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(1996) |
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"Come see Brazil's poet laureate get his freak on."
[dvd review] |
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Slant Magazine |
|
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 3/4 |
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(1996) |
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"O Amor Natural remains hopeful about the unifying potential of Carlos Drummond de Andrade's poetry of desire."
[movie review] |
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Slant Magazine |
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(2009) |
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"Observe and reject"
[movie review] |
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CinePassion |
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(2007) |
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"Now there's just self-fondling fizz -- no, not even that, just a kind of quasi-Zen petulance palmed off as 'cool'"
[movie review] |
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CinePassion |
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(1967) |
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"Fervid chanting and handheld tracking shots inform Pasolini's jangling, fabulously blunt pageant, filled to the brim with mysterious splendor"
[movie review] |
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CinePassion |
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 |
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 3/4 |
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(2009) |
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"Of Time and the City never less than throbs with emotion, a reminder of what a loss Davies's absence from the screen has been."
[movie review] |
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Slant Magazine |
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(2006) |
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"Posits an exhilarating, ephemeral sense of cultural inclusiveness"
[movie review] |
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CinePassion |
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(1939) |
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"A well-oiled assembly of betrayals, vendettas, and maternal passion plays"
[movie review] |
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CinePassion |
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(2005) |
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"The horrors are comfily buttressed by storybook polish"
[movie review] |
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CinePassion |
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(2006) |
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"Clunky retooling"
[movie review] |
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CinePassion |
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| |

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(1968) |
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"Compassion trumps shock"
[movie review] |
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CinePassion |
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| |

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(1951) |
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"Perched between late-'40s noir and mid-'50s crime drama, this is one of the great, forgotten works of the genre."
[movie review] |
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Slant Magazine |
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(2007) |
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"Spanish horror films have a rich, still underappreciated tradition, but The Orphanage could have been made by any anonymous Hollywood hack"
[movie review] |
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CinePassion |
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(2008) |
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"Dreary"
[movie review] |
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CinePassion |
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| |

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(1931) |
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"The first half is airy and jaunty, the second is studded with arresting expressionism"
[movie review] |
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CinePassion |
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| |

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(1962) |
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"Teshigahara's wide-swinging yet precise visual vocabulary jolts any hint of staginess into strange cinematic life"
[movie review] |
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CinePassion |
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| |
 3/4 |
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(2009) |
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"Candid and unpretentious."
[movie review] |
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Slant Magazine |
|
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| |
 3.5/4 |
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(1917) |
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"A tale of redemption played out against the vast expenses of nature."
[movie review] |
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Slant Magazine |
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(1917) |
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"Nature gives and nature takes away in Victor Sjöström's pantheistic classic."
[dvd review] |
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Slant Magazine |
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(1979) |
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"Planned suburbia, teenage wasteland"
[movie review] |
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CinePassion |
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