 |
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2/5 |
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(2008) |
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"oozes a milieu of "good enough.""
[movie review] |
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Filmcritic.com |
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3.5/5 |
|
(2007) |
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"Sharply unsentimental and very funny"
[movie review] |
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Filmcritic.com |
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4/5 |
|
(2008) |
|
"For Walker fans, I imagine 30 Century Man will come as a bit of a vindication, having the knowledge that they knew this world before it had been fully documented and made ready for public consumption"
[movie review] |
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Filmcritic.com |
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2/5 |
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(2006) |
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"In plain terms, it's boring, but at least the soundtrack is good."
[movie review] |
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Filmcritic.com |
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1.5/5 |
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(2007) |
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"a rather rudimentary look at vengeance and survival"
[movie review] |
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Filmcritic.com |
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3/5 |
|
(2009) |
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"film feels like it has more to say but can't get the wording right"
[movie review] |
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Filmcritic.com |
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2/5 |
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(1996) |
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"Despite Gray's galvanic ability with action sequences, there are very few surprises to be found in Set It Off"
[movie review] |
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Filmcritic.com |
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3.5/5 |
|
(1950) |
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"an odd and upending entertainment, one that concludes that those on the opposite side of the world are nothing compared to those at home"
[movie review] |
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Filmcritic.com |
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5/5 |
|
(1956) |
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"gets everything right and we indeed feel this movie in our stomachs and hearts"
[movie review] |
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Filmcritic.com |
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4/5 |
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(2007) |
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"a giddy, deranged, pumped-up theme park ride in Bullet Land"
[movie review] |
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Filmcritic.com |
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2/5 |
|
(2009) |
|
"It's an impressively convoluted piece of writing, but it loses it shine when it becomes clear that neither Moffett nor Pate know where they are going with these stories"
[movie review] |
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Filmcritic.com |
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4/5 |
|
(2007) |
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"Moore's most sincere portrait of American life in the trenches since the groundbreaking Roger & Me."
[movie review] |
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Filmcritic.com |
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4/5 |
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(1965) |
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"a perfect introduction for Buñuel neophytes to begin to find their way through the filmmaker's devious groove"
[movie review] |
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Filmcritic.com |
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2.5/5 |
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(2009) |
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"isn't so much a bad movie as it is an unremarkable one"
[movie review] |
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Filmcritic.com |
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3/5 |
|
(2006) |
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"stays on the periphery of the issues and never attempts to really plunge into the psychosis of these situations"
[movie review] |
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Filmcritic.com |
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3/5 |
|
(2006) |
|
Click here to see the review!
[movie review] |
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Filmcritic.com |
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2/5 |
|
(2007) |
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"ambitious if not fatally amateurish"
[movie review] |
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Filmcritic.com |
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| |
2/5 |
|
(2008) |
|
"As the flash and burn of Boyle's imagery loses its sugar high, the limp proposition that it's covering up becomes more and more evident."
[movie review] |
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Filmcritic.com |
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| |
2.5/5 |
|
(2007) |
|
"grabs you by your lipstick-smudged collar and chucks you headfirst into a car-crash dizziness of crime, punishment, and bureau hobgob."
[movie review] |
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Filmcritic.com |
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3/5 |
|
(2006) |
|
"not nearly the car crash it could be"
[movie review] |
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Filmcritic.com |
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| |
3.5/5 |
|
(2009) |
|
"uses every second of his 70-minute runtime rather than adding on perfunctory storylines or resorting to expositional sequences"
[movie review] |
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Filmcritic.com |
|
|
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| |
2.5/5 |
|
(2006) |
|
"there is an idea of a movie here, but no real movie.
"
[movie review] |
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Filmcritic.com |
|
|
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| |
4/5 |
|
(2009) |
|
"documents the bass line running under the absurdly politicized, hyper-kinetic boxing match that found Muhammed Ali facing off against then-titan George Forman"
[movie review] |
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Filmcritic.com |
|
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| |
4.5/5 |
|
(2007) |
|
"There are so many ideas sliding into Kelly's swirling vortex of pop culture overload and apocalyptic forecasting that it's understandable not to find coherence in it."
[movie review] |
|
Filmcritic.com |
|
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| |
3.5/5 |
|
(1994) |
|
"a small, formidable film that seems to pride itself on looking at the oedipal complex in new, fresh ways"
[movie review] |
|
Filmcritic.com |
|
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| |
1/5 |
|
(2009) |
|
"indifferent to storytelling, craft and, dare I mention, fresh ideas"
[movie review] |
|
Filmcritic.com |
|
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3.5/5 |
|
(2008) |
|
"Never less than enthusiastically fascinating"
[movie review] |
|
Filmcritic.com |
|
|
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| |
3.5/5 |
|
(2008) |
|
"Engrossing if inexcusably flashy"
[movie review] |
|
Filmcritic.com |
|
|
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| |
4/5 |
|
(2005) |
|
"Films like this don’t allow you to anticipate what’s coming, deciding to instead sneak into your body and astound you with the widest range of emotions"
[movie review] |
|
Filmcritic.com |
|
|
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| |
3.5/5 |
|
(2007) |
|
"boils a rambunctious issue down to the personal bruises"
[movie review] |
|
Filmcritic.com |
|
|
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| |
4/5 |
|
(2008) |
|
"Still Life is all about these common people existing in a world that seems more and more unreal"
[movie review] |
|
Filmcritic.com |
|
|
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| |
2/5 |
|
(2006) |
|
"muddled in the monotonous"
[movie review] |
|
Filmcritic.com |
|
|
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| |
2/5 |
|
(2007) |
|
"If there is any sort of cultural relevance to be found in a movie like Stomp the Yard, it's that spectacles don't even matter anymore: We just need the possibility of a spectacle."
[movie review] |
|
Filmcritic.com |
|
|
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| |
3.5/5 |
|
(2006) |
|
"as natural as milk and cookies"
[movie review] |
|
Filmcritic.com |
|
|
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| |
3.5/5 |
|
(2009) |
|
"a movie in search of the yearning for even the smallest American dream"
[movie review] |
|
Filmcritic.com |
|
|
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| |
4/5 |
|
(2009) |
|
"Assayas' film has more than a few lofty questions concerning art, nostalgia, and the national culture but he understands that ultimately history and culture are far more personal than one can imagine"
[movie review] |
|
Filmcritic.com |
|
|
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| |
3.5/5 |
|
(2008) |
|
"The saying goes "There's a time and a place for everything, and it's called college." Who knew that included actually caring about something?"
[movie review] |
|
Filmcritic.com |
|
|
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| |
4/5 |
|
(2005) |
|
"a film that tricks you under its mindfully slow pace by finding the moments in a character, tyrant or not, where you see where they are and who they are"
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
3/5 |
|
(2009) |
|
"Surveillance isn't rewriting history, but it's a solid, entertaining third draft."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4.5/5 |
|
(2007) |
|
"an essential piece of cinematic art"
[movie review] |
|
Filmcritic.com |
|
|
