 |
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 |
 |
 |
| |
 5/5 |
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(1960) |
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"L'Avventura has still held up remarkably well, perhaps because the creepiness of existence remains topical in these apathetic times."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 2/5 |
|
(2001) |
|
"Would have worked best as a half-hour short film about Howie's ill-advised foray into Big John's haven."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 5/5 |
|
(1960) |
|
"Fellini's world is a joy to behold"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 5/5 |
|
(1960) |
|
"As thought provoking as it is playful, as tragic as it is hilarious, La Dolce Vita is prime Fellini."
[movie review] |
|
ToxicUniverse.com |
|
 |
 |
 |
| |
 5/5 |
|
(1954) |
|
"Federico Fellini created a tragic story which is not depressing, but rather exhilarating and inspiring."
[movie review] |
|
ToxicUniverse.com |
|
 |
 |
 |
| |
 4/5 |
|
(2002) |
|
"Much of The Lady and the Duke is about quiet, decisive moments between members of the cultural elite as they determine how to proceed as the world implodes."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 1.5/4 |
|
(2004) |
|
"Joel and Ethan Coen's disappointing The Ladykillers is too trifling to be taken seriously, and too routine to inspire hilarity."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 4/5 |
|
(1955) |
|
Click here to see the review!
[movie review] |
|
ToxicUniverse.com |
|
 |
 |
 |
| |
 3/5 |
|
|
|
"For all the sci-fi combat, it's more reminiscent of the dumb things one did in college, and all that earnest grad school theorizing."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 C |
|
(2005) |
|
"Despite the beautiful photography and good-looking actors and naturalistic locations, it strikes me as bogus."
[movie review] |
|
Flipside Movie Emporium |
|
 |
 |
 |
| |
 1.5/5 |
|
(1986) |
|
"[Johnny] Cash acknowledges his participation in pop culture trash like the 1986 made-for-TV movie The Last Days of Frank and Jesse James."
[movie review] |
|
ToxicUniverse.com |
|
 |
 |
 |
| |
 3/4 |
|
(2006) |
|
"Provides a vivid snapshot of Uganda and a tour-de-force portrayal of a creature who is all the more horrifying because his evil is so recognizable, and so chillingly embracing and warm."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 D+ |
|
(2002) |
|
"Just the sort of lazy tearjerker that gives movies about ordinary folk a bad name."
[movie review] |
|
Matinee Magazine |
|
 |
 |
 |
| |
 4/4 |
|
(1988) |
|
"There is a God in the film, and it pursues Jesus throughout."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |

|
|
(2003) |
|
"An accumulation of shoot-outs, explosions, quips and CGI special effects assembled into a semi-coherent haze."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 1/5 |
|
(2001) |
|
"We're asked to buy Kirk Cameron as a hardcore journalist covering an international crisis in the Middle East?"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 2/4 |
|
(2006) |
|
"The concert achieves mixed success, lurching back and forth between earnest folk renditions of Cohen classics versus twitchy, indulgent freak shows and post-punk gravitas."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |

|
|
(1940) |
|
"Howard Hawks said that a classic film has three great scenes and no bad ones. Despite its three great scenes, The Letter is no classic!"
[dvd review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 2.5/4 |
|
(1940) |
|
"even a bad Davis movie where she's hamming and mugging and even humiliating herself is more fun than practically no Bette at all.
"
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 2/4 |
|
(1936) |
|
"More intriguing for behind-the-scenes gossip than its rather familiar screwball comedy machinations."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |

|
|
(1936) |
|
"Four classic comedy stars liven up a tepid affair...and a bland DVD package."
[dvd review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 3.5/4 |
|
(2004) |
|
"It’s like a grown-up returning to Stevenson’s Treasure Island and rediscovering what was so great about it in the first place."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 4/5 |
|
(1968) |
|
"The cast is truly in top form. Hepburn and O'Toole play off of each other beautifully."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |

|
|
(1930) |
|
"An overrated groundbreaker with a memorable lead performance, Little Caesar is only vital for the die-hard Warner Bros. gangster series completist."
[dvd review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 2/4 |
|
(1930) |
|
"Feels stilted when stacked up against its tougher depression-era contemporaries."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 D+ |
|
(2000) |
|
"You will find this funny or not funny, depending on your tolerance for crass humor in the hands of a clown desperate to wring a reaction out of you."
[movie review] |
|
Flipside Movie Emporium |
|
 |
 |
 |
| |
 3.5/5 |
|
(2003) |
|
"Ya gotta watch."
[movie review] |
|
ToxicUniverse.com |
|
 |
 |
 |
| |

|
|
(1997) |
|
"We still await the definitive DVD release of Lost Highway, a film crying out for rediscovery."
[dvd review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 3.5/4 |
|
(1997) |
|
"It's pensive male anxiety, and for some cultural reason it's easier for audiences to accept female hysteria than the insecurities of men."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 3/4 |
|
(2004) |
|
"The perilously low budget plays to Lost Skeleton’s advantage, and the scant 90-minute running time assures that it doesn’t wear out its welcome."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 D |
|
(2000) |
|
"Think of the air going out of a balloon."
[movie review] |
|
Flipside Movie Emporium |
|
 |
 |
 |
| |
 2.5/4 |
|
(2008) |
|
"The movie experience gets in its own way."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |

|
|
(1955) |
|
"Cagney's charisma and Day's effervescent beauty help sustain this abuse-ridden march towards divorce, peppered by some vibrant musical numbers."
[dvd review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 3/4 |
|
(1955) |
|
"A slow crawl through a hellish relationship."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 B |
|
(2002) |
|
"Movies like Lovely & Amazing are valuable because they're rare, allowing interesting scenarios for actresses that are good looking but not glamorous, sensitive but not demure."
[movie review] |
|
Matinee Magazine |
|
 |