 |
|
|
|
|
|
|
|
|
|
|
|
| |
4.5/5 |
|
(2006) |
|
"meatier than anything that's likely to be released this year"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"Unlike its subject matter, there's just nothing spectacular or unique about Rose."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2005) |
|
"He wants to get into the black heart of revenge, and his films are testaments to that journey.
"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"it's hard to imagine a more honest and clear-headed documentary that's been made or will be made on the subject of abortion."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2009) |
|
"has an even less assuming sense of comedy to it but is far more consistent in its gags"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2008) |
|
"by a wide margin, the director's weakest effort to date"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1/5 |
|
(2006) |
|
"Is this what we have stooped to for leftist political films? Robert Edwards' film for one reason or another really thinks it's saying something."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(1950) |
|
"the film would not register above passable if not for its central figure"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"Breillat's latest presents one of the great performances of this year and the director's most accessible work to date"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4.5/5 |
|
(1971) |
|
"a world where the parental figures are never the real parents and almost everyone in plain view is still in some way a kid, regardless of the number of years they've lived."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(1961) |
|
"inexplicable and lovely; a fever dream without symptoms, an asylum run by the inmates."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4.5/5 |
|
(1962) |
|
"might now finally find itself as a key part of post-Algerian France."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2006) |
|
"You could call it anything but by-the-book."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
5/5 |
|
(1967) |
|
"Making films this good wasn’t a principle for Melville, it was a habit."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2006) |
|
"It's rare that a thriller holds us in such unawareness while still completely immersing us in story and character."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2008) |
|
"blithely impersonal, formulaic, and without flavor"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"With HBO's eccentric True Blood series and Twilight galvanizing vampiric bloodlust, Let the Right One In might not be invited to the party, but it belongs in the hall of fame."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2005) |
|
"a substantial first outing"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"dumbfounding the audience once again, mixing the metaphysical with the meanderingly amusing."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2009) |
|
"unwaveringly rhythmic"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2006) |
|
"may not be the great follow-up we wanted after In the Bedroom, but it still verifies that the skill he showed there is no fluke"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2006) |
|
"powerhouse acting, all around"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2009) |
|
"comes off as indecisive"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1/5 |
|
(2006) |
|
"I've seen more ferocious, and entertaining, spectacles at Raffi concerts."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2007) |
|
"Lonely Hearts can't help but trip on its Hollywood aesthetic standards."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2006) |
|
"simple and hushed, and that might be the key to the whole dang thing."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2009) |
|
"feels like a summation of the Dardenne's work so far"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2008) |
|
"the sort of low-budget mix of social realism, crime and horror that makes Hollywood productions look downright condescending"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"Schnabel and Kuras know their subject enough to know how to frame him: with space, darkness, and unyielding cool."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2008) |
|
"a light and playful story about sex and love but doesn't really say anything specific about either one"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2006) |
|
"What's lacking here is the cold-eyed structure of a storyteller and filmmaker, both in the writing and the direction."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"If you're going to play with taboo, you better be ready to break the thing."
[movie review] |
|
Filmcritic.com |
|
|
