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3/4 |
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(1932) |
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"The prison scenes are blatantly manipulative—and effective—but Fugitive really takes off during an intense escape sequence."
[movie review] |
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Slant Magazine |
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(1932) |
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"Time has not blunted the hard-edged anger of Fugitive."
[dvd review] |
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Slant Magazine |
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2.5/5 |
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(1982) |
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"...uneasy and difficult to pin down, like the paranoia of a dream."
[movie review] |
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ToxicUniverse.com |
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5/5 |
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(1998) |
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Click here to see the review!
[movie review] |
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Filmcritic.com |
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D |
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(2001) |
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"Basically a padded-out Outer Limits episode, repetitive chase scenes and useless exposition skim it past the 90-minute mark."
[movie review] |
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Matinee Magazine |
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A- |
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(2001) |
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Click here to see the review!
[movie review] |
|
Flipside Movie Emporium |
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1.5/4 |
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(2003) |
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"Joyless seduction scenes are set amidst one of the ugliest portrayals of urban squalor in recent memory."
[movie review] |
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Slant Magazine |
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1.5/5 |
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(2003) |
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"...fails to communicate the same complexities about men and women that Campion has more deeply explored in her earlier films."
[movie review] |
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Slant Magazine |
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3/5 |
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(2001) |
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"Scene after scene, Wong repeats images, situations, and dialogue, so hung up on representing paralysis that the situation fails to blossom."
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(1995) |
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Click here to see the review!
[movie review] |
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ToxicUniverse.com |
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4/5 |
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(2003) |
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"In This World defies you to remain unmoved."
[movie review] |
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Filmcritic.com |
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3.5/4 |
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(2006) |
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"Voters who perceived Gore as a stiff, bland politician hen-pecked by the issues and unable to connect to his audience may be pleased by this makeover."
[movie review] |
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Slant Magazine |
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2/4 |
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(1989) |
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"There's considerable pleasure in watching these two lions spar, but sometimes Last Crusade mistakes dotting every I and crossing every T for detailed character development."
[movie review] |
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Slant Magazine |
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(1989) |
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"We learn that Indiana Jones was named after the family dog. Aren't you glad you tuned in for his latest adventure?"
[dvd review] |
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Slant Magazine |
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C |
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(2002) |
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"Without the benefit of a clever narrative device, Christopher Nolan's left with his merely adequate skill as a filmmaker to breathe life into a generic police procedural."
[movie review] |
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Matinee Magazine |
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3.5/5 |
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(2001) |
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"Shallow though it might sound, it's amazing how much is filled in through an inspired cast, perceptive camerawork, and imaginative ways of treating the love scene."
[movie review] |
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Filmcritic.com |
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2.5/4 |
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(2003) |
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"As screwball comedy, the film is entirely too restrained, coasting for too long on recycled gags."
[movie review] |
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Slant Magazine |
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5/5 |
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(1978) |
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"The screenplay by W.D. Richter builds at a deliberate pace, and within the first half hour we’re already disturbed by the almost imperceptible behavior of those who have been snatched."
[movie review] |
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ToxicUniverse.com |
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1.5/5 |
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(2002) |
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"Too restrained to be a freak show, too mercenary and obvious to be cerebral, too dull and pretentious to be engaging...The Isle defies an easy categorization."
[movie review] |
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Filmcritic.com |
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2.5/4 |
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(2009) |
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"Nearly two hours of yackety-yak is less expressive than one image of White's hand bleeding from the intensity of pressing his guitar strings during a mad improvisation."
[movie review] |
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Slant Magazine |
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1.5/5 |
|
(1999) |
|
Click here to see the review!
[movie review] |
|
Filmcritic.com |
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| |
3.5/4 |
|
(1962) |
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"Even in this, his first feature, we see that Andrei Tarkovsky is compelled by memories of precious things."
[movie review] |
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Slant Magazine |
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(1962) |
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"Criterion deserves a medal."
[dvd review] |
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Slant Magazine |
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