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Other Info
Sources
• Film Festival Today
• Filmcritic.com
• Flipside Movie Emporium
• Matinee Magazine
• Slant Magazine
• Southside Callbox
• ToxicUniverse.com
Total Reviews: 660
Jeremiah Kipp
Jeremiah Kipp
Jeremiah Kipp

Article type:      Default Sorting (most recent)
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2/4
     (2007)      "Kindness, graciousness, nurturing, and support is the message for couples and community, so even if it's not saying anything new under the sun, all that syrup makes the cardboard taste better." [movie review]      Slant Magazine   
  
     (1987)      "Warm up that espresso machine, because it's going to be a long night." [dvd review]      Slant Magazine   
  
3/4
     (1987)      "In terms of creating a strong cinematic world, Tarr has few equals." [movie review]      Slant Magazine   
  
2.5/4
     (1950)      "Like the star in question, this diva showcase knows what it is and what it's good at." [movie review]      Slant Magazine   
  
     (1950)      "Not a particularly good movie, but a damned fine yarn! " [dvd review]      Slant Magazine   
  
2.5/5
     (1999)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
2/5
     (1999)      Click here to see the review! [movie review]      Filmcritic.com   
  
A+
     (1978)      "An epic among horror films." [movie review]      Flipside Movie Emporium   
  
2/4
     (2004)      "Doesn’t stop to take its breath, and it remains frequently scary in the moment without leaving much to chew on afterwards." [movie review]      Slant Magazine   
  
2/4
     (2005)      "Ironic, politically incorrect, and anarchic, with characters wandering around waving two guns in the air like Eastern European Quentin Tarantino creations." [movie review]      Slant Magazine   
  
2.5/5
     (2002)      "Less crass and murky than the many Stephen King adaptations for network television, with a distinct emphasis on mood." [movie review]      ToxicUniverse.com   
  
1/5
     (2001)      Click here to see the review! [movie review]      Filmcritic.com   
  
     (1972)      "A haunting masterpiece, as mysterious as the deep, dark woods." [dvd review]      Slant Magazine   
  
4/4
     (1972)      "This man-versus-nature story is also about man indulging his most uncivilized instincts, and in their various ways the four men on the canoe trip are transformed." [movie review]      Slant Magazine   
  
2.5/5
     (2003)      "Painted into a corner by his own concept, Assayas leaves us cold, vaguely paranoid, and ultimately none the wiser." [movie review]      ToxicUniverse.com   
  
2.5/5
     (1995)      "If Rodriguez is still stumbling forward, finding his way, at least he’s got panache and character. Sometimes, that is enough." [movie review]      ToxicUniverse.com   
  
4.5/5
     (1977)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
4/4
     (1972)      "Whether taken as a historical drama or a horror film, The Devil is unabashedly a parable about misappropriated anger against the forces of evil." [movie review]      Slant Magazine   
  
2.5/5
     (1964)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
C-
     (2001)      "The Devil's Backbone stands out because of its rich desert-dust palette of golden brown, but otherwise takes no discernable visual stance." [movie review]      Matinee Magazine   
  
4.5/5
     (1975)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
B+
     (2005)      "Captures the visual texture, spontaneity, and mania of 1970s shock cinema classics like Last House on the Left and The Texas Chainsaw Massacre." [movie review]      Flipside Movie Emporium   
  
4/5
     (2001)      "Diamond Men is small, but certainly assured." [movie review]      Filmcritic.com   
  
1/4
     (2005)      "Perry’s film adaptation clearly preaches to the converted while presupposing its TV-sitcom humor will win (or convert) new fans." [movie review]      Slant Magazine   
  
2/5
     (1990)      "A lot of people get shot and many punches are thrown, but there are zero memorable setpieces." [movie review]      Filmcritic.com   
  
3/5
     (1982)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
     (1933)      "Featuring a crème de la crème assortment of Hollywood players, character actors, and rising stars, Dinner at Eight is entitled to a more deluxe treatment. " [dvd review]      Slant Magazine   
  
3/4
     (1933)      "The dinner party that closes Dinner at Eight wouldn’t feel like dancing at the end of the world without Renault’s final gesture." [movie review]      Slant Magazine   
  
4/5
     (2003)      "Laughing at the cruelty of man, of one neighbor's inhumanity to the other, Suleiman uses comedy to dig under the skin. The film's subtitle is, after all, A Chronicle of Love and Pain." [movie review]      Filmcritic.com   
  
B+
     (1989)      Click here to see the review! [movie review]      Flipside Movie Emporium   
  
     (1939)      "Dodge City is a surprisingly effective and reliable warhorse, and the miscasting of Errol Flynn doesn't distract from the many great set pieces. " [dvd review]      Slant Magazine   
  
3/4
     (1939)      "A well-crafted and perfectly capable western." [movie review]      Slant Magazine   
  
     (2002)      "The voyeurs in the film respond with predictable repulsion and sarcasm to Seidl’s lower middle-class cartoons." [movie review]      Slant Magazine   
  
2/5
     (2003)      "...engages us on [a] gut level, and asks us to shut off our minds in the meanwhile." [movie review]      ToxicUniverse.com   
  
5/5
     (1974)      "Like all great horror films, the reason it all feels so creepy is because our imagination makes it so." [movie review]      ToxicUniverse.com   
  
B+
     (2001)      "There was no easy logline for Donnie Darko. That’s probably why it was doomed to become one of 2001’s best movies no one heard of." [movie review]      Matinee Magazine   
  
4/5
     (1986)      "At 90 minutes, it felt entirely too long, but would I have wanted Jarmusch to trim it down at all? That would have killed his best jokes." [movie review]      ToxicUniverse.com   
  
2.5/5
     (1981)      "Basquiat himself is handsome but vapid, a sounding board for philosophical drivel that gives tortured, penniless artists a bad name." [movie review]      Filmcritic.com   
  
4.5/5
     (1963)      "Dr. No was the first and perhaps most sober of the Bond films, not relying so much on easy one-liners and increasingly silly puns." [movie review]      ToxicUniverse.com   
  
3.5/5
     (1931)      "Dracula takes place within the confines of the parlors and drawing rooms of London society, which bears a striking resemblance to Americana circa 1931." [movie review]      ToxicUniverse.com   
  
     (1982)      "Greenaway creates his thesis over the decaying corpses of animals, which doesn't inspire a middle-of-the-road kind of viewer response." [dvd review]      Slant Magazine   
  
3/4
     (1982)      "A puzzle book for intellectual aesthetes." [movie review]      Slant Magazine   
  
3.5/5
     (1990)      "As a throwback to ‘80s fears and Old West resolve, Drug Wars: The Camarena Story is worth tracking down." [movie review]      ToxicUniverse.com   
  
     (1939)      "Those seeking another 1939 John Ford revisionist history lesson should seek out Young Mr. Lincoln." [dvd review]      Slant Magazine   
  
2/4
     (1939)      "A lesser effort from Ford." [movie review]      Slant Magazine   
  
3.5/5
     (1984)      "Dune re-announces itself as a movie to remember. Whether that makes for good memories or bad depends on your tolerance for gonzo cinema." [movie review]      Filmcritic.com   
  
1/5
     (2000)      "Fans of the role-playing game will be distressed as they see their beloved world contorted into a travesty." [movie review]      Filmcritic.com   
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