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Other Info
Sources
• CinePassion
• Slant Magazine
Total Reviews: 1053
Fernando F. Croce

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4/4
     (1953)      "Evanescence is an integral part of cinema, and no other director captured it as lyrically and yet as savagely as Ophüls." [movie review]      Slant Magazine   
  
     (1953)      "A majestic package fit for the film that would make Pauline Kael and Andrew Sarris swoon in unison." [dvd review]      Slant Magazine   
  
     (2007)      "Late-period Cronenberg masterpiece" [movie review]      CinePassion   
  
     (1937)      "Chic enchantment" [movie review]      CinePassion   
  
     (1986)      "Kaurismaki in a high-spirited mood: "Everything's okay tonight. I don't know about tomorrow though. The weather might change."" [dvd review]      Slant Magazine   
  
     (1936)      "A package of lacerating outrage from one of the greatest of all filmmakers." [dvd review]      Slant Magazine   
  
     (1972)      "Rossellini's great history lessons blow the dust off textbooks." [dvd review]      Slant Magazine   
  
     (1960)      "Any collection of Japanese thrillers in which Seijun Suzuki is actually not the nuttiest guy around is worth checking out." [dvd review]      Slant Magazine   
  
     (2008)      "Hanna Schygulla cuts through platitudes with a privately fierce, graceful sense of spiritual space" [movie review]      CinePassion   
  
     (1982)      "The three-ring circus is far from seamless, yet it's roped together by Chahine's willingness to turn the camera toward his own contradictory passions and neuroses" [movie review]      CinePassion   
  
3/4
     (1961)      "To say that El Cid is the most intelligent of the elephantine epics of the early '60s is to damn it with faint praise." [movie review]      Slant Magazine   
  
     (1961)      "A deluxe DVD package to match the grandeur of Mann's admirable epic." [dvd review]      Slant Magazine   
  
3/4
     (1970)      "El Topo would be part of the revolutionary, post-'60s movement of Antonio das Mortes and The Last Movie if its private mythology didn't belong so obviously to its maker's acid subconscious." [movie review]      Slant Magazine   
  
     (2007)      "Calamitous" [movie review]      CinePassion   
  
     (2005)      "Heartfelt and intolerable" [movie review]      CinePassion   
  
     (1967)      "Liebestod as a shampoo commercial" [movie review]      CinePassion   
  
     (2007)      "Caustically enchanting" [movie review]      CinePassion   
  
2.5/5
     (1936)      "Not as wicked as the first set, but Gentleman Jim by itself makes it a must for fans." [dvd review]      Slant Magazine   
  
     (1979)      "Siegel stages it all like a collection of haikus, all grilled corners and hard camera pans, not a single wasted frame" [movie review]      CinePassion   
  
     (2007)      "Horrid, Tim-Allen-was-not-available treacle" [movie review]      CinePassion   
  
     (2007)      "Antiseptic bourgeois swank" [movie review]      CinePassion   
  
     (2009)      "Sepia-toned and tough-minded" [movie review]      CinePassion   
  
     (1972)      "Sex is comedy" [movie review]      CinePassion   
  
     (1987)      "Raimi's splatter-slapstick classic gets the deluxe treatment. In Ash's immortal words: "Groovy." " [dvd review]      Slant Magazine   
  
3/4
     (1987)      "Full-on gore slapstick, more Tex Avery than Dario Argento." [movie review]      Slant Magazine   
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