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Sources
• Filmcritic.com
• MovieWeb
• Reel.com
Total Reviews: 442
Chris Cabin

NEWS & FEATURES
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2/5
     (2008)      "too cluttered to be engrossing or even entertaining" [movie review]      Filmcritic.com   
  
4/5
     (1966)      "The fresh bombast of U.S.A.'s abnormal groove may not measure up to the other elaborate, beautiful contraptions that were made in Godard's peak years, but it makes many current films look stagnant, if not outright dated." [movie review]      Filmcritic.com   
  
5/5
     (1962)      "In class dynamics, Mafioso infiltrates every facet of life, summing up the rudimentary boredom of the man from Milan while not turning a deaf ear to the crimes of the Sicilian assassin." [movie review]      Filmcritic.com   
  
3.5/5
     (2005)      "has a knack for sniffing out our dark areas without pity" [movie review]      Filmcritic.com   
  
3.5/5
     (1941)      "has moments of ingenuity and, at times, reflects the prowess of its creator but it's also a testament to sheer talent" [movie review]      Filmcritic.com   
  
3.5/5
     (2006)      "introspective, refreshingly unpretentious" [movie review]      Filmcritic.com   
  
3.5/5
     (2006)      "tastes like cough syrup; we may not like what we see but we really need to see it" [movie review]      Filmcritic.com   
  
3.5/5
     (2006)      "sets off a mesmerizing sense of dazzle" [movie review]      Filmcritic.com   
  
4/5
     (2008)      "Somehow turns confusion into a concise study on what it means to believe in god in this day and age." [movie review]      Filmcritic.com   
  
4/5
     (2009)      "a densely constructed, immensely entertaining 114 minutes" [movie review]      Filmcritic.com   
  
3/5
     (2009)      "As the lonely, complex and friendly Stone, Harrelson evokes the experience of The Messenger as sturdily as a freshly pinned medal of valor." [movie review]      Filmcritic.com   
  
4.5/5
     (1990)      "has the humor, warmth, and satirical edge to make it a tragically forgotten classic" [movie review]      Filmcritic.com   
  
3.5/5
     (1969)      "describing it somewhat in the vein of teaching a humpback whale how to solve a Rubik's cube" [movie review]      Filmcritic.com   
  
1/5
     (2006)      "a bloated waste of time and money... an unequivocal low. " [movie review]      Filmcritic.com   
  
1/5
     (2009)      "uses its R rating as perhaps an eight-year-old would: to drop the F-bomb constantly and to show poop." [movie review]      Filmcritic.com   
  
2/5
     (2006)      "Missing that childlike love for nature and animals that Beatrix must have had, and in turn, forgets what it's like to have an imagination." [movie review]      Filmcritic.com   
  
2/5
     (2009)      "neither the existential 70s crime thriller it wants to be nor the apocalyptic fever dream it could have been" [movie review]      Filmcritic.com   
  
3/5
     (2009)      "By film's end, it feels like you've been talking to the same robot as always." [movie review]      Filmcritic.com   
  
1.5/5
     (2008)      "not nearly enough action and gore, and there's far too much time spent on uncovering secrets and tracking down random tidbits" [movie review]      Filmcritic.com   
  
1/5
     (2009)      "gets stuck in the starting gate, unsure of what kind of film it wants to be." [movie review]      Filmcritic.com   
  
3/5
     (2007)      "a low-concept equivalent of Sacha Baron Cohen's Borat" [movie review]      Filmcritic.com   
  
1.5/5
     (2007)      "completely aimless and without the slightest sense of fun" [movie review]      Filmcritic.com   
  
4/5
     (2009)      "intelligent enough to understand where history and blood are built into Rwanda but realistic enough to know that forgiveness is a long way off." [movie review]      Filmcritic.com   
  
3/5
     (2006)      "works best as an Italian dramedy with its history used as window dressing and any original thought kept happily to itself." [movie review]      Filmcritic.com   
  
4/5
     (2008)      "an awfully funny rendering of his home life as the runt of the litter" [movie review]      Filmcritic.com   
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