REVIEWS NEWS & FEATURES ABOUT

Article type:  all-----------------------dvd review     Default Sorting (most recent)

A  B  C  D  E  F  G  H  ( I )  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other

(1 - 46) of 46

Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE            I Am Legend (2007)      "Inevitably, ideas give way to special-effects" [movie review]      CinePassion            I Drink Your Blood (1971)      "David Durston's blast of undiluted grindhouse surrealism always has a handful of jokes up in the air" [movie review]      CinePassion            I Live in Fear (1955)      "Akira Kurosawa's social x-raying is a continuation of Ikiru" [movie review]      CinePassion            I Married a Monster from Outer Space (1958)      "Acerbic satire of matrimony" [movie review]      CinePassion            I Now Pronounce You Chuck And Larry (2007)      "Displays considerable heart" [movie review]      CinePassion            I Think I Love My Wife (2007)      "Pootie Tang was spikier and funnier" [movie review]      CinePassion       2/4      I Want to Go Home (1989)      "I Want to Go Home has a splenetic oddball quality at odds with the evanescent tendencies of Alain Resnais' later films." [movie review]      Slant Magazine            I Want to Go Home (1989)      ""I much prefer Daffy Duck to Donald Duck." Finally a pensée I can get behind." [dvd review]      Slant Magazine            I'm Not There (2007)      "Where is the defiant, sensuous expansiveness of Dylan's songs?" [movie review]      CinePassion            The Ice Harvest (2005)      "Dead cold" [movie review]      CinePassion            Idiocracy (2006)      "Mike Judge's nervy futuristic comedy survives studio cluelessness on its way to cult appreciation." [dvd review]      Slant Magazine       3/4      Idiocracy (2006)      "By refusing to distance itself from its targets, Mike Judge's brand of satire risks being mistaken for what it's satirizing." [movie review]      Slant Magazine            Idlewild (2006)      "Its hodgepodge plot only heightens its stale smell" [movie review]      CinePassion            Il Bidone (1955)      "The progression from comedy to tragedy signals Fellini's most religious work" [movie review]      CinePassion            The Illusionist (2006)      "Straddles fascination and irritation" [movie review]      CinePassion            Immoral Mr. Teas (1959)      "As the clothes evaporate, Meyer wisely sits back and appreciates the show." [movie review]      CinePassion            In Bruges (2008)      "No chit-chat passes by without an ornate bit of would-be profane drollery" [movie review]      CinePassion            In the Valley of Elah (2007)      "Condescending liberal dreck like In the Valley of Elah is just as awful as a thousand Fox-News commentators" [movie review]      CinePassion            An Inconvenient Truth (2006)      "Gore gets admirable points for using intelligence in his arguments rather than fear" [movie review]      CinePassion            India Song (1975)      "Gallic avant-gardists make great zombie movies" [movie review]      CinePassion            Indiana Jones and the Kingdom of the Crystal Skull (2008)      "Exhilarating" [movie review]      CinePassion            Indiscretion of An American Wife (1953)      "Bowdlerized or not, the aching pathos of two aging ingénues huddled over a restaurant table and pouring over their mutual fragility remains intact" [movie review]      CinePassion            Infamous (2006)      "Better than Capote" [movie review]      CinePassion       2/4      The Informant! (2009)      "The Informant! is Soderbergh in larky mode, which in its sterility has recently become virtually indistinguishable from his cerebral mode." [movie review]      Slant Magazine       3/4      Ingeborg Holm (1913)      "There's little danger of words trumping images." [movie review]      Slant Magazine            Inglourious Basterds (2009)      "Magnificent" [movie review]      CinePassion            Inland Empire (2006)      "Unspeakably beautiful" [movie review]      CinePassion            Innerspace (1987)      "For all the Amblin technology on display, Dante's greatest effects are humanistic" [movie review]      CinePassion            Innocent Sorcerers (1960)      "The intimacy and piquancy of a tango" [movie review]      CinePassion            Inside Man (2006)      "A limp ride that, for all the shove of the camera and the grabby intimations of buried corruption, is no different from a John McTiernan Joint" [movie review]      CinePassion            The International (2009)      "It's not a bad thriller, but it's dispiriting to see the gifted Tykwer doing the Ridley Scott fandango" [movie review]      CinePassion            Into the Wild (2007)      "The kind of insipid hero-worship that traps the subject in wax" [movie review]      CinePassion            The Invasion (2007)      "Shoddy and soulless" [movie review]      CinePassion            The Invention of Lying (2009)      "Flaccid rom-com uplift and cut-rate snark" [movie review]      CinePassion       2/4      Invincible (2006)      "Shut-down factories, unemployment lines, and prole strikes feature prominently, unfortunately only to be glazed by Core's top '70s hits nostalgia." [movie review]      Slant Magazine       3/4      Iraq in Fragments (2006)      "Style comes occasionally close to taking precedence over its heartfelt humanistic intentions, yet the film's deep respect for human resilience and hope ultimately renders cynical accusations of touristy condescension moot." [movie review]      Slant Magazine       3.5/4      Irma Vep (1996)      "The post-modern compulsions on display here may bring movies together, but they also keep people apart." [movie review]      Slant Magazine            Irma Vep (1996)      "Alternately dreamy and scratchy, Assayas's meta-satire still beguiles." [dvd review]      Slant Magazine       2.5/4      Iron Horse (1924)      "It's a large canvas, and one that the filmmaker, then 29, often has trouble filling." [movie review]      Slant Magazine            Iron Man (2008)      "Intriguing for its meta-narrative of celebrity redemption" [movie review]      CinePassion            Isle of the Dead (1945)      "Mark Robson's direction here reduces a country's political/spiritual unrest to pronouncements by pinned-down actors about "uneasy conscience" and "fool's courage"" [movie review]      CinePassion            It's a Wonderful Life (1946)      "Capra's film should be freed from its syrupy holiday status, but, like Clarence the angel, this mostly recycled Collector's Set lacks wings." [dvd review]      Slant Magazine       3/4      It's a Wonderful Life (1946)      "Without overlooking its lapses into populist bathos, it's necessary to rescue It's a Wonderful Life from its spot at the centerpiece of untouchable American "classics."" [movie review]      Slant Magazine            It's Always Fair Weather (1955)      "The idea is the winnowing of guys-out-together exuberance for the self-loathing in it" [movie review]      CinePassion       2.5/4      The Italian (2007)      "A waif's doleful eyes make easy tools of manipulation, and, though The Italian is guilty of abusing them for viewer approval, the final shot movingly restores their importance." [movie review]      Slant Magazine            Ivan's Childhood (1962)      "The plot is straight out of the grayish, state-approved, thesis-tidy Ballad of a Soldier bin, but the landscapes and visions are Andrei Tarkovsky's and nobody else's" [movie review]      CinePassion

A  B  C  D  E  F  G  H  ( I )  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other

(1 - 46) of 46