Online Film Critics Society
Home     About OFCS     Member Profiles     Schedule     Forum     Awards     OFCS Blog
    O.F.C.S. Members: Sign In    

Other Info
Sources
• Film Festival Today
• Filmcritic.com
• Flipside Movie Emporium
• Matinee Magazine
• Slant Magazine
• Southside Callbox
• ToxicUniverse.com
Total Reviews: 660
Jeremiah Kipp
Jeremiah Kipp
Jeremiah Kipp

Article type:      Default Sorting (most recent)
A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other  
  (1 - 50) of 660  Next
Sort by
RATING
    
Sort by
TITLE/YEAR
    
Sort by
QUOTE
    
Sort by
SOURCE
  
  
1/5
     (2003)      "2 Fast 2 Furious takes it for granted that the audience is comprised of morons. And maybe we are—all those bad video games have gone to our head" [movie review]      ToxicUniverse.com   
  
B+
     (2002)      "The fast, cheap, do-it-yourself aesthetic of video finally finds complimentary subject matter in Party People, considering the punk movement's similar ethos." [movie review]      Matinee Magazine   
  
1.5/5
     (2002)      "Maybe Spike Lee's response to 9-11 is shellshock and confusion, but that's not enough to build his latest movie on." [movie review]      ToxicUniverse.com   
  
     (2003)      "Horror fans take note: Danny Boyle’s 28 Days Later is the real deal." [movie review]      Slant Magazine   
  
3/4
     (2007)      "28 Weeks Later rolls in like a poisonous dust cloud of nihilism." [movie review]      Slant Magazine   
  
D
     (2002)      "A fairly perfunctory sex comedy, which is too bad because the premise is amusing." [movie review]      Matinee Magazine   
  
1/5
     (1999)      Click here to see the review! [movie review]      Filmcritic.com   
  
3/4
     (2006)      "Even though scene for scene it sticks very close to Philip K. Dick's counterculture classic, A Scanner Darkly feels much more like the earnest theorizing of Richard Linklater in Waking Life mode." [movie review]      Slant Magazine   
  
1.5/5
     (2001)      "A sentimental and painfully mundane European drama." [movie review]      Filmcritic.com   
  
4/5
     (2002)      "[Charlie] Kaufman could have called this one Human Nature, too -- or A Phantasmagoria of Human Nature." [movie review]      Filmcritic.com   
  
2.5/4
     (1988)      "Making your way through the film is like eating an entire beautifully sculpted wedding cake." [movie review]      Slant Magazine   
  
     (1988)      "See the Baron dance with Venus! See a man outrun a speeding bullet! See the beautiful, mad fiasco that is The Adventures of Baron Munchausen%u2014see it if you dare!" [dvd review]      Slant Magazine   
  
3/5
     (2000)      Click here to see the review! [movie review]      Filmcritic.com   
  
3.5/5
     (1997)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
4/5
     (1988)      "Akira will appropriately smash you in all the right places." [movie review]      Filmcritic.com   
  
4/5
     (2005)      "confidently shot and scripted in clipped, emotionally direct dialogue that’s thankfully not resorting to Harold Pinter, David Mamet, or Neil LaBute" [movie review]      Filmcritic.com   
  
A-
     (2001)      "The supreme accomplishment in Mann's career." [movie review]      Matinee Magazine   
  
3/4
     (1979)      "Also welcome is the late-70s distrust of corporate authority, where the mother ship winds up being more duplicitous and evil than the marauding alien." [movie review]      Slant Magazine   
  
2/4
     (2004)      "It certainly delivers as a loving homage to two of our favorite monsters and their respective super-duper powers." [movie review]      Slant Magazine   
  
A-
     (2002)      "The Southeast London working class housing estate of Mike Leigh's All or Nothing becomes a melting pot for issues that this most humanistic of directors has continually returned to over the years: parents, children, secrets, love, resentment..." [movie review]      Matinee Magazine   
  
1.5/4
     (2006)      "This is the stuff of soap operas, not serious cinema and certainly not great literature." [movie review]      Slant Magazine   
  
3.5/4
     (1983)      "If we subscribe to the idea that the profiteering of man leads to the death of an absent God's morals, the unrest of Almanac of Fall lays down the first stones." [movie review]      Slant Magazine   
  
     (1983)      "This is the turning point for Béla Tarr, leaving social realism behind to step into the existential abyss." [dvd review]      Slant Magazine   
  
