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Sort by
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2/4 |
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(1997) |
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"Graceless star Tripplehorn -- who's called upon to execute a painful series of pratfalls in a high-tech restaurant -- is not a natural comedian, and overall the movie is awkward and leaden."
[movie review] |
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TV Guide's Movie Guide |
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3/4 |
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(2007) |
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"De Felitta's portrait of Paris -- who died in June 2004 -- isn't always flattering, but it is genuinely moving on many levels, none of which require knowledge of or even interest in jazz."
[movie review] |
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TV Guide's Movie Guide |
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2.5/4 |
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(1999) |
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"Gil Junger's TV roots are revealed in his excessive reliance on close-ups and the cast's preponderance of TV actors."
[movie review] |
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TV Guide's Movie Guide |
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(2001) |
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"Though the film ... has been described by some critics as 'Almodovar-esque,' actor-turned-director Baltasar Kormakur's sensibility is far less outrageous."
[movie review] |
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TV Guide's Movie Guide |
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2/5 |
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(2000) |
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"It's a good thing the dogs are as adorable as they are, because there's not much going on around them."
[movie review] |
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TV Guide's Movie Guide |
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2.5/4 |
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(2006) |
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"The narrative is cluttered with backstory -- and the endless digressions overwhelm the efforts of a generally strong cast that includes cameos by Val Kilmer and by Ligati as one of Reggio's foot soldiers."
[movie review] |
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TV Guide's Movie Guide |
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(2009) |
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"Wrestling star John Cena is the dead weight that drags down this brainless but energetic action picture."
[movie review] |
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The Hollywood Reporter |
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3/4 |
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(2006) |
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"An icy plunge into the dark depths of the human mind."
[movie review] |
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TV Guide's Movie Guide |
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(2009) |
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"A rare example of a flat-out Indian horror movie [that] borrows liberally from The Amityville Horror playbook and familiar Asian horror tropes, but the haunted soap opera is a new wrinkle."
[movie review] |
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Miss FlickChick |
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7/10 |
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(1999) |
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"Feels like a bit of a rehash!"
[movie review] |
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TV Guide's Movie Guide |
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6/10 |
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(1999) |
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"Murky, all - but - impossible to follow battle sequences."
[movie review] |
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TV Guide's Movie Guide |
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(2007) |
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"Devolves into a cavalcade of gee-whiz special effects, psychological sturm und drang and false endings."
[movie review] |
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Film Journal International |
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(2001) |
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"Doesn't work on any coherent level."
[movie review] |
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Film Journal International |
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2/5 |
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(2001) |
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"This would be a more provocative cri de coeur if the ideas weren't just buzzing around like a swarm of enraged bees."
[movie review] |
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TV Guide's Movie Guide |
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3/4 |
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(2006) |
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"The film's saving grace isn't that its plot is particularly unpredictable, it's that [director Richard] Donner and screenwriter Richard Wenk give the actors time to put some flesh on their characters' bones."
[movie review] |
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TV Guide's Movie Guide |
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(1997) |
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"As a social-problem picture, 187 is a great music-video."
[movie review] |
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Film Journal International |
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3/4 |
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(2007) |
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"It's about finding someone whose assets outweigh the flaws and hoping that that person is mature enough to do the same for you. Weighty and downbeat though that sounds, [Delpy's] film is delightfully light."
[movie review] |
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TV Guide's Movie Guide |
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2/5 |
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(2003) |
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"2 shallow 4 words."
[movie review] |
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TV Guide's Movie Guide |
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3/4 |
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(2005) |
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"Monica Cervera's fearless performance as the homely Marieta, whose movie-made dreams of glamour will never come true, is mesmerizing."
[movie review] |
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TV Guide's Movie Guide |
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3/5 |
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(2005) |
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"Though it ultimately devolves into megabudget Hollywood action-movie cliches by way of John Woo, Lee's handsome blockbuster is an entertaining variation on the American formulas that have colonized world cinema."
[movie review] |
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TV Guide's Movie Guide |
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4/5 |
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(2005) |
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"An intoxicatingly beautiful, maddeningly elliptical and utterly enthralling meditation on the fleeting pleasures and haunting aftermath of doomed romance."
[movie review] |
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TV Guide's Movie Guide |
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2.5/4 |
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(2008) |
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"The end result is still utterly predictable, thoroughly disposable and less true than truthy."
[movie review] |
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TV Guide's Movie Guide |
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2/4 |
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(2008) |
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"Light, formulaic and soft around the middle, choreographer-turned-director Anne Fletcher and Aline Brosh McKenna's 'always a bridesmaid... ' tale doesn't miss a pop-psych or pop-culture cliché en route to its fairy-tale ending."
[movie review] |
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TV Guide's Movie Guide |
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(2000) |
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"Funny, thought-provoking and, yes, touching."
[movie review] |
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TV Guide's Movie Guide |
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3.5/5 |
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(2003) |
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"This unrelenting horror tale's paranoid genius lies in equating free-floating wrath and physical sickness."
