 |
|
|
|
|
|
|
Sort by
SOURCE |
|
|
|
|
| |
|
|
(2009) |
|
"A flat-out gorgeous vision of a devastated world whose script is as thin and formulaic as the imagery is rich and original."
[movie review] |
|
AMCtv.com |
|
|
|
|
| |
|
|
(2009) |
|
"A streak of genius runs through this dystopian vision of a world in where VR games are played with real people ... it touches some exposed nerves before retreating into clichés."
[movie review] |
|
AMCtv.com |
|
|
|
|
| |
|
|
(2009) |
|
"If you love a nerve-stretching build up to a seriously creepy payoff, you'll want to see for yourself."
[movie review] |
|
AMCtv.com |
|
|
|
|
| |
9/10 |
|
(1998) |
|
"The film rests firmly on the shoulders of Streep and, to a lesser degree, Zellweger. Their performances, and Carl Franklin's understated direction keep the tears and life-affirming revelations from congealing into chicken shmaltz for the soul."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
8/10 |
|
(1998) |
|
"Witty!"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
7/10 |
|
(1998) |
|
"Brash, stupid and surprisingly watchable!"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
|
|
(2007) |
|
"Devolves into a cavalcade of gee-whiz special effects, psychological sturm und drang and false endings."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2001) |
|
"Doesn't work on any coherent level."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1997) |
|
"As a social-problem picture, 187 is a great music-video."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2006) |
|
"Handsomely photographed but painfully fey."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
8/10 |
|
(2000) |
|
"The good news is, Arnold Schwarzenegger's commitment probably got this ambitious sci-fi thriller made. The bad news is, it would have been better without him."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1997) |
|
"A mix of twisted brilliance and drearily predictable sequel contrivances."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1999) |
|
"Beautifully acted."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2001) |
|
"The Animal is nowhere near as shockingly tasteless as it could be."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"Stephen King's 1982 Different Seasons collection has been a gold mine for moviemakers:"
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"Never let it be said that Armageddon errs on the side of subtlety"
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1999) |
|
"Makes the most of the shopworn material, delivering quiet chills and a genuinely eerie atmosphere."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"A disaster."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2000) |
|
"Movies this dreadful don't come along every day, and hugely expensive movies this wrong-headed, cliched and just plain stupid are rarer still."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1999) |
|
"A comic invention that simply must be seen to be believed."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
" Make no mistake: Style is paramount in Belly, a flashy, trashy look at the gangsta' life, which Hype Williams has exploited in videos for Puff Daddy, Mase, Tupac Shakur..."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"Delivers the frat-boy goods but its coarseness and vulgarity limit its appeal to relatively undemanding audiences."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"Since The Big Lebowski doesn't have an idea in its head, it has to fill the empty space with 'witty' conceits"
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"Fortunately, Mr. Buffed-Up the Vampire Slayer is surrounded by a hugely entertaining supporting cast."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2000) |
|
"Doesn't add up to much beyond a great set of conceits."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1997) |
|
"A miserable misfire."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2007) |
|
"Director Shimit Amin and his cast bring considerable conviction to familiar characters and situations."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2001) |
|
"Bana is nothing short of brilliant: Even when the movie Chopper meanders, Bana's Chopper Read is utterly mesmerizing."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"A black comedy of murder and very bad luck."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2003) |
|
"Give[s] human voices to what are usually presented as abstract issues."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"A surprisingly haunting confection."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"Goes for two and three climaxes, blows up far too many things, and generally wears out its welcome before it's over."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"A high-concept horror picture that squanders its premise from the first frame."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2001) |
|
"As formulaic an action movie as ever graced the screen."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1997) |
|
"You have to give Seagal points for having his heart in more or less the right place, but Fire Down Below is a hugely silly movie."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1997) |
|
"Simultaneously coolly stylized and surprisingly emotionally persuasive."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1999) |
|
"The whole thing has an off-puttingly thrown-together air."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2001) |
|
"The result is derivative but still entertaining."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1997) |
|
"It's genuinely clever, and builds to a spectacular--if not altogether satisfying--conclusion."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
--
|
|
(1997) |
|
Click here to see the review!
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1999) |
|
"in a profoundly unethical world where even the Mafia code of honor and devotion to the family has been degraded by cowboys whose first loyalty is to their own sorry asses"
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2000) |
|
"Too bad that when you peel away the flashy cars, the sharp-dressed cast and the squealing brakes, there's no movie underneath."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2001) |
|
"There's a gaping hole at the film's center. And, at a brief 80 minutes, it still feels padded"
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"It's a blast."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1998) |
|
"Anyone who goes in expecting unbridled dopey fun will be disappointed."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2008) |
|
"This old-fashioned thriller about satanic pacts and collateral damage delivers tame shocks and a cast full of TV-friendly faces, from Gossip Girl heartthrob Chace Crawford to Jake Weber of Medium."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1996) |
|
"A genuinely creepy and entirely worthy follow-up to McNaughton's film."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(1996) |
|
"Feels 100-percent false, stagy and stylish."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2007) |
|
"Inevitably lacks the element of vicious surprise that helped make Hostel a surprise hit, but it's a worthy follow-up with a couple of nifty tricks up its sleeve."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
|
|
(2008) |
|
"The real problem here is the vacuous Hilton, who not only can't act -- that was a given -- but also has no screen presence whatsoever."
[movie review] |
|
Film Journal International |
|
|
