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(1931) |
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"All of the layers are brought together through Clair's clever use of sound and image."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(2006) |
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"Linklater creates an eerie, mysterious, menacing hyperreality that engulfs the mind and senses."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(2001) |
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"The most astounding effect of all is not mecha, but orga: Haley Joel Osment's transcendent performance."
[movie review] |
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TheMovieReport.com |
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 1/4 |
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(2002) |
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"A flimsy and tedious thriller."
[movie review] |
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TheMovieReport.com |
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 3.5/4 |
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(2001) |
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"Miraculously manages to sidestep easy manipulation."
[movie review] |
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TheMovieReport.com |
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 3/5 |
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(2002) |
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"About a Boy will warm your heart without making you feel guilty about it."
[movie review] |
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Film Threat |
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 3/4 |
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(2002) |
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"Will warm your heart without making you feel guilty about it."
[movie review] |
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TheMovieReport.com |
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 3.5/4 |
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(2002) |
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"A simple, silent, static shot of Nicholson's face is one of the most beautiful, powerful, indelible images of the 2002 movie year."
[movie review] |
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TheMovieReport.com |
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 1/4 |
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(1999) |
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"The title says it all."
[movie review] |
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TheMovieReport.com |
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 2.5/4 |
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(1997) |
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"For all the suspense the film does generate, the fairly flat climax is a disappointing payoff."
[movie review] |
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TheMovieReport.com |
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 4/4 |
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(1989) |
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"What was once a well-made, well-acted mess is now a very poignant and satisfying sci-fi adventure."
[movie review] |
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TheMovieReport.com |
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 0.5/4 |
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(1994) |
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"If you've seen the first minute, you've seen it all."
[movie review] |
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TheMovieReport.com |
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 0/4 |
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(1995) |
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"Painful to sit through."
[movie review] |
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TheMovieReport.com |
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 2/4 |
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(2007) |
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"The actors all do considerable justice to the Fab Four's classics, but they are ultimately failed by Taymor's neglect of actual story."
[movie review] |
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TheMovieReport.com |
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 2/4 |
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(2002) |
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"Sentimentality and secretions, with a generous helping of blatant product placement, do not make for the most graceful of holiday entertainments."
[movie review] |
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TheMovieReport.com |
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 4/4 |
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(2002) |
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"Thanks a lot, Charlie Kaufman. Thanks to you, I and millions of others can no longer use writer's block as a valid excuse for the sh*ttiness of our writing."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(1997) |
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"Stalking does not sound like a viable basis for a romantic comedy, but director Griffin Dunne and screenwriter Robert Gordon have somehow made it work."
[movie review] |
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TheMovieReport.com |
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 2.5/4 |
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(1999) |
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"Strictly for those who are currently watching the PBS series: that is, the preschool/kindergarten audience."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(1999) |
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"Given so many vapid young would-be stars foisted upon the public by the Hollywood machinery, it is a rare delight indeed to come across one with actual talent and potential."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(1986) |
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"An amiable little trifle that entertains during its scant running time."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(2000) |
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"A refreshingly mature look at sexuality: these are people over 30 enjoying active sex lives and able to intelligently examine their actions and the consequences."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(1997) |
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"The powerful performances by Nolte and Coburn make the film well worth a look, even if they are part of a less-than-developed whole."
[movie review] |
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TheMovieReport.com |
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 2/4 |
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(1997) |
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"Alan Rudolph's romantic roundelay sounds a lot more interesting than it plays."
[movie review] |
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TheMovieReport.com |
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 2.5/4 |
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(2003) |
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"An inoffensively average, formulaic entertainment with a marketing-problematic point of view."
[movie review] |
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TheMovieReport.com |
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 4/4 |
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(1993) |
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"A moving and impassioned work from one of the foremost filmmakers today."
[movie review] |
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TheMovieReport.com |
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 1/4 |
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(1999) |
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"What can one say about a film whose idea of comedy is having the two women sit around discussing whether or not they've had an 'organism' or not?"
