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Sort by
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(2008) |
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"Heavy on moronic mysticism and light on imagination, excitement, and shot-to-shot coherence"
[movie review] |
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CinePassion |
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(1966) |
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"10:30 P.M. is still too early for Dassin's turgid melodrama."
[dvd review] |
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Slant Magazine |
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 1.5/4 |
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(1966) |
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"A typically gaudy souvenir from Jules Dassin's pretentious, post-HUAC Euro-wanderings."
[movie review] |
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Slant Magazine |
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(2006) |
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"B-movie done with shrewd aplomb"
[movie review] |
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CinePassion |
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(1933) |
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"Keeps refreshing the eye"
[movie review] |
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CinePassion |
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(2007) |
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"A shoddy, sour handheld-video excursion"
[movie review] |
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CinePassion |
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(2005) |
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"In the mood for sublimity"
[movie review] |
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CinePassion |
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(2008) |
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"Luketic's dunderheaded, would-be caper is a morality tale where the only moral at stake is the dullard-hero's thoughtless entitlement"
[movie review] |
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CinePassion |
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(2007) |
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"Explicitly envisions Britain as a deserted combat zone"
[movie review] |
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CinePassion |
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(2007) |
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"These 30 Days feel like an eternity"
[movie review] |
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CinePassion |
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(2007) |
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"Asscrack-ugly"
[movie review] |
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CinePassion |
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 3/4 |
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(1957) |
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"A sturdy genre piece."
[movie review] |
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Slant Magazine |
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(2007) |
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"Gives "solid craftsmanship" a dreary name"
[movie review] |
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CinePassion |
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(1957) |
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"It's nice to have Delmer Daves's solid western on DVD, even this special edition is just a throwaway portion of its remake's promotional machine."
[dvd review] |
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Slant Magazine |
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(2008) |
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"Unrelieved gloom"
[movie review] |
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CinePassion |
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(2005) |
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"Simultaneously subversive and reactionary"
[movie review] |
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CinePassion |
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(2006) |
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"Essential viewing"
[movie review] |
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CinePassion |
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(1953) |
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"The rebelliousness that turns out to be good, old-fashioned anti-intellectualism feels less in line with the good Doctor's Whoville than with producer Stanley Kramer's Hackville"
[movie review] |
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CinePassion |
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(2009) |
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"The couple's fluctuations between amorous rapture and wounding are matched by the film's own seesaw of poignancy and irritation"
[movie review] |
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CinePassion |
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 2/4 |
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(1994) |
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"Michael Haneke's death-of-the-soul-of-Europe saga soldiers on with 71 Fragments of a Chronology of Chance, the final entry in his so-called "trilogy of emotional glacification.""
[movie review] |
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Slant Magazine |
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(1994) |
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"Fans of the director's austerity will not want to miss the last entry in his feel-bad trilogy. Others may just want to skip straight to the Prozac.
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[dvd review] |
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Slant Magazine |
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(2005) |
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"It has the rough, penciled-in feel of a sketch, flurries of palpable physicality left along the path of a dissolving relationship"
[movie review] |
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CinePassion |
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(2006) |
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"Ponders the inherent doom of Slacker transgressors"
[movie review] |
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CinePassion |
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(1948) |
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"Well-constructed and satisfyingly low"
[movie review] |
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CinePassion |
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(1951) |
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"A prophetic scald"
[movie review] |
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CinePassion |
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(2008) |
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"Takeshi Kitano in a contemplative, pretty-but-is-it-art mood."
[movie review] |
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Slant Magazine |
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(2007) |
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"A baby-boomer masturbatory center"
[movie review] |
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CinePassion |
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(1948) |
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"Fred Zinnemann's best movie"
[movie review] |
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CinePassion |
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(1963) |
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"There's a visual slash every minute"
[movie review] |
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CinePassion |
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(2009) |
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"Moody, gliding filmmaking and ripples of quizzical humor save it from being a lugubrious game of therapeutic musical chairs."
[movie review] |
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Slant Magazine |
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(2009) |
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"Observant, soulful, often achingly attuned to clashing emotions"
[movie review] |
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CinePassion |
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(1957) |
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"An Affair to Remember and a movie to treasure."
[dvd review] |
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Slant Magazine |
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 3.5/4 |
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(1957) |
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"Often regarded (or dreaded) as the ultimate chick flick, due in no small amount to its fetish-object role in Sleepless in Seattle, An Affair to Remember deserves better than to be the receptor of Meg Ryan's crocodile tears."
[movie review] |
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Slant Magazine |
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(2008) |
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"Eccentric and tender, it is a picture out for grace rather than polemics, and it finds enough to make one see emotional intimacy anew"
[movie review] |
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CinePassion |
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(1978) |
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"Chahine's Alexandria is as fervidly distinctive as Fellini's Rome"
[movie review] |
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CinePassion |
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(1929) |
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"An alternately arresting and creaky curio for students of the gangster genre."
[dvd review] |
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Slant Magazine |
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 2/4 |
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(1929) |
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"Alibi is awkwardly suspended between the gliding camera of silent cinema and the stagnant medium-shot of early talkies."
[movie review] |
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Slant Magazine |
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(1977) |
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"Every composition is more ornate than at first expected"
[movie review] |
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CinePassion |
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(2006) |
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"Static and dreary, drained of juice and drenched in "respectable" lighting"
[movie review] |
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CinePassion |
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(1979) |
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"Bozzetto's satire serves both Darwin and Genesis."
[movie review] |
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CinePassion |
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(2009) |
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"Smotheringly conventional"
[movie review] |
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CinePassion |
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(2006) |
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"The pieces are all in place for a slashing Preston Sturges jamboree. All that's missing are balls"
[movie review] |
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CinePassion |
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(2007) |
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"Flattened by Scott's cardboard evocation of New York in the '70s, Zaillian's shallow criticism of corrupting power, and weirdly bloodless performances"
[movie review] |
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CinePassion |
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(1970) |
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"The phantoms of Old Germany are everywhere"
[movie review] |
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CinePassion |
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 1.5/4 |
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(2008) |
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"Documentary focus is something that, like car keys, should not be given unquestioningly to high schoolers."
[movie review] |
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Slant Magazine |
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(1979) |
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"An astonishing number of fumbled frissons"
[movie review] |
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CinePassion |
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(2009) |
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"The old "stay in school" adage has rarely been trotted out to such cop-out effect"
[movie review] |
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CinePassion |
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(1945) |
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"A tightly self-winding contraption"
[movie review] |
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CinePassion |
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(1982) |
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"Erudite, low-tech sci-fi"
[movie review] |
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CinePassion |
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(1971) |
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"Disquieting"
[movie review] |
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CinePassion |
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