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Total Reviews: 2233
Maitland McDonagh

NEWS & FEATURES
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3.5/4
     (1997)      "Spacey's Vincennes is the standout in a just about flawless ensemble, and director Curtis Hanson keeps the hugely complicated story zooming along the boulevard of broken dreams without losing sight of the details that make the trip worthwhile." [movie review]      TV Guide's Movie Guide   
  
2.5/5
     (2004)      "Silly, good-natured and full of unlikely moves." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2004)      "Unpredictable deviations from the formula ... keep the film interesting." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2006)      "Pulitzer Prize-winning photojournalist David Turnley's first feature, photographed in shimmering black and white, is a portrait of the Havana dance hall La Tropical, but is first and foremost a celebration of Cuban dance and music." [movie review]      TV Guide's Movie Guide   
  
3.5/4
     (2007)      "Cotillard's riveting performance, distinctive gestures and defiantly wounded body language without ever descending into mere impersonation. It's sometimes wrenching to watch, but it's too gripping to turn away from." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2007)      "This good-natured genre piece gets the job done while sneaking in a couple of pointed observations about contemporary Latino immigrant life." [movie review]      TV Guide's Movie Guide   
  
1.5/4
     (2006)      "The result is a soggy swamp of nyah-nyah-nyah-nyah-nyahing, its only grace notes are Giamatti's fine, nuanced performance as Heep and Christopher Doyle's handsome cinematography." [movie review]      TV Guide's Movie Guide   
  
1.5/5
     (2004)      "A leaden, tone-deaf remake." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2006)      "A mess that works on the level of swoony fantasy if you're willing to accept that it makes absolutely no sense, not even within the context of its supernatural premise." [movie review]      TV Guide's Movie Guide   
  
     (2001)      "The same old Mamet stuff, and not even top-drawer Mamet." [movie review]      TV Guide's Movie Guide   
  
2/4
     (2008)      "This tediously predictable thriller about Los Angeles yuppies terrorized by their blue-collar neighbor is undone by its pretensions to seriousness." [movie review]      TV Guide's Movie Guide   
  
1.5/4
     (2006)      "Strident, bombastic parable." [movie review]      TV Guide's Movie Guide   
  
2.5/5
     (2003)      "Jolie is a far better actress than this relentlessly shallow material warrants." [movie review]      TV Guide's Movie Guide   
  
2.5/5
     (2001)      "It's all about action and ogling." [movie review]      TV Guide's Movie Guide   
  
2/4
     (2007)      "...There's something fundamentally hollow about a film whose main character is entirely defined by his dysfunction and whose supporting characters exist only to enable it." [movie review]      TV Guide's Movie Guide   
  
2.5/5
     (1987)      "In keeping with his generally perverse filmmaking aesthetic, von Trier systematically does everything he can to alienate horror enthusiasts." [movie review]      TV Guide's Movie Guide   
  
     (2006)      "In the end, the tiny Shimohira's voice is the most powerful, bearing witness in hopes that future generations will choose peace over war." [movie review]      TV Guide's Movie Guide   
  
     (1996)      "Painfully unhip vanity project, with pretensions to being a scathingly satirical look at the contemporary culture of empty celebrity." [movie review]      Film Journal International   
  
     (2008)      "Without [Emma] Thompson's valiant efforts, Last Chance Harvey would be too dismal for cable; with them it's simply a trifle." [movie review]      Miss FlickChick   
  
3.5/5
     (2002)      "Provides an illuminating glimpse into what goes on in the dance studio." [movie review]      TV Guide's Movie Guide   
  
     (2009)      "The remake of Wes Craven's notorious rape-revenge shocker is a crowd-pleaser rather than a grim moral lesson about the price of doing very bad things, and as long as the downbeat lead-in doesn't put them off, the third-act payoff will have audiences cheer" [movie review]      Film Journal International   
  
3/4
     (2006)      "Forest Whitaker's mesmerizing performance as Idi Amin drives Kevin Macdonald's adaptation of Giles Foden's 1998 novel about the dictator's reign of terror, which left Uganda's once-thriving economy in ruins and at least 300,000 of his countrymen dead." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2002)      "Nimbly sidesteps the pitfalls inherent in stories about perpetual adolescents resisting maturity with every ounce of their strength." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2006)      "... veterans Danner and Wilkinson effortlessly make Anna and Stephen more interesting than all the youngsters combined." [movie review]      TV Guide's Movie Guide   
  
2/5
     (2002)      "In the end, there isn't much to it." [movie review]      TV Guide's Movie Guide   
  
