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RATING |
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B+ |
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(2002) |
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"The fast, cheap, do-it-yourself aesthetic of video finally finds complimentary subject matter in Party People, considering the punk movement's similar ethos."
[movie review] |
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Matinee Magazine |
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(2003) |
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"Horror fans take note: Danny Boyle’s 28 Days Later is the real deal."
[movie review] |
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Slant Magazine |
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3/4 |
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(2007) |
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"28 Weeks Later rolls in like a poisonous dust cloud of nihilism."
[movie review] |
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Slant Magazine |
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3/4 |
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(2006) |
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"Even though scene for scene it sticks very close to Philip K. Dick's counterculture classic, A Scanner Darkly feels much more like the earnest theorizing of Richard Linklater in Waking Life mode."
[movie review] |
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Slant Magazine |
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4/5 |
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(2002) |
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"[Charlie] Kaufman could have called this one Human Nature, too -- or A Phantasmagoria of Human Nature."
[movie review] |
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Filmcritic.com |
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2.5/4 |
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(1988) |
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"Making your way through the film is like eating an entire beautifully sculpted wedding cake."
[movie review] |
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Slant Magazine |
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(1988) |
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"See the Baron dance with Venus! See a man outrun a speeding bullet! See the beautiful, mad fiasco that is The Adventures of Baron Munchausen%u2014see it if you dare!"
[dvd review] |
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Slant Magazine |
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3/5 |
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(2000) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(1997) |
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Click here to see the review!
[movie review] |
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ToxicUniverse.com |
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4/5 |
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(1988) |
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"Akira will appropriately smash you in all the right places."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2005) |
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"confidently shot and scripted in clipped, emotionally direct dialogue that’s thankfully not resorting to Harold Pinter, David Mamet, or Neil LaBute"
[movie review] |
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Filmcritic.com |
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A- |
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(2001) |
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"The supreme accomplishment in Mann's career."
[movie review] |
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Matinee Magazine |
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3/4 |
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(1979) |
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"Also welcome is the late-70s distrust of corporate authority, where the mother ship winds up being more duplicitous and evil than the marauding alien."
[movie review] |
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Slant Magazine |
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A- |
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(2002) |
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"The Southeast London working class housing estate of Mike Leigh's All or Nothing becomes a melting pot for issues that this most humanistic of directors has continually returned to over the years: parents, children, secrets, love, resentment..."
[movie review] |
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Matinee Magazine |
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3.5/4 |
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(1983) |
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"If we subscribe to the idea that the profiteering of man leads to the death of an absent God's morals, the unrest of Almanac of Fall lays down the first stones."
[movie review] |
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Slant Magazine |
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4/5 |
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(1994) |
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"A deadpan examination of coincidence versus signs; tangibility versus faith."
[movie review] |
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ToxicUniverse.com |
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(1973) |
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"Though it is occasionally slow going, Stephanie Beacham's operatic shrieking makes good on the title's promise."
[dvd review] |
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Slant Magazine |
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2.5/4 |
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(1973) |
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"Slow moving but frequently lurid."
[movie review] |
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Slant Magazine |
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(1938) |
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"An essential gangster film featuring one of James Cagney’s best performances, this classic holds up beautifully even against a less than first-class DVD treatment."
[dvd review] |
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Slant Magazine |
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4/4 |
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(1938) |
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"Angels With Dirty Faces benefits from the Production Code because it forces the gangster film to acknowledge its nihilism."
[movie review] |
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Slant Magazine |
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3.5/5 |
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(2000) |
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"Steve Buscemi has given us a solid."
[movie review] |
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Filmcritic.com |
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3/4 |
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(2006) |
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"The matter-of-fact filmmaking style is made up for by the vitality of the all-around fantastic performances, the striking use of color, and dialogue that's as tasty as an Ernest Lehman/Clifford Odets cookie full of arsenic."
[movie review] |
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Slant Magazine |
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(1972) |
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"Though it is sometimes over-praised by aficionados of the horror anthology subgenre, Asylum is a fun, old-fashioned taste of post-mod, pre-1980s macabre in British cinema."
[dvd review] |
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Slant Magazine |
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A |
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(2001) |
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"The violence of the finale poses troubling questions about self-denial, male dread, and cathartic suffering."
