 |
|
|
|
|
Sort by
QUOTE |
|
|
|
|
|
|
| |
3.5/5 |
|
(2009) |
|
"oddly eloquent"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(1971) |
|
"an unsettling reminder that, more often than not, it is not overly clever traps but rather people who kill people."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2007) |
|
"nothing if not deeply Russian"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2006) |
|
"encapsulates everything one could hope for from a sophomore effort"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"Maybe the revolution should have been televised."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2006) |
|
"the most artsy spin on The Most Dangerous Game ever plunked down on the screen."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2009) |
|
"becomes whatever the viewer wants it to be."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2009) |
|
"This deep devotion to physicality and wordless expression has been part of Denis' repertoire for some time but it has never been so soulful and seductive."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2007) |
|
"In attempting to moralize the filth of the old West, Mangold sells out the genre's strongest asset."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2006) |
|
"a malcontent mindbender"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
5/5 |
|
(2008) |
|
"Devastating."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1/5 |
|
(2008) |
|
"Pacino feels like a bankable source to disguise mediocrity but a dud is a dud and Avnet is wholly indifferent"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2009) |
|
"In its first half, 9 pulls you in with the promise of discovery and the thrill of action but its endgame becomes muddier as it trudges along."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2006) |
|
"could have been an absolute stunner of fame-induced paranoia, but it's happy where it is"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2005) |
|
"should have gone for more"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2006) |
|
"expect an uneasy feeling of recycling."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2009) |
|
"overbearing and muddled... laborious and earnestly weighty."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2006) |
|
"cheated of some much-needed integrity"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"hits on something painful and intrinsically human: the feeling of inevitable disillusionment"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Grade-C SoCal exploitation."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2009) |
|
"an angry film for an angry country"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2008) |
|
"For those who felt that the 40 minutes of MTV's True Life were just not enough, your film has arrived."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2009) |
|
"as with all the greats, Jacobs is still discovering, and even the old stuff seems new again."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(1991) |
|
"radiantly beautiful filmmaking"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2009) |
|
"about as memorable as the proverbial stock picture that came with the frame"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
5/5 |
|
(1969) |
|
"a stunning, globetrotting spy masterpiece"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(1994) |
|
"the dazzling kick to the head it was always meant to be."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/4 |
|
(2007) |
|
"Wright's biggest problem comes in conveying the loneliness and isolation felt by the three characters."
[movie review] |
|
Reel.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"The transition from imagined drama to reality grows tedious."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2006) |
|
"gives off scents of melancholy and dread that are rarely seen in heist films"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2006) |
|
"wears off without any specific thing to be remembered by"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"In its wobbly whole, Away from Her lingers as a hazy, blurry account of fading moments."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2009) |
|
"The fifth film by British theater director Sam Mendes, Away We Go, is the most unkempt movie the director has made so far in his career"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2009) |
|
"Simultaneously absorbing and alienating"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(1992) |
|
"Keitel's performance is perhaps the needed counterpoint to Christopher Walken's ice-cold overlord in Ferrara's visionary crime opus King of New York"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/4 |
|
(2008) |
|
"The first film in some time that has attempted to bring Bressonian singularity and emotional depth to the American independent picture."
[movie review] |
|
Reel.com |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"The film's inconsequentiality isn't a matter of pedigree; it's a matter of effort"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"It relies so heavily on these short spurts of cameo comedians to keep the tired plot afloat."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"Just a few notches left of mediocrity."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2006) |
|
"a heist western that is devoid of thrills, sizzle, or any real humor"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"Donaldson's film, about a dangerous crime during a tumultuous time period, suffers from a filmmaker utterly uninterested in dangerous filmmaking."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"the most sustained and unshakable narrative film to investigate the occupation of Iraq"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2006) |
|
"I'd be lying if I didn't say this is one of the more original and piercing films I've seen in awhile."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2009) |
|
"a film that acknowledges time and age without completely giving into their grim results."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2007) |
|
"scattershot and misbegotten by even normal romantic comedy standards"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2005) |
|
"Siegel and McGehee give the film a deep emotional punch that never stoops to melodrama or sitcom clichés"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2009) |
|
"surpassingly fascinating"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"Lumet hasn't been this energetic and perceptive since The Verdict, released two-and-a-half decades ago."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2004) |
|
"I guarantee you nothing this cheesy happened during World War I."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
5/5 |
|
(1948) |
|
"there are few characters that are more fully realized and deeply felt as Ricci"
[movie review] |
|
Filmcritic.com |
|
|
