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Total Reviews: 3752
James Berardinelli
James Berardinelli
James Berardinelli

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2.5/4
     (2006)      "One could classify The Da Vinci Code as diverting, but it has sidestepped greatness by a wide margin." [movie review]      ReelViews   
  
1.5/4
     (2003)      "It takes a strong stomach to hold down what Daddy Day Care force-feeds its audience." [movie review]      ReelViews   
  
3.5/4
     (1996)      Click here to see the review! [movie review]      ReelViews   
  
2.5/4
     (1992)      Click here to see the review! [movie review]      ReelViews   
  
2/4
     (2007)      "Beneath its aw-shucks, wants-to-be-liked exterior, this is a bankrupt motion picture. It's cloying, artificial, and not the least bit romantic." [movie review]      ReelViews   
  
3/4
     (1998)      "As far as feel-good movies go, this one works in spite of a bloated running length (over two hours) and a plot that could use an injection of originality." [movie review]      ReelViews   
  
3.5/4
     (1999)      "A thought-provoking, emotionally resonant, and innovative cinematic experience." [movie review]      ReelViews   
  
2.5/4
     (2003)      "Little other than the love story subplot to energize the proceedings, many viewers will find that, for all its grace, The Dancer Upstairs moves too slowly." [movie review]      ReelViews   
  
4/4
     (1990)      "It's a rousing adventure, a touching romance, and a stirring drama." [movie review]      ReelViews   
  
2.5/4
     (1998)      Click here to see the review! [movie review]      ReelViews   
  
2/4
     (2001)      "This, I suppose, is what happens when a director allows his actors to put together a movie -- it's sort of like letting the inmates run the asylum." [movie review]      ReelViews   
  
3/4
     (1998)      Click here to see the review! [movie review]      ReelViews   
  
2/4
     (1997)      Click here to see the review! [movie review]      ReelViews   
  
3/4
     (2002)      "While there are times when the film's reach exceeds its grasp, the production works more often than it doesn't." [movie review]      ReelViews   
  
2/4
     (1995)      Click here to see the review! [movie review]      ReelViews   
  
1.5/4
     (1993)      Click here to see the review! [movie review]      ReelViews   
  
2/4
     (2004)      "The limp movie seems to be an attempt by an Australian to mimic a bad American romantic comedy, and, unfortunately, he succeeds admirably." [movie review]      ReelViews   
  
2/4
     (1997)      Click here to see the review! [movie review]      ReelViews   
  
2.5/4
     (2003)      "Sometimes, you can tell when parts of a movie have been left on the cutting room floor, and that's the case with Daredevil." [movie review]      ReelViews   
  
2.5/4
     (2007)      "An easy movie to admire but more difficult to like. Technically and thematically, there's a lot in The Darjeeling Limited to arrest the attention. Emotionally, there's a void." [movie review]      ReelViews   
  
3/4
     (2003)      "Russell is the reason to go to the theater. He will continue to hold your attention when things around him -- like the storyline -- lose steam and credibility." [movie review]      ReelViews   
  
3.5/4
     (1998)      "Dark City has as stunning a visual texture as that of any movie that I've seen." [movie review]      ReelViews   
  
2/4
     (1993)      Click here to see the review! [movie review]      ReelViews   
  
4/4
     (2008)      "Nolan has provided movie-goers with the best superhero movie to-date, outclassing previous titles both mediocre and excellent, and giving this franchise its Empire Strikes Back." [movie review]      ReelViews   
  
2.5/4
     (2005)      "Dark Water has plenty of creepy moments, but few scares, and it becomes bogged down in setup." [movie review]      ReelViews   
  
4/4
     (1982)      "This film takes all of the drama and suspense inherent in a submarine-based story and delivers it in a near- perfect package, establishing Das Boot as not just a terrific adrenaline rush, but one of the best movies ever made." [movie review]      ReelViews   
  
1/4
     (1987)      Click here to see the review! [movie review]      ReelViews   
  
3/4
     (1993)      "A highly-enjoyable, fresh, and energetic motion picture that even the most hard-bitten cynic will be hard-pressed to condemn." [movie review]      ReelViews   
  
3/4
     (2004)      "For those who enjoy tight, tense, graphic horror, this movie offers an ample helping." [movie review]      ReelViews   
  
2.5/4
     (2004)      "Emmerich's point with The Day After Tomorrow isn't to play politics or make speeches, but to entertain. And, in the cataclysmic way he has become known for, he does so." [movie review]      ReelViews   
  
2.5/4
     (1996)      Click here to see the review! [movie review]      ReelViews   
  
2.5/4
     (1978)      "One thing that certainly can be said about Terrence Malick's Days of Heaven: it's not sentimental or manipulative. Unfortunately, it's also not particularly involving." [movie review]      ReelViews   
  
2/4
     (1993)      "This is light entertainment -- nothing groundbreaking or even especially noteworthy." [movie review]      ReelViews   
  
3/4
     (2004)      "As a bio-pic, De-Lovely is pretty standard, run-of-the-mill stuff. However, as a 'best hits' collection of Cole Porter's music, it is unparalleled." [movie review]      ReelViews   
  
4/4
     (1991)      "An achievement that rivals Hitchcock's best work and stands out as one of the most intriguing and memorable thrillers of the 1990s." [movie review]      ReelViews   
  
2.5/4
     (1996)      Click here to see the review! [movie review]      ReelViews   
  
1.5/4
     (1998)      "It represents yet another reason to avoid the multiplexes until the late-year Oscar contenders start arriving." [movie review]      ReelViews   
  
4/4
     (1995)      "Dead Man Walking could easily be manipulative or exploitative, but it's neither. Instead, this is hard-hitting drama that neither accepts nor offers quarter." [movie review]      ReelViews   
  
3/4
     (1995)      Click here to see the review! [movie review]      ReelViews   
  
3.5/4
     (1995)      Click here to see the review! [movie review]      ReelViews   
  
2/4
     (2008)      "The film has more of a checklist of clichés than an actual script and, when it comes to the cast, director Gil Cates Jr. is scraping the bottom of the barrel." [movie review]      ReelViews   
  
2.5/4
     (2005)      "Dear Frankie is a cinematic definition of mediocrity." [movie review]      ReelViews   
  
1/4
     (1996)      "A sickeningly bad pastiche of much better pictures." [movie review]      ReelViews   
  
2/4
     (1995)      Click here to see the review! [movie review]      ReelViews   
  
3/4
     (2007)      "Death at a Funeral is flawed, but I'm willing to forgive a lot of flaws when a movie makes me laugh as much as this one." [movie review]      ReelViews   
  
2/4
     (2006)      "Death of a President is celluloid mediocrity. It's neither interesting nor convincing." [movie review]      ReelViews   
  
2.5/4
     (2008)      "Statham's films never promise to be something they're not or offer something they don't provide. Death Race is not an exception." [movie review]      ReelViews   
  
2/4
     (2007)      "The result is such a mish-mash of conflicting tones and ideas that it doesn't play well on any level." [movie review]      ReelViews   
  
2.5/4
     (2002)      "Like a can of 2-day old Coke. You can taste it, but there's no fizz." [movie review]      ReelViews   
  
4/4
     (1988)      "This is the product of a expert storyteller/filmmaker at the height of his craft, creating a masterwork the likes of which comes along only once in a great while." [movie review]      ReelViews   
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