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Total Reviews: 2233
Maitland McDonagh

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3/4
     (2007)      "De Felitta's portrait of Paris -- who died in June 2004 -- isn't always flattering, but it is genuinely moving on many levels, none of which require knowledge of or even interest in jazz." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2006)      "An icy plunge into the dark depths of the human mind." [movie review]      TV Guide's Movie Guide   
  
     (2009)      "A rare example of a flat-out Indian horror movie [that] borrows liberally from The Amityville Horror playbook and familiar Asian horror tropes, but the haunted soap opera is a new wrinkle." [movie review]      Miss FlickChick   
  
3/4
     (2006)      "The film's saving grace isn't that its plot is particularly unpredictable, it's that [director Richard] Donner and screenwriter Richard Wenk give the actors time to put some flesh on their characters' bones." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2007)      "It's about finding someone whose assets outweigh the flaws and hoping that that person is mature enough to do the same for you. Weighty and downbeat though that sounds, [Delpy's] film is delightfully light." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2005)      "Though it ultimately devolves into megabudget Hollywood action-movie cliches by way of John Woo, Lee's handsome blockbuster is an entertaining variation on the American formulas that have colonized world cinema." [movie review]      TV Guide's Movie Guide   
  
4/5
     (2005)      "An intoxicatingly beautiful, maddeningly elliptical and utterly enthralling meditation on the fleeting pleasures and haunting aftermath of doomed romance." [movie review]      TV Guide's Movie Guide   
  
     (2000)      "Funny, thought-provoking and, yes, touching." [movie review]      TV Guide's Movie Guide   
  
3.5/5
     (2003)      "This unrelenting horror tale's paranoid genius lies in equating free-floating wrath and physical sickness." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2007)      "Flawed, but it knows where it's going, and it gets there in a chilling blaze of fire, blood and poisonous fog." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2005)      "While most anthology films have one standout and one weak link, all three tales are short, sharp shockers." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2007)      "Vampires stage a blood orgy in a tiny Alaskan town that spends a month of every year sunk in the darkness of polar winter in this gory adaptation of Steve Niles' popular graphic novel." [movie review]      TV Guide's Movie Guide   
  
2.5/5
     (2002)      "The movie's low budget shows, but the competent (many of them also sitcom veterans) cast keeps things moving smoothly." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2007)      "It may not be by-the-book history -- a relative term in any event, when discussing the ancients whose worldview embraced men, gods and monsters -- but what a spectacle!" [movie review]      TV Guide's Movie Guide   
  
3/4
     (1998)      "Time and tragedy may have flattened the four girls into remote paragons of youthful virtue, but the viciousness of anti-integrationist rhetoric is palpable and should never be forgotten." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2004)      "Though Quentin Tarantino's influence is clear, writer-director Pen-Ek Ratanaruang imbues this material with an engaging energy and a bittersweet undercurrent of alienated sorrow that makes it seem fresh." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2002)      "This theatrical whim is like a dessert so rich it's almost inedible but too irresistible to put down." [movie review]      TV Guide's Movie Guide   
  
3/5
          "Pays homage to the golden age of spaghetti Westerns and gleefully skewers the romantic image of cowboy righteousness that fuels American theme parks, country music, political campaigns and cigarette ads." [movie review]      TV Guide's Movie Guide   
  
    
9
(2009)
     "A flat-out gorgeous vision of a devastated world whose script is as thin and formulaic as the imagery is rich and original." [movie review]      AMCtv.com   
  
2.5/5
     (2005)      "Aimed at the head rather than the heart, Karz's film is intended to encourage wide-ranging thought and promote constructive debate, useful ambitions in a post-9/11 world too often characterized by hard-line ideology and us-against-them thinking." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2006)      "Richard Linklater wraps novelist Philip K. Dick's paranoid, prescient nightmare of addiction and identity lost down the rabbit hole in the same rotoscoped animation that helped produce the blissed-out groove of his Waking Life." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2001)      "A slickly crafted fable, however dark, but it's shot with haunting poetry." [movie review]      TV Guide's Movie Guide   
  
