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 2.5/4 |
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(2007) |
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"The "cute" kids are insufferable, but leads Ali Khan and Mukerji radiate the unabashed star quality that's all but gone from American movies -- poverty and desperation haven't looked so glamorous since the glory days of Joan Crawford."
[movie review] |
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TV Guide's Movie Guide |
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 3.5/5 |
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(2001) |
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"A cut above the preposterous action spectacles that now pass for espionage films..."
[movie review] |
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TV Guide's Movie Guide |
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 3/4 |
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(2008) |
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"A frantic mother and a desperate criminal cross paths with devastating results in first-time writer and director Charles Oliver's emotionally charged drama."
[movie review] |
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TV Guide's Movie Guide |
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 3/4 |
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(2006) |
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"A showcase for triumph-of-the-underdog sports-movie cliches and coming-of-age-through-adversity moral lessons. But thanks to Banderas' understated sophistication and the efforts of the attractive young cast, it's still a charmer."
[movie review] |
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TV Guide's Movie Guide |
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(2009) |
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"A bizarre mix of sentimentality and bone-cracking violence, this Hardcore/Not Without My Daughter hybrid pits a determined father against the thuggish Albanian sex traffickers who kidnapped daddy's little girl as she vacationed in Paris.<"
[movie review] |
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Miss FlickChick |
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(2003) |
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"Kim Ji-woon's psychological skin-chiller painstakingly teases apart the traumas that bind a widower, his teen daughters... and his high-strung second wife in a suffocating web of guilt, suspicion and fear. The American remake, The Uninvited (2009), pales"
[movie review] |
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Miss FlickChick |
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(1999) |
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"A lushly seductive portrait of sociopathic ambition."
[movie review] |
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Film Journal International |
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 9/10 |
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(1999) |
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"This coolly beautiful film is both a superior thriller and an engrossing study of a sociopath's progress."
[movie review] |
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TV Guide's Movie Guide |
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 4/5 |
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(2002) |
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"This ode to the peculiar strength and flexibility of love, romantic and platonic, is simultaneously perverse, overwrought, deeply creepy and truly moving."
[movie review] |
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TV Guide's Movie Guide |
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 3/4 |
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(2007) |
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"Cheadle and Ejiofor are riveting together; they have the kind of apparently effortless chemistry that makes every scene they share a delight."
[movie review] |
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TV Guide's Movie Guide |
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 2/4 |
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(2006) |
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"Repetitive and uninspired, it panders to the lowest expectations of horror buffs and squanders the efforts of a competent cast."
[movie review] |
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TV Guide's Movie Guide |
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 3/5 |
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(2001) |
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"A stagy, three-person psychodrama about guilt, memory and manipulation, driven by strong performances."
[movie review] |
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TV Guide's Movie Guide |
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 3/4 |
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(2008) |
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"A nutty, ridiculously entertaining neo-noir pastiche with lavish musical numbers."
[movie review] |
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TV Guide's Movie Guide |
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 8/10 |
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(2001) |
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"A huge hit in France, this ensemble drama revolves around two very different social groups whose encounters with each other change several lives in surprising ways."
[movie review] |
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TV Guide's Movie Guide |
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 2.5/5 |
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(2002) |
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"An assured piece of genre filmmaking that delivers the goods so stylishly it hardly matters that they aren't fresh."
[movie review] |
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TV Guide's Movie Guide |
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 1.5/5 |
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(2004) |
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"Queen Latifah is a natural-born charmer, but there's only so much she can do when paired with a costar so irritating it's hard not to squirm when he's on the screen."
[movie review] |
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TV Guide's Movie Guide |
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 3/4 |
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(2006) |
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"The twists and turns continue until the very end of Choi's mesmerizing, high-energy romp, whose 139 minutes zip by like a round of speed poker."
[movie review] |
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TV Guide's Movie Guide |
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 2.5/5 |
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(2004) |
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"The gags fall flat as often as they hit their mark."
[movie review] |
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TV Guide's Movie Guide |
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 2.5/5 |
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(2003) |
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"Has honorable aspirations, even as it becomes mired in mainstream movie conventions."
[movie review] |
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TV Guide's Movie Guide |
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 3/5 |
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(2002) |
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"The feral brilliance of [Michael Reilly Burke's] performance lies in the way he evokes the subtle wrongness beneath the facade that gripped the public imagination."
[movie review] |
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TV Guide's Movie Guide |
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 2/4 |
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(2008) |
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"The film's mix of cheap gags, macabre coming-of-age story, social satire and Cronenbergian body horror is apparently meant to gel into black comedy, but it never quite does."
[movie review] |
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TV Guide's Movie Guide |
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 2.5/4 |
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(2007) |
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"Anime enthusiasts will want to take a look, but the film is too uneven to serve as a good introduction to the form."
[movie review] |
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TV Guide's Movie Guide |
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 2/5 |
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(2002) |
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"Leeson's sensibility is a thoroughly irritating mix of intellectual hauteur and juvenile smuttiness."
[movie review] |
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TV Guide's Movie Guide |
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 4/6 |
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(2008) |
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"Actor-turned-filmmaker Guillaume Canet relocates Harlan Coben’s best-selling thriller from the U.S. to France and deploys a first-rate cast on its outlandish twists and turns, with remarkably entertaining results."
[movie review] |
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Time Out New York |
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 3/4 |
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(2008) |
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"The film delivers the requisite twists and turns, along with car chases, gun fights and soupçon of thug life, Paris style."
[movie review] |
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TV Guide's Movie Guide |
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 3/5 |
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(2005) |
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"The film's real appeal is the morbidly fascinating spectacle of a grown man reduced to adolescent sulking and whining by his imperious father: It's flat-out enthralling, in the rubbernecking tradition of train wrecks and public nervous breakdowns."
[movie review] |
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TV Guide's Movie Guide |
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 1/4 |
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(2007) |
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"Everyone involved seems to have been operating from the presumption that gross and blasphemous equals hilarious. Would that it did."
[movie review] |
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TV Guide's Movie Guide |
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 3/4 |
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(2007) |
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"Funny, perceptive, bawdy, tragic and philosophical, pretty much everything a viewer -- or a listener -- could ask for."
[movie review] |
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TV Guide's Movie Guide |
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 2.5/4 |
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(2006) |
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"There isn't enough plot to fill out the film's 90-minute running time, but there are rude laughs ... and inspired bits tucked in amid the padding."
[movie review] |
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TV Guide's Movie Guide |
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 3/5 |
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(2004) |
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"There's a thin line between fable and twaddle, and this feel-good trifle veers dangerously close to the latter."
[movie review] |
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TV Guide's Movie Guide |
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 3/5 |
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(2003) |
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"Director Jonathan Moscow and screenwriters John Brancato and Michael Ferris pack the film with muscular action sequences, but the human factor provided by Linda Hamilton's Sarah Connor is sorely missed."
[movie review] |
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TV Guide's Movie Guide |
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| |