[movie review] |
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TheMovieReport.com |
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 3.5/4 |
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(1997) |
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"An exciting, entertaining variation of the Die Hard formula where our kick-*** hero is none other than the President of the United States."
[movie review] |
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TheMovieReport.com |
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 4/4 |
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(1992) |
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"Let it share its 'whole new world with you.'"
[movie review] |
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TheMovieReport.com |
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 2/4 |
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(1996) |
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"Isn't involving enough to sustain interest when the Genie is offscreen."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(1996) |
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"Sleek, efficient thriller."
[movie review] |
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TheMovieReport.com |
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 2/4 |
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(2006) |
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"What doesn't quite work are the more overtly jokey bits."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(2001) |
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"Smith's towering performance can only be fully appreciated on a suitably large screen."
[movie review] |
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TheMovieReport.com |
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(2004) |
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"While Alias looks to never break out beyond cult status, Buena Vista deserves major credit for consistently giving fans high-quality preservations of the series.
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[dvd review] |
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TheMovieReport.com |
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 1.5/4 |
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(1992) |
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"The advertisements promise '3 times the suspense. 3 times the danger. 3 times the terror.' The only thing Alien3 has triple of is the word 'f--k.'"
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(1997) |
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"A welcome return to [the series'] roots as a wild, reckless thrill ride."
[movie review] |
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TheMovieReport.com |
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 1.5/4 |
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(1995) |
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"Don't let the title fool you: despite an otherworldly jumping-off point, this is a plodding, pretentious, and painfully preachy drama."
[movie review] |
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TheMovieReport.com |
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 1.5/4 |
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(2004) |
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"The once-promising project was doomed to disaster, going back to the very moment Paul W.S. Anderson was awarded directing and screenwriting duties."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(1999) |
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"Hits a number of the right emotional buttons, due in large part to Roth's extraordinary performance."
[movie review] |
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TheMovieReport.com |
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 2/4 |
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(2002) |
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"One of those films that seems tailor made to air on pay cable to offer some modest amusements when one has nothing else to watch."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(1998) |
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"Any film as energetically performed, entertaining, and rousing... clearly has the potential to cross the demographic barriers--that is, if given the chance."
[movie review] |
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TheMovieReport.com |
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 2/4 |
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(2001) |
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"If this sounds like boilerplate urban drama to you, you wouldn't be mistaken."
[movie review] |
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TheMovieReport.com |
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 3/4 |
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(2002) |
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"It's all quite tough going, but the actors make it difficult to look away."
[movie review] |
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TheMovieReport.com |
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(1955) |
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"Quite involving, overblown emotion and all, particularly due to Wyman's gentle sincerity."
[movie review] |
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TheMovieReport.com |
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 2/4 |
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(2000) |
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"A hollow shell--the frame of a story that either hasn't had a chance to fully gestate or a more full-bodied beast that was ultimately stripped down to the bare essentials."
[movie review] |
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TheMovieReport.com |
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 3.5/4 |
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(2000) |
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"May be almost great, but that's more than enough."
[movie review] |
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TheMovieReport.com |
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 0/4 |
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(1998) |
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"A virtually laugh-free comedy that puts a sad end to the woefully lackluster screen career of a talented comic."
[movie review] |
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TheMovieReport.com |
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 0/4 |
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(2005) |
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"Has just about everything a snarky bad movie lover could want--that is, except a guy and two robots sitting in the bottom right hand corner."
[movie review] |
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TheMovieReport.com |
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 1.5/4 |
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(2001) |
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"Sinks the fledgling franchise to new depths--and quite possibly past the point of no return."
[movie review] |
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TheMovieReport.com |
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 1.5/4 |
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(2004) |
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"The blame for this remarkably stillborn romantic/gross-out comedy falls squarely on its writer/director, John Hamburg.
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[movie review] |
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TheMovieReport.com |
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 2.5/4 |
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(1999) |
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"As much as I like the Chipmunks, while watching my sometimes flagging interest made it clear that I had pretty much outgrown them."
[movie review] |
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TheMovieReport.com |
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