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(2008) |
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"Heavy on moronic mysticism and light on imagination, excitement, and shot-to-shot coherence"
[movie review] |
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CinePassion |
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(1966) |
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"10:30 P.M. is still too early for Dassin's turgid melodrama."
[dvd review] |
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Slant Magazine |
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 1.5/4 |
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(1966) |
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"A typically gaudy souvenir from Jules Dassin's pretentious, post-HUAC Euro-wanderings."
[movie review] |
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Slant Magazine |
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(2006) |
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"B-movie done with shrewd aplomb"
[movie review] |
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CinePassion |
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(1933) |
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"Keeps refreshing the eye"
[movie review] |
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CinePassion |
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(2007) |
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"A shoddy, sour handheld-video excursion"
[movie review] |
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CinePassion |
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(2005) |
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"In the mood for sublimity"
[movie review] |
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CinePassion |
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(2008) |
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"Luketic's dunderheaded, would-be caper is a morality tale where the only moral at stake is the dullard-hero's thoughtless entitlement"
[movie review] |
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CinePassion |
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(2007) |
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"Explicitly envisions Britain as a deserted combat zone"
[movie review] |
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CinePassion |
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(2007) |
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"These 30 Days feel like an eternity"
[movie review] |
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CinePassion |
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(2007) |
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"Asscrack-ugly"
[movie review] |
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CinePassion |
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(2007) |
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"Gives "solid craftsmanship" a dreary name"
[movie review] |
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CinePassion |
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(1957) |
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"It's nice to have Delmer Daves's solid western on DVD, even this special edition is just a throwaway portion of its remake's promotional machine."
[dvd review] |
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Slant Magazine |
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 3/4 |
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(1957) |
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"A sturdy genre piece."
[movie review] |
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Slant Magazine |
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(2008) |
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"Unrelieved gloom"
[movie review] |
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CinePassion |
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(2005) |
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"Simultaneously subversive and reactionary"
[movie review] |
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CinePassion |
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(2006) |
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"Essential viewing"
[movie review] |
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CinePassion |
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(1953) |
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"The rebelliousness that turns out to be good, old-fashioned anti-intellectualism feels less in line with the good Doctor's Whoville than with producer Stanley Kramer's Hackville"
[movie review] |
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CinePassion |
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(2009) |
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"The couple's fluctuations between amorous rapture and wounding are matched by the film's own seesaw of poignancy and irritation"
[movie review] |
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CinePassion |
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(1994) |
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"Fans of the director's austerity will not want to miss the last entry in his feel-bad trilogy. Others may just want to skip straight to the Prozac.
"
[dvd review] |
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Slant Magazine |
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 2/4 |
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(1994) |
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"Michael Haneke's death-of-the-soul-of-Europe saga soldiers on with 71 Fragments of a Chronology of Chance, the final entry in his so-called "trilogy of emotional glacification.""
[movie review] |
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Slant Magazine |
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(2005) |
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"It has the rough, penciled-in feel of a sketch, flurries of palpable physicality left along the path of a dissolving relationship"
[movie review] |
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CinePassion |
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