     (2001)      "The film's style is best described as utilitarian, but it gets the job done." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2005)      "There's no denying that Alan Abel is a character, and any glimpse behind the schemes is better than none." [movie review]      TV Guide's Movie Guide   
  
3.5/5
     (2001)      "A raw, haunting experience." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2006)      "Schifrin's modest thriller delivers some gross-out gore in the last third, but spends most of its running time building up a tidy atmosphere of mounting dread." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2001)      "Sweet, likable and consistently engaging, if so insubstantial that it's always on the verge of blowing away." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2007)      "[Director Taymor's] reach exceeds her grasp for a good half of its two-hour plus running time. But the other half is breathtaking, simultaneously visually inventive and vividly attuned to the broad streak of melancholy that runs through the 1960s." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2001)      "Rodriguez's film captures the grinding routine of street-level drug use with numbing precision." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2004)      "Barker elicits fine performances from all three leads, and well-known French actress Richard's English-language debut is a lovely addition to her extensive body of work." [movie review]      TV Guide's Movie Guide   
  
2.5/5
     (2003)      "Broomfield's film is typically self-aggrandizing but filled with unsettling moments." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2007)      "Fascinating? Absolutely." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2002)      "Subtle performances and the 'you are there' immediacy conferred by digital video give Roy's film the feel of a series of stolen moments." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2006)      "Sentimental, manipulative, predictable and utterly charming, writer-director Doug Atchison's underdog tale revolves around an indifferent student who blossoms after heeding the siren call of competitive spelling." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2006)      "The film's heart is Magdiel and the modest dreams that get him through the day but may also be the death of him." [movie review]      TV Guide's Movie Guide   
  
3.5/5
     (2002)      "An intricate tale of guilt, grief and dark serendipity...so deft it's hard not to gasp with delight as the plot's pieces slide into place and its machinery begins humming." [movie review]      TV Guide's Movie Guide   
  
     (2009)      "If imitation is the sincerest form of flattery, It Came From Outer Space should be blushing like a schoolgirl, because this deadpan recreation of 1950s sci-fi movies is a tribute to its low-budget, high minded charms." [movie review]      Miss FlickChick   
  
2.5/5
     (2005)      "In the end, you have to give Cameron points for putting his financial muscle behind scientific expeditions rather than, say, lavish parties." [movie review]      TV Guide's Movie Guide   
  
3.5/5
     (2002)      "Unfolds in a series of achronological vignettes whose cumulative effect is chilling." [movie review]      TV Guide's Movie Guide   
  
9/10
     (1999)      "A celebration of friendship, family and resilience that's touching without ever being cloying." [movie review]      TV Guide's Movie Guide   
  
2.5/5
     (2002)      "It's refreshingly low-tech, more like a '70s action movie than a modern-day one." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (1999)      "Based on a 1969 novel by the late Walker Hamilton, this moody film is ravishingly beautiful to look at and refreshingly unlike the glib, movie-centric crime thrillers so popular with younger first-time directors." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2005)      "Spare, elegant and tailor-made for intense discussions over dark coffee, Boe's film is a slily bold and delightfully inventive variation on an age-old theme." [movie review]      TV Guide's Movie Guide   
  
3.5/5
     (2004)      "Deville gently reveals that they're all simultaneously hauntingly fragile and amazingly resilient, their smiles as piercing as any resigned gaze." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2007)      "Through Hanks' and Talancon's subtle, naturalistic performance [writer-director Eric Nicholas] cultivates a human dimension often missing from thrillers." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2003)      "Though overlong and repetitive, Hirsch's film is vitalized by the same music that helped keep the revolutionary spirit alive." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2007)      "[The screenwriter] does an admirable job of streamlining a story that unfolds over the course of 20 years. Meanwhile, Apted allows his fine cast the breathing room to make historical figures feel like living, breathing people rather than waxworks." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2008)      "Rios is the glue that holds Johannesson's neither-fish-nor-fowl film together:" [movie review]      TV Guide's Movie Guide   
  
3/5
     (2001)      "Tautou's charisma conquers all." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2008)      "A sprawling, messy, frustrating and impassioned examination of the psychological fallout from America's obsession with a highly artificial and all-but unattainable standard of beauty." [movie review]      TV Guide's Movie Guide   
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