMovieReport.com   
  
3.5/4
     (1997)      "An exciting, entertaining variation of the Die Hard formula where our kick-*** hero is none other than the President of the United States." [movie review]      TheMovieReport.com   
  
4/4
     (1992)      "Let it share its 'whole new world with you.'" [movie review]      TheMovieReport.com   
  
2/4
     (1996)      "Isn't involving enough to sustain interest when the Genie is offscreen." [movie review]      TheMovieReport.com   
  
3/4
     (1996)      "Sleek, efficient thriller." [movie review]      TheMovieReport.com   
  
2/4
     (2006)      "What doesn't quite work are the more overtly jokey bits." [movie review]      TheMovieReport.com   
  
3/4
     (2001)      "Smith's towering performance can only be fully appreciated on a suitably large screen." [movie review]      TheMovieReport.com   
  
     (2004)      "While Alias looks to never break out beyond cult status, Buena Vista deserves major credit for consistently giving fans high-quality preservations of the series. " [dvd review]      TheMovieReport.com   
  
1.5/4
     (1992)      "The advertisements promise '3 times the suspense. 3 times the danger. 3 times the terror.' The only thing Alien3 has triple of is the word 'f--k.'" [movie review]      TheMovieReport.com   
  
3/4
     (1997)      "A welcome return to [the series'] roots as a wild, reckless thrill ride." [movie review]      TheMovieReport.com   
  
1.5/4
     (1995)      "Don't let the title fool you: despite an otherworldly jumping-off point, this is a plodding, pretentious, and painfully preachy drama." [movie review]      TheMovieReport.com   
  
1.5/4
     (2004)      "The once-promising project was doomed to disaster, going back to the very moment Paul W.S. Anderson was awarded directing and screenwriting duties." [movie review]      TheMovieReport.com   
  
3/4
     (1999)      "Hits a number of the right emotional buttons, due in large part to Roth's extraordinary performance." [movie review]      TheMovieReport.com   
  
2/4
     (2002)      "One of those films that seems tailor made to air on pay cable to offer some modest amusements when one has nothing else to watch." [movie review]      TheMovieReport.com   
  
3/4
     (1998)      "Any film as energetically performed, entertaining, and rousing... clearly has the potential to cross the demographic barriers--that is, if given the chance." [movie review]      TheMovieReport.com   
  
2/4
     (2001)      "If this sounds like boilerplate urban drama to you, you wouldn't be mistaken." [movie review]      TheMovieReport.com   
  
3/4
     (2002)      "It's all quite tough going, but the actors make it difficult to look away." [movie review]      TheMovieReport.com   
  
     (1955)      "Quite involving, overblown emotion and all, particularly due to Wyman's gentle sincerity." [movie review]      TheMovieReport.com   
  
2/4
     (2000)      "A hollow shell--the frame of a story that either hasn't had a chance to fully gestate or a more full-bodied beast that was ultimately stripped down to the bare essentials." [movie review]      TheMovieReport.com   
  
3.5/4
     (2000)      "May be almost great, but that's more than enough." [movie review]      TheMovieReport.com   
  
0/4
     (1998)      "A virtually laugh-free comedy that puts a sad end to the woefully lackluster screen career of a talented comic." [movie review]      TheMovieReport.com   
  
0/4
     (2005)      "Has just about everything a snarky bad movie lover could want--that is, except a guy and two robots sitting in the bottom right hand corner." [movie review]      TheMovieReport.com   
  
1.5/4
     (2001)      "Sinks the fledgling franchise to new depths--and quite possibly past the point of no return." [movie review]      TheMovieReport.com   
  
1.5/4
     (2004)      "The blame for this remarkably stillborn romantic/gross-out comedy falls squarely on its writer/director, John Hamburg. " [movie review]      TheMovieReport.com   
  
2.5/4
     (1999)      "As much as I like the Chipmunks, while watching my sometimes flagging interest made it clear that I had pretty much outgrown them." [movie review]      TheMovieReport.com   
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