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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE            Born to Win (1971)      "The main event is George Segal's whirligig of hipsterisms in the face of accelerating disaster" [movie review]      CinePassion            Boom! (1968)      "A brilliant film, or rather a brilliant "sen-sation"" [movie review]      CinePassion            Boiling Point (1990)      "A work of varied and strange miracles" [movie review]      CinePassion            Bluebeard's Eighth Wife (1938)      "Lubitsch's classicism gets continually cracked by the unruliness of the screwball genre and by the caustic thrust of the Billy Wilder-Charles Brackett screenplay" [movie review]      CinePassion            Bloodsucking Freaks (1978)      "Exists in that disconcerting crossroads of loathsome exploitation and annihilating art" [movie review]      CinePassion            Blood Simple (1984)      "The Coens remain fastidiously indifferent to the plight of their creations, the better to concentrate on the dazzle of their doom" [movie review]      CinePassion            Blockheads (1938)      "A string of giddy hazards" [movie review]      CinePassion            Blaise Pascal (1971)      "Rossellini honors both sides of the era's metaphysical split" [movie review]      CinePassion            Black Girl (1966)      "A remarkably resonant portrait of cultural (hence, spiritual) dislocation and death" [movie review]      CinePassion            The Bird with the Crystal Plumage (1969)      "Vivid mayhem" [movie review]      CinePassion            Billion Dollar Brain (1967)      "Russell slams the I-Spy trappings into disjunctively eccentric frenzies" [movie review]      CinePassion            Big Trouble in Little China (1986)      "A film to embody the Eighties, and justify them" [movie review]      CinePassion            Big Doll House (1971)      "Filmed by Hill with a luxuriant eye for the Philippines, an appreciation for offhand poesy, and a rather Sirkian direction of actresses" [movie review]      CinePassion            Il Bidone (1955)      "The progression from comedy to tragedy signals Fellini's most religious work" [movie review]      CinePassion            The Beyond (1981)      "While reviewers complain about dialogue and plot, Fulci does his best work in nauseous moods and textures" [movie review]      CinePassion            Betty Blue (1986)      "Flows in a lambent pop style, warm to the touch and scarily intimate" [movie review]      CinePassion            La Belle Captive (1983)      "A ripe, hallucinogenic field theory by Alain Robbe-Grillet" [movie review]      CinePassion            The Beautiful Blonde from Bashful Bend (1949)      "Not so much a lament for the end of the West but for the end of the 1940s" [movie review]      CinePassion            Beast From Haunted Cave (1959)      "The contrast rests between the existentialism of Monte Hellman's direction and the satire of Charles B. Griffith's screenplay" [movie review]      CinePassion            The Beast From 20,000 Fathoms (1953)      "Visionary from beginning to end" [movie review]      CinePassion            The Beast (1975)      "Beauty killed the beast, Borowczyk says, and erotic poetry freed the screen" [movie review]      CinePassion            Bay of Angels (1963)      "So existential, so romantic..." [movie review]      CinePassion            Battling Butler (1926)      "Pugilism and Freud" [movie review]      CinePassion            Basket Case (1982)      "Uproariously disgusting" [movie review]      CinePassion            Barton Fink (1991)      "Resembles not the artist's churning mind but the filmmakers' conjoined colon" [movie review]      CinePassion            Barocco (1976)      "Arcane symbolism serves André Téchiné's bravura technique in this neo-noir panorama" [movie review]      Slant Magazine            Man On The Flying Trapeze      "A plangent anti-Cult of Domesticity symphony" [movie review]      CinePassion            Escape from Alcatraz (1979)      "Siegel stages it all like a collection of haikus, all grilled corners and hard camera pans, not a single wasted frame" [movie review]      CinePassion            The Old Maid (1939)      "A well-oiled assembly of betrayals, vendettas, and maternal passion plays" [movie review]      CinePassion            A Nightmare on Elm Street (1984)      "The Sandman of Reagan's dozy suburbia" [movie review]      CinePassion            The Private Life of Henry VIII (1933)      "Korda and his humorists make sure the usual biopic solemnity is not part of this royal court" [movie review]      CinePassion            A Touch of Zen (1969)      "It's like Mizoguchi is alive and well and shooting kung-fu epics" [movie review]      CinePassion            Lonely Are the Brave (1962)      "David Miller builds sturdily on Philip Lathrop's widescreen cinematography, but Douglas and Dalton Trumbo's screenplay are the auteurs here" [movie review]      CinePassion            The Unfaithful Wife (1968)      "Chabrol's dapper and affecting comedy of alienated manners" [movie review]      CinePassion            The White Sheik (1952)      "Warm Flaubertian satire" [movie review]      CinePassion            New York, I Love You (2009)      "Should have been called New York, I Sorta Kinda Like You but Only as a Friend, Okay?" [movie review]      CinePassion            Amelia (2009)      "Smotheringly conventional" [movie review]      CinePassion            Where the Wild Things Are (2009)      "They're all militantly dreary, like a Prozac-starved version of the seven dwarfs. (There's Lugubrious, Needy, Fretful, Disconsolate, Remorseful...)" [movie review]      CinePassion            Antichrist (2009)      "A hoot" [movie review]      CinePassion            The Invention of Lying (2009)      "Flaccid rom-com uplift and cut-rate snark" [movie review]      CinePassion            Chelsea on the Rocks (2009)      "Fond and funky elegy" [movie review]      CinePassion            Paranormal Activity (2009)      "Have we learned nothing from the Blair Witch hoax?" [movie review]      CinePassion            An Education (2009)      "The old "stay in school" adage has rarely been trotted out to such cop-out effect" [movie review]      CinePassion            Hour of the Wolf (1968)      "Bergman shakes his head and intuitive horrors cascade out, all he has to do is collect image after fulminating image" [movie review]      CinePassion            Fahrenheit 451 (1966)      "Truffaut faces Bradbury's abstractions head on, not as science-fiction but as humanistic fairy-tale" [movie review]      CinePassion            The Mystery of Picasso (1956)      "An invaluable document, even if the camera seems to ultimately corset rather than unleash the aging Minotaur" [movie review]      CinePassion            Cabin in the Sky (1943)      "Lustrous, gospel-folklore retelling of Faust" [movie review]      CinePassion            Twilight Zone: The Movie (1983)      "The last two segments are genuine bits of magnificence" [movie review]      CinePassion            The Big Combo (1955)      "A pond of shifting alliances and kinks" [movie review]      CinePassion            I Drink Your Blood (1971)      "David Durston's blast of undiluted grindhouse surrealism always has a handful of jokes up in the air" [movie review]      CinePassion

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