 |
|
|
|
|
|
|
|
|
|
|
|
| |
4/5 |
|
(2009) |
|
"Simultaneously absorbing and alienating"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(1992) |
|
"Keitel's performance is perhaps the needed counterpoint to Christopher Walken's ice-cold overlord in Ferrara's visionary crime opus King of New York"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/4 |
|
(2008) |
|
"The first film in some time that has attempted to bring Bressonian singularity and emotional depth to the American independent picture."
[movie review] |
|
Reel.com |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"The film's inconsequentiality isn't a matter of pedigree; it's a matter of effort"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"It relies so heavily on these short spurts of cameo comedians to keep the tired plot afloat."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"Just a few notches left of mediocrity."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2006) |
|
"a heist western that is devoid of thrills, sizzle, or any real humor"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"Donaldson's film, about a dangerous crime during a tumultuous time period, suffers from a filmmaker utterly uninterested in dangerous filmmaking."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"the most sustained and unshakable narrative film to investigate the occupation of Iraq"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2006) |
|
"I'd be lying if I didn't say this is one of the more original and piercing films I've seen in awhile."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2009) |
|
"a film that acknowledges time and age without completely giving into their grim results."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2007) |
|
"scattershot and misbegotten by even normal romantic comedy standards"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2005) |
|
"Siegel and McGehee give the film a deep emotional punch that never stoops to melodrama or sitcom clichés"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2009) |
|
"surpassingly fascinating"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"Lumet hasn't been this energetic and perceptive since The Verdict, released two-and-a-half decades ago."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2004) |
|
"I guarantee you nothing this cheesy happened during World War I."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
5/5 |
|
(1948) |
|
"there are few characters that are more fully realized and deeply felt as Ricci"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1/5 |
|
(2006) |
|
"the audience can't help but feel the lack of effort and heart in this film"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2009) |
|
"a work of faith that treats the tenants of its story with as much respect as it treats the medium in which it operates."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"Maybe it's not exactly what Romero had in mind, but for pure insanity, Black Sheep does its job and it does it well."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"Colored fully within the lines and with scant few moments of fascination"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2008) |
|
"What was a poetic, exhaustively-brilliant piece of fiction has now become a clunky, clattering, ever-collapsing film of bludgeoning rhetoric"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"absolutely silly"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2006) |
|
"has so many storylines that it becomes near impossible to give a flip about any particular one."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4.5/5 |
|
(2006) |
|
"Cohen is a one-man-army of prodding laughs and ingenious performance art"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"the man couldn't make a simple movie if he was handed the blueprints."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2009) |
|
"as it was with Kelly's last film, the widely despised, decade-defining Southland Tales, The Box never allows you to get your hands completely around it"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2008) |
|
"an effective workout of genre mechanics"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2006) |
|
"Welcome to the Spectacle of the Summer!"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"turns the espionage thriller into something that stresses the quiet moments over superfluous explosions"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Not quite a misdemeanor, but definitely nothing to celebrate."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2006) |
|
"conjures up ideas of suicide and why people do it, but it never fully explores them"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1/5 |
|
(2005) |
|
"the worst film of the year... a fraud of the highest order"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2009) |
|
"a smart, visual dialectic on the ease of showing certain creative processes and the impossibility of documenting others."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(1947) |
|
"nuanced and subtle"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2009) |
|
"animalistic"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2006) |
|
"Pepe and Fulton seem to have mastered a certain ability to capture a time period while being authentic both to its trends and their style."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(1991) |
|
"In seeing the distracting, destructive nature of vanity, the film fascinates itself, and the audience, with a simply stated, terribly complex question: why can't we look away?"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2009) |
|
"transitions so fluidly from an unremarkable multi-narrative to abhorrently over-sentimentalized trash"
[movie review] |
|
Filmcritic.com |
|
|
