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(2002) |
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"A masterpiece of urban dread, relationships, and identity crisis."
[movie review] |
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Film Festival Today |
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(2003) |
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"Though it was made on a shoestring, Expiration offers imaginative and soulful use of digital video."
[movie review] |
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Film Festival Today |
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(1999) |
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"With striking dream sequences, seedy black-and-white photography, and haunting sex scenes, Migrating Forms is a clinical portrait of humanity in a cage.
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[movie review] |
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Film Festival Today |
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1/5 |
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(1999) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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1.5/5 |
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(2001) |
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"A sentimental and painfully mundane European drama."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2002) |
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"[Charlie] Kaufman could have called this one Human Nature, too -- or A Phantasmagoria of Human Nature."
[movie review] |
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Filmcritic.com |
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3/5 |
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(2000) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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4/5 |
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(1988) |
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"Akira will appropriately smash you in all the right places."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2005) |
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"confidently shot and scripted in clipped, emotionally direct dialogue that’s thankfully not resorting to Harold Pinter, David Mamet, or Neil LaBute"
[movie review] |
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Filmcritic.com |
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3/5 |
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(2001) |
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"In his eager passion to fill Amores Perros with explosive imagery, Iñarritu nearly drowns his audience in visual excess."
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2000) |
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"Steve Buscemi has given us a solid."
[movie review] |
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Filmcritic.com |
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(2002) |
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"A portrait of suffering and redemption for its own sake, Antwone Fisher arouses only shallow pity."
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2000) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2000) |
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"Bamboozled, for all its numerous and frustrating flaws, is important viewing. It's a film which says, in no uncertain terms, that there are some things we must not forget."
[movie review] |
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Filmcritic.com |
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1/5 |
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(2001) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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1/5 |
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(2001) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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1/5 |
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(2001) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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2.5/5 |
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(2002) |
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"While it's not boring or maudlin, Bloody Sunday feels gutless for not taking as strong a cinematic stance as it could."
[movie review] |
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Filmcritic.com |
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1.5/5 |
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(2004) |
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"only succeeds in simplifying Ulysses, not extracting meaning or emotion from it"
[movie review] |
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Filmcritic.com |
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4/5 |
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(1998) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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2/5 |
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(1997) |
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"[E]xpressive and often funny, but never deep or poetic."
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2001) |
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"Bruiser may be a lightweight in the Romero canon, but he's still able to deliver the goods."
[movie review] |
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Filmcritic.com |
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2/5 |
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(2002) |
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"[Bogdanovich's] old-school cinematic technique doesn't call unnecessary attention to itself, though it also never gets beyond the surface prettiness of his actors."
[movie review] |
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Filmcritic.com |
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2.5/5 |
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(2000) |
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"Cherry Falls sticks to the tried and true formula, bringing to mind words like adequate or functional."
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2002) |
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"[E]njoyable in the way long summer afternoons can be..."
[movie review] |
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Filmcritic.com |
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2/5 |
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(2001) |
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"Full of flawed, stylistic overdrive."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2001) |
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"What's most impressive about McElhinney's highbrow period film is its ability to satisfy snobbish cultural aesthetes while simultaneously fulfilling slasher film conventions."
[movie review] |
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Filmcritic.com |
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2.5/5 |
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(1998) |
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"Clinically austere."
[movie review] |
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Filmcritic.com |
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2.5/5 |
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(2004) |
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"Code 46 offers false and confusing answers that lead to dead ends. It doesn’t provoke thought afterwards; just gestalt."
[movie review] |
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Filmcritic.com |
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3/5 |
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(2001) |
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"Though it's difficult to call the film a success, it's certainly beguiling."
[movie review] |
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Filmcritic.com |
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4.5/5 |
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(2003) |
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"The Company is a well-observed and enticing portrait of artists at work and at play."
[movie review] |
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Filmcritic.com |
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1/5 |
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(2000) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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4.5/5 |
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(2004) |
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"[N]ot just a Middle Eastern nightmare, but a dark elegiac tale of the human condition."
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(1998) |
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"Far more successful at the gambler's rush than Matt Damon's schoolboy lessons in Rounders, Croupier is worth taking a chance on."
[movie review] |
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Filmcritic.com |
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2/5 |
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(1999) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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1/5 |
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(2001) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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4/5 |
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(2001) |
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"Diamond Men is small, but certainly assured."
[movie review] |
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Filmcritic.com |
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2/5 |
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(1990) |
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"A lot of people get shot and many punches are thrown, but there are zero memorable setpieces."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2003) |
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"Laughing at the cruelty of man, of one neighbor's inhumanity to the other, Suleiman uses comedy to dig under the skin. The film's subtitle is, after all, A Chronicle of Love and Pain."
[movie review] |
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Filmcritic.com |
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2.5/5 |
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(1981) |
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"Basquiat himself is handsome but vapid, a sounding board for philosophical drivel that gives tortured, penniless artists a bad name."
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(1984) |
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"Dune re-announces itself as a movie to remember. Whether that makes for good memories or bad depends on your tolerance for gonzo cinema."
[movie review] |
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Filmcritic.com |
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1/5 |
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(2000) |
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"Fans of the role-playing game will be distressed as they see their beloved world contorted into a travesty."
[movie review] |
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Filmcritic.com |
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2.5/5 |
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(1997) |
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"If the film stumbles before the climax, perhaps it's because Imamura has inserted too many distracting subplots which somehow feel gauche and overcooked."
[movie review] |
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Filmcritic.com |
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4/5 |
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(1981) |
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"John Carpenter imaginatively [sketches his] high concept premise in this cult classic."
[movie review] |
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Filmcritic.com |
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4/5 |
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(1981) |
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"It's something Edgar Rice Burroughs would have been proud to have his name attached to."
[movie review] |
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Filmcritic.com |
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1.5/5 |
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(2001) |
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"Fit for a ghoul's night out."
[movie review] |
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Filmcritic.com |
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1/5 |
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(1991) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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4/5 |
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(1982) |
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"Call it macho crap. Call it mindless escapism. Call it Stallone's grand posturing. In fact, call it all of the above."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2004) |
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"Leth has created works as beautiful and moving as any art I’ve seen in recent years."
[movie review] |
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Filmcritic.com |
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1.5/5 |
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(1999) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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