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RATING |
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3.5/5 |
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(2009) |
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"oddly eloquent"
[movie review] |
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Filmcritic.com |
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4/5 |
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(1971) |
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"an unsettling reminder that, more often than not, it is not overly clever traps but rather people who kill people."
[movie review] |
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4/5 |
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(2006) |
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"encapsulates everything one could hope for from a sophomore effort"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2007) |
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"Maybe the revolution should have been televised."
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3.5/5 |
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(2006) |
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"the most artsy spin on The Most Dangerous Game ever plunked down on the screen."
[movie review] |
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4/5 |
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(2009) |
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"becomes whatever the viewer wants it to be."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2009) |
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"This deep devotion to physicality and wordless expression has been part of Denis' repertoire for some time but it has never been so soulful and seductive."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2006) |
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"a malcontent mindbender"
[movie review] |
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Filmcritic.com |
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5/5 |
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(2008) |
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"Devastating."
[movie review] |
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Filmcritic.com |
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3/5 |
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(2009) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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4/5 |
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(2008) |
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"hits on something painful and intrinsically human: the feeling of inevitable disillusionment"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2009) |
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"as with all the greats, Jacobs is still discovering, and even the old stuff seems new again."
[movie review] |
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Filmcritic.com |
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4/5 |
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(1991) |
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"radiantly beautiful filmmaking"
[movie review] |
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Filmcritic.com |
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5/5 |
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(1969) |
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"a stunning, globetrotting spy masterpiece"
[movie review] |
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Filmcritic.com |
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4/5 |
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(1994) |
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"the dazzling kick to the head it was always meant to be."
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2006) |
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"gives off scents of melancholy and dread that are rarely seen in heist films"
[movie review] |
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Filmcritic.com |
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4/5 |
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(2009) |
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"Simultaneously absorbing and alienating"
[movie review] |
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Filmcritic.com |
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4/5 |
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(1992) |
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"Keitel's performance is perhaps the needed counterpoint to Christopher Walken's ice-cold overlord in Ferrara's visionary crime opus King of New York"
[movie review] |
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Filmcritic.com |
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3/4 |
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(2008) |
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"The first film in some time that has attempted to bring Bressonian singularity and emotional depth to the American independent picture."
[movie review] |
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Reel.com |
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4/5 |
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(2007) |
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"the most sustained and unshakable narrative film to investigate the occupation of Iraq"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2006) |
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"I'd be lying if I didn't say this is one of the more original and piercing films I've seen in awhile."
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Filmcritic.com |
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4/5 |
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(2009) |
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"a film that acknowledges time and age without completely giving into their grim results."
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4/5 |
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(2005) |
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"Siegel and McGehee give the film a deep emotional punch that never stoops to melodrama or sitcom clichés"
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Filmcritic.com |
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4/5 |
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(2009) |
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"surpassingly fascinating"
[movie review] |
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Filmcritic.com |
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4/5 |
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(2007) |
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"Lumet hasn't been this energetic and perceptive since The Verdict, released two-and-a-half decades ago."
[movie review] |
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Filmcritic.com |
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5/5 |
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(1948) |
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"there are few characters that are more fully realized and deeply felt as Ricci"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2009) |
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"a work of faith that treats the tenants of its story with as much respect as it treats the medium in which it operates."
[movie review] |
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Filmcritic.com |
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4.5/5 |
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(2006) |
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"Cohen is a one-man-army of prodding laughs and ingenious performance art"
[movie review] |
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Filmcritic.com |
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3/5 |
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(2007) |
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"the man couldn't make a simple movie if he was handed the blueprints."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2009) |
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"as it was with Kelly's last film, the widely despised, decade-defining Southland Tales, The Box never allows you to get your hands completely around it"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2008) |
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"an effective workout of genre mechanics"
[movie review] |
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Filmcritic.com |
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4/5 |
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(2006) |
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"Welcome to the Spectacle of the Summer!"
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Filmcritic.com |
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3.5/5 |
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(2007) |
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"turns the espionage thriller into something that stresses the quiet moments over superfluous explosions"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2009) |
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"a smart, visual dialectic on the ease of showing certain creative processes and the impossibility of documenting others."
[movie review] |
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Filmcritic.com |
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4/5 |
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(1947) |
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"nuanced and subtle"
[movie review] |
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Filmcritic.com |
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3/5 |
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(2009) |
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"animalistic"
[movie review] |
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Filmcritic.com |
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4/5 |
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(2006) |
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"Pepe and Fulton seem to have mastered a certain ability to capture a time period while being authentic both to its trends and their style."
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Filmcritic.com |
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4/5 |
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(1991) |
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"In seeing the distracting, destructive nature of vanity, the film fascinates itself, and the audience, with a simply stated, terribly complex question: why can't we look away?"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2009) |
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"Moore's most personal film since Roger & Me: a lone, passionate man's hopeful search for answers to the very root of all of our socioeconomic problems"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2006) |
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"Alarming and unrelenting"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2006) |
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"Deneuve turns her uncertainty into a poetic, fierce performance"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2009) |
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"shifts its tone effortlessly between white-knuckle suspense and investigatory drama"
[movie review] |
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Filmcritic.com |
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4/5 |
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(2006) |
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"it understands the problems we're undoubtedly going to have to face but it also sees the hope that these challenges will no doubt bring out in some individuals"
[movie review] |
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Filmcritic.com |
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4.5/5 |
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(2008) |
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"a work of intoxicating genius."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2008) |
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"What initially bears the components of a typical retread of white-teacher-inspires-multi-ethnic-students melodrama turns out to be something much funnier than one might expect from the director of brooding dramas the likes of Time Out and Human Resources."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2006) |
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"anyone who has known what it's like to feel regret and loneliness wrap around you like a scarf will no doubt feel a kindred spirit at work"
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2009) |
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"inarguably Kaufman Lite, but I'm not sure if that's something to bemoan"
[movie review] |
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Filmcritic.com |
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4.5/5 |
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(2006) |
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"It's impossible to describe as anything less than reverie."
[movie review] |
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Filmcritic.com |
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5/5 |
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(1970) |
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"Bertolucci never made another film that even came close to The Conformist"
[movie review] |
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Filmcritic.com |
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4/5 |
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(1967) |
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"The lines and the character have survived the film's oft-forgotten actual message."
[movie review] |
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Filmcritic.com |
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