[movie review] |
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Matinee Magazine |
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B |
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(2004) |
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"The Aviator is a marvel to behold, and one is quickly convinced that Scorsese can take even the most threadbare screenplay and make it bold and immediate."
[movie review] |
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Flipside Movie Emporium |
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(2002) |
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"A masterpiece of urban dread, relationships, and identity crisis."
[movie review] |
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Film Festival Today |
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(1992) |
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"One of the landmark independent films of the 1990s is given a first-rate, informative, and cleaned-up DVD. The film is a masterpiece, but not for the faint of heart."
[dvd review] |
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Slant Magazine |
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4/4 |
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(1992) |
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"Ferrara was in the right place at the right time to make Bad Lieutenant."
[movie review] |
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Slant Magazine |
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3.5/5 |
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(2000) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2000) |
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"Bamboozled, for all its numerous and frustrating flaws, is important viewing. It's a film which says, in no uncertain terms, that there are some things we must not forget."
[movie review] |
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Filmcritic.com |
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(1953) |
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"A love song for the narcissistic, and theater people are sure to eat up the film, commentary, extras, and first rate DVD packaging."
[movie review] |
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Slant Magazine |
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3/4 |
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(1953) |
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"Highlights Fred Astairete's technical genius, particularly in numbers where he's dancing alone."
[movie review] |
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Slant Magazine |
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2.5/4 |
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(2004) |
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"Climaxing with a politician-worthy podium speech, the film has too many creaks in its gears to earn a wholehearted recommendation."
[movie review] |
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Slant Magazine |
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3/5 |
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(1971) |
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Click here to see the review!
[movie review] |
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ToxicUniverse.com |
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(1974) |
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"The Beast Must Die is a curiosity for fans of low-rent British horror flicks in the 1970s, but probably has little appeal to anyone else."
[dvd review] |
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Slant Magazine |
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3/4 |
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(1994) |
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"What it loses in novelty and subtlety it makes up for in its earnest depiction of love and individual human decency in the face of societal cruelty."
[movie review] |
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Slant Magazine |
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(1994) |
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"If it's only as politically savvy as a college term paper, it's also as gritty as an old-school western."
[dvd review] |
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Slant Magazine |
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(1960) |
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"The DVD packaging seems just as apathetic as the film."
[dvd review] |
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Slant Magazine |
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4/4 |
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(1998) |
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"Filled with some of the most extraordinary images of recent years, Beloved was apparently too powerful for audiences to handle back in 1998."
[movie review] |
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Slant Magazine |
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B- |
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(2002) |
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"...has freaky scenes where the crew wonder if they're ghosts imagining themselves as alive. It's a sly wink to The Others without becoming a postmodern joke, made creepy by its "men in a sardine can" warped logic."
[movie review] |
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Matinee Magazine |
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4/5 |
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(2000) |
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Click here to see the review!
[movie review] |
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ToxicUniverse.com |
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4.5/5 |
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(1963) |
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"Only Alfred Hitchcock could take a premise which is so patently ridiculous -- the birds come to life and try to kill everybody -- and construct a beautifully realized thriller."
[movie review] |
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ToxicUniverse.com |
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(1955) |
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"Sidney Poitier steals the show and makes it a cut above what it is: a holier-than-thou public service announcement."
[dvd review] |
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Slant Magazine |
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3/5 |
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(1978) |
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Click here to see the review!
[movie review] |
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ToxicUniverse.com |
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4/5 |
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(1998) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(1992) |
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Click here to see the review!
[movie review] |
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ToxicUniverse.com |
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(1954) |
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"Brigadoon looks splendid, tastes bland."
[dvd review] |
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Slant Magazine |
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(1938) |
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"Bringing Up Baby remains an over-appreciated curiosity piece, but the DVD treatment is all-around first rate."
[dvd review] |
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Slant Magazine |
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3/4 |
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(1938) |
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"If Hawks had a real gift it was the ability of moving things along."
[movie review] |
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Slant Magazine |
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3.5/5 |
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(2001) |
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"Bruiser may be a lightweight in the Romero canon, but he's still able to deliver the goods."
[movie review] |
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Filmcritic.com |
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