 |
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5/5 |
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(1997) |
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Click here to see the review!
[movie review] |
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ToxicUniverse.com |
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D+ |
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(2001) |
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"It's so bogged down in grand proclamations about Truth and Spiritual Communion and Collective Memory that it never strikes a single personal note, one that can be connected to on a purely emotive level."
[movie review] |
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Matinee Magazine |
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5/5 |
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(2000) |
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"Gordon is particularly good at visualizing internal landscapes, particularly slow collapses into paralyzing madness and terrible guilt."
[movie review] |
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Filmcritic.com |
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(1987) |
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"One of the greatest and most representative movies of the 1980s is still able to ironically laugh at the savagery and stupidity happening in our world right now."
[dvd review] |
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Slant Magazine |
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4/4 |
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(1987) |
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"Walker is the dark, neurotic flipside of Repo Man, where the antiheroic title character is not interested in any form of individual self-expression other than a single-minded pursuit of fame and glory."
[movie review] |
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Slant Magazine |
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2/5 |
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(1988) |
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"Even taken piecemeal, it's a huge time commitment for a mostly CliffNotes™ glossing [of history]."
[movie review] |
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ToxicUniverse.com |
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(1965) |
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"Essential viewing as a political argument against not only war, but the bureaucracy that believes truth is best kept in the hands of the few than the many.
"
[dvd review] |
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Slant Magazine |
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4/4 |
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(1965) |
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"Watkins's images are shrewd propaganda."
[movie review] |
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Slant Magazine |
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3/4 |
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(2005) |
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"War of the Worlds takes one of our deepest global fears, the threat of annihilation, and gives us a catharsis when humanity reasserts itself."
[movie review] |
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Slant Magazine |
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4/5 |
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(2001) |
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"There's ... tremendous energy from the cast, a sense of playfulness and excitement that seems appropriate."
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2000) |
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Click here to see the review!
[movie review] |
|
Filmcritic.com |
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D |
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(2002) |
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"Squandering his opportunity to make absurdist observations, Burns gets caught up in the rush of slapstick thoroughfare."
[movie review] |
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Matinee Magazine |
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2/5 |
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(2001) |
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"The Bread, My Sweet is inoffensive"
[movie review] |
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Filmcritic.com |
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5/5 |
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(2001) |
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"dares to say the apocalypse has a startling, bleak beauty all its own.
"
[movie review] |
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Filmcritic.com |
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(1976) |
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"Unflinching, uncompromising, and finally available in an uncensored version in America, this is one of the dark hidden gems of 1970s Euro horror."
[dvd review] |
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Slant Magazine |
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3.5/4 |
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(1976) |
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"A completely unheralded classic of bleak 1970s horror cinema."
[movie review] |
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Slant Magazine |
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3/4 |
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(2005) |
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"What Almereyda sees in Eggleston's work are the things that seem to drive Almereyda's films: life as a continual paradox."
[movie review] |
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Slant Magazine |
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2/4 |
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(2004) |
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"Transforms Shakespeare’s most complex works into a morass of paralyzing drudgery."
[movie review] |
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Slant Magazine |
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2.5/4 |
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(2007) |
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"As a document of the shape of political thought, the film is successful; but as a living, beating heart about a populace living through a time of upheaval and confusion, it's mediocre."
[movie review] |
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Slant Magazine |
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D |
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(2002) |
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"Adam Beach isn't given much of a character to play. He takes Cage's abuse with a smile, which makes you wonder if the screenwriter should have just called him Tonto."
[movie review] |
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Matinee Magazine |
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1/5 |
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(1999) |
|
Click here to see the review!
[movie review] |
|
ToxicUniverse.com |
|
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3.5/5 |
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(1981) |
|
Click here to see the review!
[movie review] |
|
ToxicUniverse.com |
|
|
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| |
2/4 |
|
(1939) |
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"The tagline says it's all about men, but this 1939 comedy is really a testament to the females of a certain era, and how they go about securing their comfort and happiness."
[movie review] |
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Slant Magazine |
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(1939) |
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"Ladies, ladies—please!"
[dvd review] |
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Slant Magazine |
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2.5/5 |
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(2000) |
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"[Winterbottom] can't pull this humdrum tragicomedy out of the gutter."
[movie review] |
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Filmcritic.com |
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3/4 |
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(2004) |
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""...an uncompromising, character-driven story told with intelligence, restraint, and emotional clarity.""
[movie review] |
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Slant Magazine |
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D+ |
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(2002) |
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"But buying into sham truths and routine "indie" filmmaking, Freundlich has made just another safe movie. It's not horrible, just horribly mediocre."
[movie review] |
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Matinee Magazine |
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