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Other Info
Sources
• CinePassion
• Slant Magazine
Total Reviews: 1053
Fernando F. Croce

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     (1996)      "Come see Brazil's poet laureate get his freak on." [dvd review]      Slant Magazine   
  
3/4
     (1996)      "O Amor Natural remains hopeful about the unifying potential of Carlos Drummond de Andrade's poetry of desire." [movie review]      Slant Magazine   
  
     (2009)      "Observe and reject" [movie review]      CinePassion   
  
     (2007)      "Now there's just self-fondling fizz -- no, not even that, just a kind of quasi-Zen petulance palmed off as 'cool'" [movie review]      CinePassion   
  
     (1967)      "Fervid chanting and handheld tracking shots inform Pasolini's jangling, fabulously blunt pageant, filled to the brim with mysterious splendor" [movie review]      CinePassion   
  
3/4
     (2009)      "Of Time and the City never less than throbs with emotion, a reminder of what a loss Davies's absence from the screen has been." [movie review]      Slant Magazine   
  
     (2006)      "Posits an exhilarating, ephemeral sense of cultural inclusiveness" [movie review]      CinePassion   
  
     (1939)      "A well-oiled assembly of betrayals, vendettas, and maternal passion plays" [movie review]      CinePassion   
  
     (2005)      "The horrors are comfily buttressed by storybook polish" [movie review]      CinePassion   
  
     (2006)      "Clunky retooling" [movie review]      CinePassion   
  
     (1968)      "Compassion trumps shock" [movie review]      CinePassion   
  
     (1951)      "Perched between late-'40s noir and mid-'50s crime drama, this is one of the great, forgotten works of the genre." [movie review]      Slant Magazine   
  
     (2007)      "Spanish horror films have a rich, still underappreciated tradition, but The Orphanage could have been made by any anonymous Hollywood hack" [movie review]      CinePassion   
  
     (2008)      "Dreary" [movie review]      CinePassion   
  
     (1931)      "The first half is airy and jaunty, the second is studded with arresting expressionism" [movie review]      CinePassion   
  
     (1962)      "Teshigahara's wide-swinging yet precise visual vocabulary jolts any hint of staginess into strange cinematic life" [movie review]      CinePassion   
  
3/4
     (2009)      "Candid and unpretentious." [movie review]      Slant Magazine   
  
3.5/4
     (1917)      "A tale of redemption played out against the vast expenses of nature." [movie review]      Slant Magazine   
  
     (1917)      "Nature gives and nature takes away in Victor Sjöström's pantheistic classic." [dvd review]      Slant Magazine   
  
     (1979)      "Planned suburbia, teenage wasteland" [movie review]      CinePassion   
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