[movie review] |
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TV Guide's Movie Guide |
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3/4 |
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(2007) |
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"Flawed, but it knows where it's going, and it gets there in a chilling blaze of fire, blood and poisonous fog."
[movie review] |
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TV Guide's Movie Guide |
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3/4 |
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(2005) |
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"While most anthology films have one standout and one weak link, all three tales are short, sharp shockers."
[movie review] |
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TV Guide's Movie Guide |
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5/10 |
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(2000) |
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"It's disposable, forgettable and aimed at an audience that doesn't care."
[movie review] |
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TV Guide's Movie Guide |
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2.5/4 |
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(2007) |
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"Vampires stage a blood orgy in a tiny Alaskan town that spends a month of every year sunk in the darkness of polar winter in this gory adaptation of Steve Niles' popular graphic novel."
[movie review] |
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TV Guide's Movie Guide |
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2.5/5 |
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(2002) |
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"The movie's low budget shows, but the competent (many of them also sitcom veterans) cast keeps things moving smoothly."
[movie review] |
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TV Guide's Movie Guide |
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3/4 |
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(2007) |
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"It may not be by-the-book history -- a relative term in any event, when discussing the ancients whose worldview embraced men, gods and monsters -- but what a spectacle!"
[movie review] |
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TV Guide's Movie Guide |
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1.5/5 |
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(2001) |
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"The smirking dialogue plays especially poorly in juxtaposition with the excessive violence."
[movie review] |
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TV Guide's Movie Guide |
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3/4 |
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(1998) |
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"Time and tragedy may have flattened the four girls into remote paragons of youthful virtue, but the viciousness of anti-integrationist rhetoric is palpable and should never be forgotten."
[movie review] |
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TV Guide's Movie Guide |
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(2006) |
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"Handsomely photographed but painfully fey."
[movie review] |
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Film Journal International |
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2.5/4 |
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(1998) |
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"A shapeless homage to the glory that was Studio 54 in its decadent heyday..."
[movie review] |
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TV Guide's Movie Guide |
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3/5 |
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(2004) |
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"Though Quentin Tarantino's influence is clear, writer-director Pen-Ek Ratanaruang imbues this material with an engaging energy and a bittersweet undercurrent of alienated sorrow that makes it seem fresh."
[movie review] |
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TV Guide's Movie Guide |
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8/10 |
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(2000) |
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"The good news is, Arnold Schwarzenegger's commitment probably got this ambitious sci-fi thriller made. The bad news is, it would have been better without him."
[movie review] |
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Film Journal International |
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2.5/5 |
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(2002) |
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"What's most disappointing is the thoroughly cliched story."
[movie review] |
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TV Guide's Movie Guide |
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3/5 |
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(2002) |
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"This theatrical whim is like a dessert so rich it's almost inedible but too irresistible to put down."
[movie review] |
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TV Guide's Movie Guide |
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3/5 |
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"Pays homage to the golden age of spaghetti Westerns and gleefully skewers the romantic image of cowboy righteousness that fuels American theme parks, country music, political campaigns and cigarette ads."
[movie review] |
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TV Guide's Movie Guide |
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1/4 |
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(2008) |
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"Might have made an entertainingly direct-to-DVD B-movie thriller with the courage of its sleazy convictions. But expectations are different for a theatrical feature starring Al Pacino, and by those standards it's a preposterous misfire."
[movie review] |
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TV Guide's Movie Guide |
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6/10 |
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(1998) |
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"Pure voyeuristic sleaze!"
[movie review] |
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TV Guide's Movie Guide |
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(2009) |
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"A flat-out gorgeous vision of a devastated world whose script is as thin and formulaic as the imagery is rich and original."
[movie review] |
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AMCtv.com |
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2.5/5 |
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(2005) |
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"Aimed at the head rather than the heart, Karz's film is intended to encourage wide-ranging thought and promote constructive debate, useful ambitions in a post-9/11 world too often characterized by hard-line ideology and us-against-them thinking."
[movie review] |
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TV Guide's Movie Guide |
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2/4 |
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(2006) |
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"Romano and Caltabiano mostly watch TV and squabble about whose fault it is they're running a few minutes late."
[movie review] |
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TV Guide's Movie Guide |
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3/4 |
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(2006) |
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"Richard Linklater wraps novelist Philip K. Dick's paranoid, prescient nightmare of addiction and identity lost down the rabbit hole in the same rotoscoped animation that helped produce the blissed-out groove of his Waking Life."
[movie review] |
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TV Guide's Movie Guide |
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3/5 |
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(2001) |
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"A slickly crafted fable, however dark, but it's shot with haunting poetry."
[movie review] |
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TV Guide's Movie Guide |
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(2001) |
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"The film's style is best described as utilitarian, but it gets the job done."
[movie review] |
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TV Guide's Movie Guide |
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2.5/4 |
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(2005) |
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"There's no denying that Alan Abel is a character, and any glimpse behind the schemes is better than none."
[movie review] |
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TV Guide's Movie Guide |
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3.5/5 |
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(2001) |
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"A raw, haunting experience."
[movie review] |
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TV Guide's Movie Guide |
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