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Other Info
Sources
• Film Festival Today
• Filmcritic.com
• Flipside Movie Emporium
• Matinee Magazine
• Slant Magazine
• Southside Callbox
• ToxicUniverse.com
Total Reviews: 660
Jeremiah Kipp
Jeremiah Kipp
Jeremiah Kipp

Article type:      Default Sorting (most recent)
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5/5
     (1960)      "L'Avventura has still held up remarkably well, perhaps because the creepiness of existence remains topical in these apathetic times." [movie review]      Filmcritic.com   
  
2/5
     (2001)      "Would have worked best as a half-hour short film about Howie's ill-advised foray into Big John's haven." [movie review]      Filmcritic.com   
  
5/5
     (1960)      "Fellini's world is a joy to behold" [movie review]      Filmcritic.com   
  
5/5
     (1960)      "As thought provoking as it is playful, as tragic as it is hilarious, La Dolce Vita is prime Fellini." [movie review]      ToxicUniverse.com   
  
5/5
     (1954)      "Federico Fellini created a tragic story which is not depressing, but rather exhilarating and inspiring." [movie review]      ToxicUniverse.com   
  
4/5
     (2002)      "Much of The Lady and the Duke is about quiet, decisive moments between members of the cultural elite as they determine how to proceed as the world implodes." [movie review]      Filmcritic.com   
  
1.5/4
     (2004)      "Joel and Ethan Coen's disappointing The Ladykillers is too trifling to be taken seriously, and too routine to inspire hilarity." [movie review]      Slant Magazine   
  
4/5
     (1955)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
3/5
          "For all the sci-fi combat, it's more reminiscent of the dumb things one did in college, and all that earnest grad school theorizing." [movie review]      Filmcritic.com   
  
C
     (2005)      "Despite the beautiful photography and good-looking actors and naturalistic locations, it strikes me as bogus." [movie review]      Flipside Movie Emporium   
  
1.5/5
     (1986)      "[Johnny] Cash acknowledges his participation in pop culture trash like the 1986 made-for-TV movie The Last Days of Frank and Jesse James." [movie review]      ToxicUniverse.com   
  
3/4
     (2006)      "Provides a vivid snapshot of Uganda and a tour-de-force portrayal of a creature who is all the more horrifying because his evil is so recognizable, and so chillingly embracing and warm." [movie review]      Slant Magazine   
  
D+
     (2002)      "Just the sort of lazy tearjerker that gives movies about ordinary folk a bad name." [movie review]      Matinee Magazine   
  
4/4
     (1988)      "There is a God in the film, and it pursues Jesus throughout." [movie review]      Slant Magazine   
  
     (2003)      "An accumulation of shoot-outs, explosions, quips and CGI special effects assembled into a semi-coherent haze." [movie review]      Slant Magazine   
  
1/5
     (2001)      "We're asked to buy Kirk Cameron as a hardcore journalist covering an international crisis in the Middle East?" [movie review]      Filmcritic.com   
  
2/4
     (2006)      "The concert achieves mixed success, lurching back and forth between earnest folk renditions of Cohen classics versus twitchy, indulgent freak shows and post-punk gravitas." [movie review]      Slant Magazine   
  
     (1940)      "Howard Hawks said that a classic film has three great scenes and no bad ones. Despite its three great scenes, The Letter is no classic!" [dvd review]      Slant Magazine   
  
2.5/4
     (1940)      "even a bad Davis movie where she's hamming and mugging and even humiliating herself is more fun than practically no Bette at all. " [movie review]      Slant Magazine   
  
2/4
     (1936)      "More intriguing for behind-the-scenes gossip than its rather familiar screwball comedy machinations." [movie review]      Slant Magazine   
  
     (1936)      "Four classic comedy stars liven up a tepid affair...and a bland DVD package." [dvd review]      Slant Magazine   
  
3.5/4
     (2004)      "It’s like a grown-up returning to Stevenson’s Treasure Island and rediscovering what was so great about it in the first place." [movie review]      Slant Magazine   
  
4/5
     (1968)      "The cast is truly in top form. Hepburn and O'Toole play off of each other beautifully." [movie review]      Filmcritic.com   
  
     (1930)      "An overrated groundbreaker with a memorable lead performance, Little Caesar is only vital for the die-hard Warner Bros. gangster series completist." [dvd review]      Slant Magazine   
  
2/4
     (1930)      "Feels stilted when stacked up against its tougher depression-era contemporaries." [movie review]      Slant Magazine   
  
D+
     (2000)      "You will find this funny or not funny, depending on your tolerance for crass humor in the hands of a clown desperate to wring a reaction out of you." [movie review]      Flipside Movie Emporium   
  
3.5/5
     (2003)      "Ya gotta watch." [movie review]      ToxicUniverse.com   
  
     (1997)      "We still await the definitive DVD release of Lost Highway, a film crying out for rediscovery." [dvd review]      Slant Magazine   
  
3.5/4
     (1997)      "It's pensive male anxiety, and for some cultural reason it's easier for audiences to accept female hysteria than the insecurities of men." [movie review]      Slant Magazine   
  
3/4
     (2004)      "The perilously low budget plays to Lost Skeleton’s advantage, and the scant 90-minute running time assures that it doesn’t wear out its welcome." [movie review]      Slant Magazine   
  
D
     (2000)      "Think of the air going out of a balloon." [movie review]      Flipside Movie Emporium   
  
2.5/4
     (2008)      "The movie experience gets in its own way." [movie review]      Slant Magazine   
  
     (1955)      "Cagney's charisma and Day's effervescent beauty help sustain this abuse-ridden march towards divorce, peppered by some vibrant musical numbers." [dvd review]      Slant Magazine   
  
3/4
     (1955)      "A slow crawl through a hellish relationship." [movie review]      Slant Magazine   
  
B
     (2002)      "Movies like Lovely & Amazing are valuable because they're rare, allowing interesting scenarios for actresses that are good looking but not glamorous, sensitive but not demure." [movie review]      Matinee Magazine   
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