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(1933) |
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"Korda and his humorists make sure the usual biopic solemnity is not part of this royal court"
[movie review] |
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CinePassion |
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(1969) |
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"It's like Mizoguchi is alive and well and shooting kung-fu epics"
[movie review] |
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CinePassion |
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(1962) |
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"David Miller builds sturdily on Philip Lathrop's widescreen cinematography, but Douglas and Dalton Trumbo's screenplay are the auteurs here"
[movie review] |
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CinePassion |
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(1968) |
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"Chabrol's dapper and affecting comedy of alienated manners"
[movie review] |
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CinePassion |
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(1952) |
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"Warm Flaubertian satire"
[movie review] |
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CinePassion |
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(2009) |
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"Should have been called New York, I Sorta Kinda Like You but Only as a Friend, Okay?"
[movie review] |
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CinePassion |
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| |

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(2009) |
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"Smotheringly conventional"
[movie review] |
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CinePassion |
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| |

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(2009) |
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"They're all militantly dreary, like a Prozac-starved version of the seven dwarfs. (There's Lugubrious, Needy, Fretful, Disconsolate, Remorseful...)"
[movie review] |
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CinePassion |
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| |

|
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(2009) |
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"A hoot"
[movie review] |
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CinePassion |
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| |

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(2009) |
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"Flaccid rom-com uplift and cut-rate snark"
[movie review] |
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CinePassion |
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| |

|
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(2009) |
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"Fond and funky elegy"
[movie review] |
|
CinePassion |
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| |

|
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(2009) |
|
"Have we learned nothing from the Blair Witch hoax?"
[movie review] |
|
CinePassion |
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| |

|
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(2009) |
|
"The old "stay in school" adage has rarely been trotted out to such cop-out effect"
[movie review] |
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CinePassion |
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| |

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(1968) |
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"Bergman shakes his head and intuitive horrors cascade out, all he has to do is collect image after fulminating image"
[movie review] |
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CinePassion |
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| |

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(1966) |
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"Truffaut faces Bradbury's abstractions head on, not as science-fiction but as humanistic fairy-tale"
[movie review] |
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CinePassion |
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| |

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(1956) |
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"An invaluable document, even if the camera seems to ultimately corset rather than unleash the aging Minotaur"
[movie review] |
|
CinePassion |
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| |

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(1943) |
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"Lustrous, gospel-folklore retelling of Faust"
[movie review] |
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CinePassion |
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| |

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(1983) |
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"The last two segments are genuine bits of magnificence"
[movie review] |
|
CinePassion |
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| |

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(1955) |
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"A pond of shifting alliances and kinks"
[movie review] |
|
CinePassion |
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| |

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(1971) |
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"David Durston's blast of undiluted grindhouse surrealism always has a handful of jokes up in the air"
[movie review] |
|
CinePassion |
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| |

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(1950) |
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"The ruthless scraping of the Western's heroic veneer is Anthony Mann's stroke of genius"
[movie review] |
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CinePassion |
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| |

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(1945) |
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"Ulmer's threadbare bondage-noir masterpiece"
[movie review] |
|
CinePassion |
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| |

|
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(1973) |
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"A mordant study of theological anxiety"
[movie review] |
|
CinePassion |
|
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| |

|
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(1969) |
|
"An Artaudian cyclone, replete with genius"
[movie review] |
|
CinePassion |
|
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| |

|
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(1914) |
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"One of Griffith's most experimental films"
[movie review] |
|
CinePassion |
|
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| |

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(1956) |
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"Irresistible and perverse"
[movie review] |
|
CinePassion |
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| |

|
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(1960) |
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"Wretched dubbing and chainsaw edits can't dim Anton Giulio Majano's assorted cinematic aperçus"
[movie review] |
|
CinePassion |
|
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| |

|
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(1939) |
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"Beguiling"
[movie review] |
|
CinePassion |
|
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| |

|
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(1963) |
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"The birth of Brazilian horror as a direct act of blasphemy"
[movie review] |
|
CinePassion |
|
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| |

|
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(1988) |
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"The pinwheeling, phosphorescent spirit is undiluted Wong Kar-wai"
[movie review] |
|
CinePassion |
|
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| |

|
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(1945) |
|
"A tightly self-winding contraption"
[movie review] |
|
CinePassion |
|
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| |

|
|
(1984) |
|
"An overwhelming treatise on the religiosity of romance"
[movie review] |
|
CinePassion |
|
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| |

|
|
(1948) |
|
"A bifurcated love letter to Anna Magnani"
[movie review] |
|
CinePassion |
|
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| |

|
|
(1970) |
|
"The phantoms of Old Germany are everywhere"
[movie review] |
|
CinePassion |
|
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| |

|
|
(1977) |
|
"Every composition is more ornate than at first expected"
[movie review] |
|
CinePassion |
|
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| |

|
|
(1978) |
|
"Chahine's Alexandria is as fervidly distinctive as Fellini's Rome"
[movie review] |
|
CinePassion |
|
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| |

|
|
(1959) |
|
"Claude Chabrol's dissection of the living-dead bourgeoisie"
[movie review] |
|
CinePassion |
|
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| |

|
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(1935) |
|
"George Stevens amply appreciates the showbiz synergy of performers and audiences in the carnival arena"
[movie review] |
|
CinePassion |
|
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| |

|
|
(1976) |
|
"Schroeder's comedy is as wry and dapper as Buñuel's"
[movie review] |
|
CinePassion |
|
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| |

|
|
(2009) |
|
"A lively trifle"
[movie review] |
|
CinePassion |
|
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 |
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| |

|
|
(2009) |
|
"Simultaneously frenetic and boring gore-farce shambles"
[movie review] |
|
CinePassion |
|
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| |

|
|
(2009) |
|
"May be the decade's greatest zombie movie"
[movie review] |
|
CinePassion |
|
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| |

|
|
(2009) |
|
"Unfortunately, Moore's slapdash approach withers before the sprawling canvas, and his dot-like anecdotes rattle around."
[movie review] |
|
CinePassion |
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"Bong is less interested in shocks than in the synergy between the country's vast fields and the equally mysterious inner landscape of the dazed matriarch making her way across them."
[movie review] |
|
Slant Magazine |
|
 |
 |
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| |

|
|
(1960) |
|
"Losey is an incomparable engineer of frenzy"
[movie review] |
|
CinePassion |
|
 |
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| |

|
|
(1927) |
|
"A striking welter of symbols, broad and subtle"
[movie review] |
|
CinePassion |
|
 |
 |
 |
| |
 3.5/4 |
|
(2009) |
|
"Are the Coens jokers who tread on despair, or tragedians with a penchant for death's-head humor?"
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |

|
|
(1970) |
|
"Abstruse, stark, elemental"
[movie review] |
|
CinePassion |
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"Something of a distant Teutonic cousin to Henri-Georges Clouzot's caustic Le Corbeau, White Ribbon amply displays Haneke's filmmaking mastery."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |

|
|
(1969) |
|
"The cyclonic drive is all heat and outrage"
[movie review] |
|
CinePassion |
|
 |