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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE            Gabrielle (2005)      "A work of stunning intensity underneath opulent fabrics" [movie review]      CinePassion       2/4      Gandhi (1982)      "Gandhi is less personal than Reds, but also less complacent than Chariots of Fire and less doddering than Lean's own orderly post-colonial apologia, A Passage to India." [movie review]      Slant Magazine            Gandhi (1982)      "A deluxe anniversary reissue is the best way to revisit an Oscar-winning '80s dinosaur." [dvd review]      Slant Magazine            Gary Cooper: The Signature Collection (1941)      "An uneven set illustrates the facets of Cooper's persona. Worth it for fans? Yup." [dvd review]      Slant Magazine            General Della Rovere (1959)      "Overrated when first released and underrated since, Rossellini's trenchant tale of redemption is ripe for rediscovery." [dvd review]      Slant Magazine       3.5/4      General Della Rovere (1959)      "A fascinating crossroads in Rossellini's career." [movie review]      Slant Magazine            George A. Romero's Diary of the Dead (2008)      "Trenchantly implicates the media into the ongoing apocalypse that in previous Dead chapters already included family, capitalism, the military, class divides" [movie review]      CinePassion            Get Carter (1971)      "Mike Hodges is a steely Diebenkorn, dry and dangerous" [movie review]      CinePassion            Get Rich or Die Tryin' (2005)      "Sheridan's surface vividness is applied around a vacuum" [movie review]      CinePassion            Get Smart (2008)      "The hostile repartee between the characters is as ungainly as director Peter Segal's lumbering action sequences" [movie review]      CinePassion       3.5/4      The Girl Can't Help It (1956)      "Years before Kenneth Anger, Frank Tashlin located the decadent Babylon in Hollywood and found it not that different from the splashy Looney Tunes bonanzas he used to fashion during his salad days as an animator." [movie review]      Slant Magazine            The Girl Who Knew Too Much (1963)      "The giallo gets its cinematic foundation in Mario Bava's wide-eyed "story of a vacation"" [movie review]      CinePassion            The Girlfriend Experience (2009)      "Sex is acting, it's a product, but Soderbergh's film can't illuminate its commoditization" [movie review]      CinePassion            The Girls (1968)      "Check out George Cukor's Les Girls instead." [dvd review]      Slant Magazine       2/4      The Girls (1968)      "Zetterling dives waist-deep into pretentiousness." [movie review]      Slant Magazine            Go West (1925)      "Keaton's transcendent comedy of inadequacy" [movie review]      CinePassion            Going Places (1974)      "The view of desperate braggadocio behind the "lyrical" romping is withering" [movie review]      CinePassion            The Golden Compass (2007)      "Excruciating pap" [movie review]      CinePassion       3/4      Gomorra (2008)      "Sidesteps grandiose statements in favor of a lean and brutal gangster-as-capitalist analysis that at its fiercest feels like a continuation of Francesco Rosi's caustic mafia exposés." [movie review]      Slant Magazine       3/4      Gomorrah (2009)      "Sidesteps grandiose gestures and statements in favor of a grimly matter-of-fact chronicle of how pervasive the Mafia influence has become." [movie review]      Slant Magazine            Gone Baby Gone (2007)      "The Affleck boys finally earn their stripes as cinematic artists" [movie review]      CinePassion       3/4      Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008)      "Its heady mix of excess and inquiry doesn't really take off until the reptiles overrunning the Casino Strip go from projections of a substance-lubricated brain to manifestations of journalistic fury." [movie review]      Slant Magazine            The Good German (2006)      "An utterly gaseous film" [movie review]      CinePassion            Good Night. And, Good Luck (2005)      "Lean study of the quandaries of asking questions in the media, and of crafting a political film in Hollywood" [movie review]      CinePassion            A Good Woman (2005)      "Lifeless" [movie review]      CinePassion       2/4      A Good Year (2006)      "A Good Year suggests not so much the stirring of a soul as Sir Ridley grinding his teeth behind the camera, grimly muttering "I'm going to be breezy if it kills me, goddamit!"" [movie review]      Slant Magazine            Goodbye Solo (2009)      "Behind the noble intentions and cluttered rooms and grimy windshields, however, lies a salt-and-pepper portrait with almost as many undercooked contrivances." [movie review]      CinePassion            Gosta Berling's Saga (1924)      "There are cyclones amid the sprawling stolidity" [movie review]      CinePassion            Goya's Ghosts (2007)      "Cumbersome and often stilted, Goya's Ghosts remains a worthy drama" [movie review]      CinePassion            Gran Torino (2008)      "Less a great film than a fascinating personal testament" [movie review]      CinePassion       2/4      The Greatest Game Ever Played (2005)      "Simply put, The Greatest Game Ever Played has no balls." [movie review]      Slant Magazine            The Grim Reaper (1962)      "Bernardo Bertolucci the poet, declaring a change of medium" [movie review]      CinePassion            Grindhouse (2007)      "Half smirk, half transcendence" [movie review]      CinePassion            Grizzly Man (2005)      "Remarkable beauty and wonder" [movie review]      CinePassion

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