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(2008) |
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"Heavy on moronic mysticism and light on imagination, excitement, and shot-to-shot coherence"
[movie review] |
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CinePassion |
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(2006) |
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"B-movie done with shrewd aplomb"
[movie review] |
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CinePassion |
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(1933) |
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"Keeps refreshing the eye"
[movie review] |
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CinePassion |
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(2007) |
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"A shoddy, sour handheld-video excursion"
[movie review] |
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CinePassion |
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(2005) |
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"In the mood for sublimity"
[movie review] |
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CinePassion |
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(2008) |
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"Luketic's dunderheaded, would-be caper is a morality tale where the only moral at stake is the dullard-hero's thoughtless entitlement"
[movie review] |
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CinePassion |
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(2007) |
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"Explicitly envisions Britain as a deserted combat zone"
[movie review] |
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CinePassion |
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(2007) |
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"These 30 Days feel like an eternity"
[movie review] |
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CinePassion |
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(2007) |
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"Asscrack-ugly"
[movie review] |
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CinePassion |
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(2007) |
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"Gives "solid craftsmanship" a dreary name"
[movie review] |
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CinePassion |
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(2008) |
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"Unrelieved gloom"
[movie review] |
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CinePassion |
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(2005) |
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"Simultaneously subversive and reactionary"
[movie review] |
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CinePassion |
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(2006) |
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"Essential viewing"
[movie review] |
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CinePassion |
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(1953) |
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"The rebelliousness that turns out to be good, old-fashioned anti-intellectualism feels less in line with the good Doctor's Whoville than with producer Stanley Kramer's Hackville"
[movie review] |
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CinePassion |
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(2009) |
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"The couple's fluctuations between amorous rapture and wounding are matched by the film's own seesaw of poignancy and irritation"
[movie review] |
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CinePassion |
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(2005) |
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"It has the rough, penciled-in feel of a sketch, flurries of palpable physicality left along the path of a dissolving relationship"
[movie review] |
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CinePassion |
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(2006) |
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"Ponders the inherent doom of Slacker transgressors"
[movie review] |
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CinePassion |
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(1948) |
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"Well-constructed and satisfyingly low"
[movie review] |
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CinePassion |
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(1951) |
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"A prophetic scald"
[movie review] |
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CinePassion |
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(2007) |
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"A baby-boomer masturbatory center"
[movie review] |
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CinePassion |
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(1948) |
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"Fred Zinnemann's best movie"
[movie review] |
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CinePassion |
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(1963) |
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"There's a visual slash every minute"
[movie review] |
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CinePassion |
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(2009) |
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"Observant, soulful, often achingly attuned to clashing emotions"
[movie review] |
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CinePassion |
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(2008) |
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"Eccentric and tender, it is a picture out for grace rather than polemics, and it finds enough to make one see emotional intimacy anew"
[movie review] |
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CinePassion |
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(1978) |
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"Chahine's Alexandria is as fervidly distinctive as Fellini's Rome"
[movie review] |
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CinePassion |
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(1977) |
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"Every composition is more ornate than at first expected"
[movie review] |
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CinePassion |
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(2006) |
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"Static and dreary, drained of juice and drenched in "respectable" lighting"
[movie review] |
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CinePassion |
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(1979) |
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"Bozzetto's satire serves both Darwin and Genesis."
[movie review] |
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CinePassion |
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(2009) |
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"Smotheringly conventional"
[movie review] |
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CinePassion |
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(2006) |
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"The pieces are all in place for a slashing Preston Sturges jamboree. All that's missing are balls"
[movie review] |
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CinePassion |
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(2007) |
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"Flattened by Scott's cardboard evocation of New York in the '70s, Zaillian's shallow criticism of corrupting power, and weirdly bloodless performances"
[movie review] |
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CinePassion |
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(1970) |
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"The phantoms of Old Germany are everywhere"
[movie review] |
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CinePassion |
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(1979) |
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"An astonishing number of fumbled frissons"
[movie review] |
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CinePassion |
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(2009) |
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"The old "stay in school" adage has rarely been trotted out to such cop-out effect"
[movie review] |
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CinePassion |
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(1945) |
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"A tightly self-winding contraption"
[movie review] |
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CinePassion |
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(1982) |
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"Erudite, low-tech sci-fi"
[movie review] |
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CinePassion |
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(1971) |
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"Disquieting"
[movie review] |
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CinePassion |
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(2007) |
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"A better grubby guy/hot chick fable than Knocked Up, certainly much more honest about its male-fantasy status"
[movie review] |
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CinePassion |
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(2009) |
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"Glum adaptation"
[movie review] |
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CinePassion |
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(1935) |
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"George Stevens amply appreciates the showbiz synergy of performers and audiences in the carnival arena"
[movie review] |
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CinePassion |
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(2009) |
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"A hoot"
[movie review] |
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CinePassion |
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(2006) |
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"Nothing if not visceral"
[movie review] |
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CinePassion |
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(2006) |
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"Messy, squalidly funny"
[movie review] |
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CinePassion |
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(2007) |
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"A candy-colored fusion of Dahl, Dr. Seuss and the director's own mischeviousness"
[movie review] |
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CinePassion |
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(1955) |
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"Nothing beats Jerry's face on TV, simultaneously the poster boy for pop culture and a warning sign of its fallout"
[movie review] |
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CinePassion |
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(1988) |
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"The pinwheeling, phosphorescent spirit is undiluted Wong Kar-wai"
[movie review] |
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CinePassion |
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(2005) |
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"Airless, joyless"
[movie review] |
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CinePassion |
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(2007) |
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"Cinematic aerophagia"
[movie review] |
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CinePassion |
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(2007) |
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"Self-fondling Americana"
[movie review] |
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CinePassion |
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(1963) |
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"The birth of Brazilian horror as a direct act of blasphemy"
[movie review] |
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CinePassion |
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