3.5/4
     (2005)      "Avrich's colorful account of Wasserman's career starts out looking like a puff piece, but quickly reveals a refreshing willingness to delve into the dirty side of a glamorous business." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2003)      "An honorable film hamstrung by Hollywood conventions." [movie review]      TV Guide's Movie Guide   
  
2/5
     (2004)      "Nathanson processes this pungent stew of greed, ambition and self-delusion into pablum so sweet and bland it wouldn't shock a convent-raised idealist." [movie review]      TV Guide's Movie Guide   
  
2/4
     (2007)      "Marred by a certain awkward earnestness." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2006)      "A little bit nutty and pretty entertaining in a thoroughly unconvincing way. And watch out for that 11th-hour twist -- it's a head snapper." [movie review]      TV Guide's Movie Guide   
  
3/4
     (2007)      "Unlike many filmmakers who try to stake out the gray area between mundane reality and sleazy surreality, Ruscio maintains a successful balance throughout and gracefully brings the two together in a delicately ambiguous final scene." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2003)      "McDormand's powerhouse performance alone compensates for many minor deficiencies." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2002)      "Despite its leisurely pace, this unpretentious, character-driven picture is a low-key charmer." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2005)      "Though style ultimately outweighs substance, the film is formidably entertaining." [movie review]      TV Guide's Movie Guide   
  
1/5
     (2003)      "Numbingly ordinary." [movie review]      TV Guide's Movie Guide   
  
2/4
     (2008)      "Director and star George Clooney's game attempt to capture the high-spirited silliness of classic screwball comedies falls flat, in large part because Duncan Brantley and Rick Reilly's screenplay lacks sparkle." [movie review]      TV Guide's Movie Guide   
  
1/4
     (1997)      "All but the most easily pleased kids will be bored as can be, and anyone who has fond memories of TV's Leave It to Beaver would probably rather not besmirch them." [movie review]      TV Guide's Movie Guide   
  
3/5
     (2002)      "The film's overall approach is deft, and Sen resists the urge to paint any of the major characters in broad strokes." [movie review]      TV Guide's Movie Guide   
  
6/10
     (2001)      "This picture's b-movie values probably play better on video than in theaters." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2003)      "With elephants and horses galore joining the thousands of Thai army and navy personnel conscripted into battle sequences, the spectacle is unimpeachable." [movie review]      TV Guide's Movie Guide   
  
2/4
     (2005)      "Though it reunites the stars and director of the rousingly old-fashioned swashbuckler The Mask of Zorro (1998), this unnecessary and overlong sequel fails to recapture its predecessor's zing." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2006)      "The film's main attractions are the Charlottes, but the price of watching their eerie psychological pas de deux is to endure muddled metaphors and goofy gadgetry." [movie review]      TV Guide's Movie Guide   
  
3.5/5
     (2004)      "This stylized gothic fairy tale unfolds in a Dickensian once-upon-a-time world, a Victorian England of the mind retrofitted with gee-whiz modern conveniences flawlessly realized by production designer Rick Heinrichs." [movie review]      TV Guide's Movie Guide   
  
     (2008)      "A chilling coming-of-age story in which a miserable adolescent strikes up a friendship with a vampire girl who appears to be own his age but has, she says, been 12 "for a very long time."" [movie review]      Miss FlickChick   
  
3.5/4
     (1988)      "This documentary is first and foremost an exploration of Weber's personal obsessions. But this particular obsession, jazz trumpeter and vocalist Chet Baker, has a rich and evocative story." [movie review]      TV Guide's Movie Guide   
  
1.5/4
     (2006)      "The sad thing is that Arnett, Shepard and McBride quickly establish a loose, easy camaraderie that's a real pleasure to watch. The shame is that they're working with such unrewarding material." [movie review]      TV Guide's Movie Guide   
  
1/4
     (1998)      "Cynical and contemptuous of its audience, this lazy sequel oozes an insufferable air of self-satisfaction." [movie review]      TV Guide's Movie Guide   
  
2/5
     (2003)      "It's hard not to feel sorry for the high-profile cast, obviously working for brownie points in heaven -- they're so good, yet nothing they do can make the movie fly." [movie review]      TV Guide's Movie Guide   
  
2/4
     (1997)      "A sickly soft-swirl confection of low laughs and smarmy sentiment..." [movie review]      TV Guide's Movie Guide   
  
2.5/4
     (2005)      "Though Dunsmore, Depp and Jeffreys' conceits work more vividly as ideas than as filmmaking, they're ruthlessly true to themselves and grimly powerful." [movie review]      TV Guide's Movie Guide   
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