4/5
     (1994)      "A deadpan examination of coincidence versus signs; tangibility versus faith." [movie review]      ToxicUniverse.com   
  
D+
     (2001)      "Meant to be postcard-perfect, it rings false." [movie review]      Matinee Magazine   
  
1.5/4
     (2006)      "One wonders whether American Dreamz is attempting to satirize pop culture or merely recreating it." [movie review]      Slant Magazine   
  
1/5
     (1979)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
3/5
     (2001)      "In his eager passion to fill Amores Perros with explosive imagery, Iñarritu nearly drowns his audience in visual excess." [movie review]      Filmcritic.com   
  
1/4
     (2004)      "Who will the snake kill off first: the African-American comic relief guy, the nerves-of-steel heroine, or the treacherous British professor? Take a wild guess." [movie review]      Slant Magazine   
  
1.5/5
     (2000)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
     (1973)      "Though it is occasionally slow going, Stephanie Beacham's operatic shrieking makes good on the title's promise." [dvd review]      Slant Magazine   
  
2.5/4
     (1973)      "Slow moving but frequently lurid." [movie review]      Slant Magazine   
  
     (1938)      "An essential gangster film featuring one of James Cagney’s best performances, this classic holds up beautifully even against a less than first-class DVD treatment." [dvd review]      Slant Magazine   
  
4/4
     (1938)      "Angels With Dirty Faces benefits from the Production Code because it forces the gangster film to acknowledge its nihilism." [movie review]      Slant Magazine   
  
3.5/5
     (2000)      "Steve Buscemi has given us a solid." [movie review]      Filmcritic.com   
  
     (2002)      "A portrait of suffering and redemption for its own sake, Antwone Fisher arouses only shallow pity." [movie review]      Filmcritic.com   
  
3/4
     (2006)      "The matter-of-fact filmmaking style is made up for by the vitality of the all-around fantastic performances, the striking use of color, and dialogue that's as tasty as an Ernest Lehman/Clifford Odets cookie full of arsenic." [movie review]      Slant Magazine   
  
2/4
     (2004)      "A bitter pill." [movie review]      Slant Magazine   
  
2/5
     (2003)      "It's slow, but it's also sure-footed. Duvall takes it at his own damn pace, and his grouchy old man of a contract killer is a well-rounded and wholly believable personage." [movie review]      ToxicUniverse.com   
  
2/4
     (2005)      "Like Young Adam, Asylum is likewise doomed by its own self-importance." [movie review]      Slant Magazine   
  
     (1972)      "Though it is sometimes over-praised by aficionados of the horror anthology subgenre, Asylum is a fun, old-fashioned taste of post-mod, pre-1980s macabre in British cinema." [dvd review]      Slant Magazine   
  
2.5/4
     (1972)      "Asylum tries telling similar tales (twice) and comes up pathetically short in the scare department." [movie review]      Slant Magazine   
  
A
     (2001)      "The violence of the finale poses troubling questions about self-denial, male dread, and cathartic suffering." [movie review]      Matinee Magazine   
  
B
     (2004)      "The Aviator is a marvel to behold, and one is quickly convinced that Scorsese can take even the most threadbare screenplay and make it bold and immediate." [movie review]      Flipside Movie Emporium   
  
     (2002)      "A masterpiece of urban dread, relationships, and identity crisis." [movie review]      Film Festival Today   
  
     (1992)      "One of the landmark independent films of the 1990s is given a first-rate, informative, and cleaned-up DVD. The film is a masterpiece, but not for the faint of heart." [dvd review]      Slant Magazine   
  
4/4
     (1992)      "Ferrara was in the right place at the right time to make Bad Lieutenant." [movie review]      Slant Magazine   
  
3.5/5
     (2000)      Click here to see the review! [movie review]      Filmcritic.com   
  
3.5/5
     (2000)      "Bamboozled, for all its numerous and frustrating flaws, is important viewing. It's a film which says, in no uncertain terms, that there are some things we must not forget." [movie review]      Filmcritic.com   
  
     (1953)      "A love song for the narcissistic, and theater people are sure to eat up the film, commentary, extras, and first rate DVD packaging." [movie review]      Slant Magazine   
A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other  
  (1 - 50) of 660  Next

powered by ROTTEN TOMATOES
All articles and reviews on this website © the respective authors.
All other content © The Online Film Critics Society (0.19)