 |
|
|
|
|
|
|
|
|
|
|
|
| |
2/5 |
|
(2008) |
|
"Arty to the nth degree, splintered and, yes, fragmented"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
Click here to see the review!
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"has neither the weight nor the ingenuity to make a solid impression past its unorthodox dispatching techniques."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"the most sustained and unshakable narrative film to investigate the occupation of Iraq"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"You'll have to forgive the pun, but it simply lacks bite."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2008) |
|
"Engrossing if inexcusably flashy"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2008) |
|
"filmmaking for filmmaking's sake."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1/5 |
|
(2008) |
|
"Pacino feels like a bankable source to disguise mediocrity but a dud is a dud and Avnet is wholly indifferent"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2008) |
|
"Never less than enthusiastically fascinating"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2008) |
|
"Well-restrained and rarely melodramatic"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4.5/5 |
|
(2008) |
|
"You won't see anything as rapturous as this in any film this year."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"Beautifully paced with an eerily-consistent tone"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2008) |
|
"works best as an Italian dramedy with its history used as window dressing and any original thought kept happily to itself."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2008) |
|
"ends up feeling like a boring limerick told over and over again."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"hits on something painful and intrinsically human: the feeling of inevitable disillusionment"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"absolutely silly"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2008) |
|
"a light and playful story about sex and love but doesn't really say anything specific about either one"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"Colored fully within the lines and with scant few moments of fascination"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"It seems that the old dictum of never building a house on an ancient Indian burial ground goes double, if not triple, for corporations."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2008) |
|
"The saying goes "There's a time and a place for everything, and it's called college." Who knew that included actually caring about something?"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"Not crazy enough by a measure, CJ7 beats out family-film duds like The Spiderwick Chronicles in sheer buoyancy alone."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
5/5 |
|
(2008) |
|
"The one facet that separates Paranoid Park from the director's previous work is the way Van Sant uses all the talents in his arsenal to create something that few films have ever attempted to portray: the manic assemblage of teenage life."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"Donaldson's film, about a dangerous crime during a tumultuous time period, suffers from a filmmaker utterly uninterested in dangerous filmmaking."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"Perhaps it's unfair to consider Morelli's film against Meirelles': You might as well compare a company newsletter to Candide."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"a striking debut"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"Chop Shop is an oddity to be stared at thoroughly. What it should be, and what I'm sure Bahrani wanted it to be, was something to be deeply contemplated."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"There won't be an image this year that quite compares to the sight of a black-garmented Béatrice Dalle cutting open the stomach of a pregnant woman with a pair of knitting scissors"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"so completely ousts love and romance as a mere act that you expect curtains to sweep in at the end."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2008) |
|
"The Counterfeiters joins that class of films like Tsotsi and The Sea Inside that are just good enough to look like they matter"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"a good start to the year in horror."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1.5/5 |
|
(2007) |
|
"further proof that Ferris Bueller is dead"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"a full-blooded satire"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(1991) |
|
"Jarmusch's most accessible exercise to date while also his least seen"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"borders on being something immensely powerful, and then, as if shy or ashamed of its promise, flips its wig and falls back on convention."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"Just a few notches left of mediocrity."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(1987) |
|
"a grievously misunderstood piece of schizo art"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
5/5 |
|
(2008) |
|
"Devastating."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"supremely refined"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"The rattling whispers of political critique come off as fledgling efforts to give the film an importance above what it is"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"The transition from imagined drama to reality grows tedious."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"Witty and honest."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/4 |
|
(2007) |
|
"Butterfly colors inside the lines but it does so with a dandy sense of personal rhythm."
[movie review] |
|
Reel.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"Butterfly colors inside the lines but it does so with a dandy sense of personal rhythm."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"Sharply unsentimental and very funny"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
5/5 |
|
(2007) |
|
"Haynes' film, certainly his masterpiece to date and one of the year's best"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4.5/5 |
|
(2007) |
|
"There are so many ideas sliding into Kelly's swirling vortex of pop culture overload and apocalyptic forecasting that it's understandable not to find coherence in it."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(1976) |
|
"A dunce who can fight with a contagious likability: Now that's American."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"the neo-western byproduct of a deranged and adrift zeitgeist"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"Lumet hasn't been this energetic and perceptive since The Verdict, released two-and-a-half decades ago."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Even more than its lame dissection of white grief, Road has no moments of actual tension for a film that has been called, in many publications, a thriller."
[movie review] |
|
Filmcritic.com |
|
|
