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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE            The Private Life of Henry VIII (1933)      "Korda and his humorists make sure the usual biopic solemnity is not part of this royal court" [movie review]      CinePassion            A Touch of Zen (1969)      "It's like Mizoguchi is alive and well and shooting kung-fu epics" [movie review]      CinePassion            Lonely Are the Brave (1962)      "David Miller builds sturdily on Philip Lathrop's widescreen cinematography, but Douglas and Dalton Trumbo's screenplay are the auteurs here" [movie review]      CinePassion            The Unfaithful Wife (1968)      "Chabrol's dapper and affecting comedy of alienated manners" [movie review]      CinePassion            The White Sheik (1952)      "Warm Flaubertian satire" [movie review]      CinePassion            New York, I Love You (2009)      "Should have been called New York, I Sorta Kinda Like You but Only as a Friend, Okay?" [movie review]      CinePassion            Amelia (2009)      "Smotheringly conventional" [movie review]      CinePassion            Where the Wild Things Are (2009)      "They're all militantly dreary, like a Prozac-starved version of the seven dwarfs. (There's Lugubrious, Needy, Fretful, Disconsolate, Remorseful...)" [movie review]      CinePassion            Antichrist (2009)      "A hoot" [movie review]      CinePassion            The Invention of Lying (2009)      "Flaccid rom-com uplift and cut-rate snark" [movie review]      CinePassion            Chelsea on the Rocks (2009)      "Fond and funky elegy" [movie review]      CinePassion            Paranormal Activity (2009)      "Have we learned nothing from the Blair Witch hoax?" [movie review]      CinePassion            An Education (2009)      "The old "stay in school" adage has rarely been trotted out to such cop-out effect" [movie review]      CinePassion            Hour of the Wolf (1968)      "Bergman shakes his head and intuitive horrors cascade out, all he has to do is collect image after fulminating image" [movie review]      CinePassion            Fahrenheit 451 (1966)      "Truffaut faces Bradbury's abstractions head on, not as science-fiction but as humanistic fairy-tale" [movie review]      CinePassion            The Mystery of Picasso (1956)      "An invaluable document, even if the camera seems to ultimately corset rather than unleash the aging Minotaur" [movie review]      CinePassion            Cabin in the Sky (1943)      "Lustrous, gospel-folklore retelling of Faust" [movie review]      CinePassion            Twilight Zone: The Movie (1983)      "The last two segments are genuine bits of magnificence" [movie review]      CinePassion            The Big Combo (1955)      "A pond of shifting alliances and kinks" [movie review]      CinePassion            I Drink Your Blood (1971)      "David Durston's blast of undiluted grindhouse surrealism always has a handful of jokes up in the air" [movie review]      CinePassion            Winchester '73 (1950)      "The ruthless scraping of the Western's heroic veneer is Anthony Mann's stroke of genius" [movie review]      CinePassion            Detour (1945)      "Ulmer's threadbare bondage-noir masterpiece" [movie review]      CinePassion            The Wicker Man (1973)      "A mordant study of theological anxiety" [movie review]      CinePassion            Awakening of the Beast (1969)      "An Artaudian cyclone, replete with genius" [movie review]      CinePassion            The Avenging Conscience (1914)      "One of Griffith's most experimental films" [movie review]      CinePassion            Autumn Leaves (1956)      "Irresistible and perverse" [movie review]      CinePassion            Atom Age Vampire (1960)      "Wretched dubbing and chainsaw edits can't dim Anton Giulio Majano's assorted cinematic aperçus" [movie review]      CinePassion            At the Circus (1939)      "Beguiling" [movie review]      CinePassion            At Midnight I'll Take Your Soul (1963)      "The birth of Brazilian horror as a direct act of blasphemy" [movie review]      CinePassion            As Tears Go By (1988)      "The pinwheeling, phosphorescent spirit is undiluted Wong Kar-wai" [movie review]      CinePassion            And Then There Were None (1945)      "A tightly self-winding contraption" [movie review]      CinePassion            L'amoura'mort (1984)      "An overwhelming treatise on the religiosity of romance" [movie review]      CinePassion            L' Amore (1948)      "A bifurcated love letter to Anna Magnani" [movie review]      CinePassion            The American Soldier (1970)      "The phantoms of Old Germany are everywhere" [movie review]      CinePassion            Alice, Sweet Alice (1977)      "Every composition is more ornate than at first expected" [movie review]      CinePassion            Alexandria... Why? (1978)      "Chahine's Alexandria is as fervidly distinctive as Fellini's Rome" [movie review]      CinePassion            A Double Tour (1959)      "Claude Chabrol's dissection of the living-dead bourgeoisie" [movie review]      CinePassion            Annie Oakley (1935)      "George Stevens amply appreciates the showbiz synergy of performers and audiences in the carnival arena" [movie review]      CinePassion            Maitresse (1976)      "Schroeder's comedy is as wry and dapper as Buñuel's" [movie review]      CinePassion            Whip It (2009)      "A lively trifle" [movie review]      CinePassion            Zombieland (2009)      "Simultaneously frenetic and boring gore-farce shambles" [movie review]      CinePassion            The Headless Woman (2009)      "May be the decade's greatest zombie movie" [movie review]      CinePassion            Capitalism: A Love Story (2009)      "Unfortunately, Moore's slapdash approach withers before the sprawling canvas, and his dot-like anecdotes rattle around." [movie review]      CinePassion       3/4      Mother (2009)      "Bong is less interested in shocks than in the synergy between the country's vast fields and the equally mysterious inner landscape of the dazed matriarch making her way across them." [movie review]      Slant Magazine            The Criminal (1960)      "Losey is an incomparable engineer of frenzy" [movie review]      CinePassion            The Ring (1927)      "A striking welter of symbols, broad and subtle" [movie review]      CinePassion       3.5/4      A Serious Man (2009)      "Are the Coens jokers who tread on despair, or tragedians with a penchant for death's-head humor?" [movie review]      Slant Magazine            Medea (1970)      "Abstruse, stark, elemental" [movie review]      CinePassion       3/4      The White Ribbon (2009)      "Something of a distant Teutonic cousin to Henri-Georges Clouzot's caustic Le Corbeau, White Ribbon amply displays Haneke's filmmaking mastery." [movie review]      Slant Magazine            Z (1969)      "The cyclonic drive is all heat and outrage" [movie review]      CinePassion

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