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(2009) |
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"The trouble with Terminator: Salvation ... [is that] there's a yawning void where its emotional center should be."
[movie review] |
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Miss FlickChick |
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 1/5 |
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(2003) |
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"So utterly unimaginative it doesn't even count as hommage; it's just a smudgy copy of a still chilling original."
[movie review] |
|
TV Guide's Movie Guide |
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 1.5/4 |
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(2006) |
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"Rest assured you've seen it all before."
[movie review] |
|
TV Guide's Movie Guide |
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| |
 2/4 |
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(1994) |
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"Tired and dated."
[movie review] |
|
TV Guide's Movie Guide |
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 2/5 |
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(2001) |
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"This old-fashioned Western about the glory years of the Texas Rangers, cast with fresh-faced, telegenic young actors whose performances range from adequate to awful, is undermined by a serious lack of true grit."
[movie review] |
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TV Guide's Movie Guide |
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 3/4 |
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(2006) |
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"Eckhart is dazzling as a born phony almost brought low by believing his own lies, and he's matched at every turn by a stellar supporting cast."
[movie review] |
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TV Guide's Movie Guide |
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 3/4 |
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(2006) |
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"[Director Hattendorf's] willingess to shelter an aging, eccentric stranger brought about the ending that makes her film such a sweetly unsentimental charmer."
[movie review] |
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TV Guide's Movie Guide |
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 2/4 |
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(2008) |
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"Relentless dullness."
[movie review] |
|
TV Guide's Movie Guide |
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 3/4 |
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(2007) |
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"Even the casual viewer can see the marks a troubled life left on Shostakovich in the juxtaposition of a vigorous, owlish young pianist performing in the 1930s and the exhausted old man glumly shaking hands and making speeches four decades later."
[movie review] |
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TV Guide's Movie Guide |
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 2.5/5 |
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(2004) |
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"The film's tone alternates awkwardly between slightly haunted, bittersweet nostalgia for childhood innocence and an aggressive, antic cheer that smacks of trying much too hard to convince everyone they're having fun."
[movie review] |
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TV Guide's Movie Guide |
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| |
 3/4 |
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(2007) |
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"The filmmakers' team effort gives off strong echoes of Stephen King's Cell, David Cronenberg's They Came From Within, George Romero's The Crazies, Danny Boyle's 28 Days Later."
[movie review] |
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TV Guide's Movie Guide |
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| |
 3/4 |
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(2007) |
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"Its spareness is its strength. There's no time wasted and no showy effects to detract from the situation -- just sheer tension."
[movie review] |
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TV Guide's Movie Guide |
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| |
 3/4 |
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(2007) |
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"Ambitious, deeply flawed and studded with sequences that achieve pure, majestic greatness."
[movie review] |
|
TV Guide's Movie Guide |
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| |
 3/4 |
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(1998) |
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"A romantic gross-out comedy: What a concept!"
[movie review] |
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TV Guide's Movie Guide |
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| |
 2.5/5 |
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(2002) |
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"Harmon opts to show less and suggest more, and the script's gloomy downer of an ending is audacious."
[movie review] |
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TV Guide's Movie Guide |
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| |
 10/10 |
|
(1998) |
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"An intensely internalized portrait of external pandemonium, a slippery, insidiously haunting work of poetry!"
[movie review] |
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TV Guide's Movie Guide |
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| |
 2.5/4 |
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(2005) |
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"As it is, it's shamelessly manipulative shtick brightened by sharply drawn supporting performances."
[movie review] |
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TV Guide's Movie Guide |
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| |

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(2001) |
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"At its core are three remarkable performances."
[movie review] |
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TV Guide's Movie Guide |
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| |

|
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(2009) |
|
"Park Chan-wook's melodramatic "revenge trilogy" set a high bar for perversity and squirm-inducing violence that Thirst ... easily matches."
[movie review] |
|
Horror Hacker |
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