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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE            Rachel Getting Married (2008)      "Pulsates with life" [movie review]      CinePassion            The Rain People (1969)      "Coppola charts a perilous new freedom both in people's lives and in the industry" [movie review]      CinePassion            Rambo (2008)      "Sly may be a crass tyrannosaurus, but he's not a fake" [movie review]      CinePassion            Ratatouille (2007)      "Genuine enchantment" [movie review]      CinePassion            Raw Meat (1973)      "The mining injustices of The Stars Look Down, transmuted into return-of-the-oppressed horror" [movie review]      CinePassion            The Reader (2008)      "Dismal" [movie review]      CinePassion       2/4      The Red and The Black (1997)      "As for Stendhal, for real cinema, try Argento's Syndrome. " [movie review]      Slant Magazine            The Red and The Black (1997)      "Three hours plus is a high price to find out that not every European TV miniseries can reach the heights of The Best of Youth." [dvd review]      Slant Magazine       3/4      Red Dawn (1984)      "Released in the midst of renewed Cold War nuclear dread, Red Dawn doesn't starve for unintended wackiness." [movie review]      Slant Magazine            Red Dawn (1984)      "Surviving better than it should, Red Dawn comes to teach a new generation about the perils of commie invasions. Take that, Hollywood liberals!" [dvd review]      Slant Magazine            Red Road (2007)      "No drab stone is left unturned" [movie review]      CinePassion            Redacted (2007)      "The director's concern is deeply felt, yet it is his old obsession, the camera's unreliability, that still engages him the most" [movie review]      CinePassion            Redbelt (2008)      "A Kickboxer installment that got too big for its breeches" [movie review]      CinePassion            Reign of Terror (1949)      "Noir visits the French Revolution, as the emphasis on vicious brutality suggests an account written by the Marquis de Sade." [movie review]      Slant Magazine            Reign Over Me (2007)      "Mike Binder, a director of TV-sized smarm, continues to dismantle his own best effects" [movie review]      CinePassion            Rendition (2007)      "The sort of schematic slog that stirs more discussion about the cluelessness of the filmmakers than anything else" [movie review]      CinePassion            Rent (2005)      "A TV-special metallic ring hangs over the whole production, skimming surfaces without touching emotion" [movie review]      CinePassion       3/4      Rescue Dawn (2007)      "Like his obsessed heroes, Werner Herzog continues to hear the call of the jungle." [movie review]      Slant Magazine            Resident Evil: Extinction (2007)      "Groovy bit of multiplex pandemonium" [movie review]      CinePassion            The Return of Frank James (1940)      "The abstruse stylization of Rancho Notorious is still a decade away, though the frontier is already a severe plain enlivened by intimations of hellfire" [movie review]      CinePassion            Revolutionary Road (2008)      "Middlebrow self-consciousness" [movie review]      CinePassion            Revolver (2007)      "An unwieldy, short-circuiting film, packing "more tricks than a clown's pocket" yet imbued with brute spiritual force" [movie review]      CinePassion            Riding Alone For Thousands of Miles (2006)      "A profound example of unashamed feeling expanding across cultural barriers" [movie review]      CinePassion            The Ring (1927)      "A striking welter of symbols, broad and subtle" [movie review]      CinePassion            Rio das Mortes (1971)      "This mostly forgotten entry of Rainer Werner Fassbinder's early futzing-around period feels unaccountably close to an American road-trip comedy." [movie review]      CinePassion            Rio Lobo (1970)      "A film of mementos, of deliberately pale shadows" [movie review]      CinePassion            The Rite (1969)      "A virtuoso riff, played fast and close" [movie review]      CinePassion            The Road to Guantanamo (2006)      "The director's slovenliness is a torture device of its own, but the grueling point is well taken" [movie review]      CinePassion            Robert Mitchum: The Signature Collection (2006)      ""Baby, I don't care." But you do, Bob, and this set proves it." [dvd review]      Slant Magazine            Roman Polanski: Wanted and Desired (2008)      "A judiciously argued account with intriguing asides" [movie review]      CinePassion       2/4      Romance & Cigarettes (2007)      "Romance & Cigarettes feels like a Jacques Demy film played at the wrong speed." [movie review]      Slant Magazine            The Romance of Astrea and Celadon (2007)      "Blissful" [movie review]      CinePassion       3.5/4      Rope (1948)      ""A crime for most, a privilege for some" is how Rupert classifies murder, but Hitchcock's eye-am-a-camera technique in Rope is after more than Nazi-superman residue still lurking after WWII." [movie review]      Slant Magazine            Rope (1948)      "Hitchcock's experiment goes beyond look-ma-no-cuts stunt and into a suffocating moral inquiry." [dvd review]      Slant Magazine            Roxie Hart (1942)      "An outstanding gallery of connivers" [movie review]      CinePassion            Rudo and Cursi (2009)      "All you can see are a pair of aging jocks laboring for condescending yuks" [movie review]      CinePassion            Running with Scissors (2006)      "Strictly for the Anderson-Baumbach crowd of privileged idiots" [movie review]      CinePassion

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