 |
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3.5/5 |
|
(2008) |
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"has all the right moves for a story that has already been filmed approximately 30 thousand times"
[movie review] |
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Filmcritic.com |
|
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3/5 |
|
(2007) |
|
"The rattling whispers of political critique come off as fledgling efforts to give the film an importance above what it is"
[movie review] |
|
Filmcritic.com |
|
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4/5 |
|
(1987) |
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"a grievously misunderstood piece of schizo art"
[movie review] |
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Filmcritic.com |
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3.5/5 |
|
(2006) |
|
"artful in showing the positive side of belief and the negative responses to freedom and free thinking"
[movie review] |
|
Filmcritic.com |
|
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3.5/5 |
|
(2007) |
|
"Beautifully paced with an eerily-consistent tone"
[movie review] |
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Filmcritic.com |
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2.5/5 |
|
(2005) |
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"one can't help but think that this is the first time that Ming-liang has let his daydream get away from him."
[movie review] |
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Filmcritic.com |
|
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2.5/5 |
|
(2007) |
|
"The Wayward Cloud finds Ming-liang in a rut and unable to elevate his neon wilderness to the heights of the rest of his consistently fascinating oeuvre."
[movie review] |
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Filmcritic.com |
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3.5/5 |
|
(2009) |
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"may not say enough about modern life on the web and on camera, but ignore what it does say at your own peril."
[movie review] |
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Filmcritic.com |
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3.5/5 |
|
(2008) |
|
"The show remains very funny and entertaining but for the first time since the first season, we are able to see the lonely, distraught woman in Nancy rather than the crafty mother wolf."
[movie review] |
|
Filmcritic.com |
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2/5 |
|
(2007) |
|
"I would have much rather watched Cassel and Stanton riff and try to pick up chicks for two hours. But life simply isn’t that sweet for me."
[movie review] |
|
Filmcritic.com |
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4/5 |
|
(2008) |
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"A prime specimen of American independent cinema"
[movie review] |
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Filmcritic.com |
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2/5 |
|
(2006) |
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"Who Killed the Electric Car? has no focus or reason apart from its history lesson."
[movie review] |
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Filmcritic.com |
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4/5 |
|
(2005) |
|
" section of life, with dramatics, emotions and all the trimmings laid bare"
[movie review] |
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Filmcritic.com |
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4.5/5 |
|
(2006) |
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"the best documentary about militarism and America's political reach that I've seen, just edging out the 1972 Vietnam documentary Winter Soldier."
[movie review] |
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Filmcritic.com |
|
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4.5/5 |
|
(1969) |
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"the sign of change in the old formula, the advancement of technology and time in a genre that brutally snuffed both"
[movie review] |
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Filmcritic.com |
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2.5/5 |
|
(2005) |
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"Perhaps if Judy Irving's The Wild Parrots of Telegraph Hill had been released in any other year, I wouldn't be so judgmental and hard to please"
[movie review] |
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Filmcritic.com |
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3.5/5 |
|
(2007) |
|
"Ultimately, the politics outweigh the poetry ... but it succeeds despite its hesitations and far-reaching ambition"
[movie review] |
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Filmcritic.com |
|
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2.5/5 |
|
(2006) |
|
"gets by solely on the fact that there's enthusiasm in it, but that enthusiasm never reaches out to embrace the audience."
[movie review] |
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Filmcritic.com |
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4/5 |
|
(1979) |
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"perhaps the most ballistic of Huston's late-period films"
[movie review] |
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Filmcritic.com |
|
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3/5 |
|
(2008) |
|
"evokes the meaninglessness of trying to find morals in war"
[movie review] |
|
Filmcritic.com |
|
|
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| |
4/5 |
|
(2006) |
|
"supremely refined"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1/5 |
|
(2008) |
|
"No cliché, no matter how it screams and pleads for mercy, makes it out of this baby untapped."
[movie review] |
|
Filmcritic.com |
|
|
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| |
4.5/5 |
|
(2008) |
|
"the resurrection, renovation, and reinvention of Mickey Rourke"
[movie review] |
|
Filmcritic.com |
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|
