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Other Info
Sources
• Film Festival Today
• Filmcritic.com
• Flipside Movie Emporium
• Matinee Magazine
• Slant Magazine
• Southside Callbox
• ToxicUniverse.com
Total Reviews: 660
Jeremiah Kipp
Jeremiah Kipp
Jeremiah Kipp

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3/5
     (2003)      "A flesh-eating virus has polluted the local reservoir. Pointless and egregiously bloody violence ensues, and Cabin Fever benefits greatly from its go-for-broke aesthetic." [movie review]      ToxicUniverse.com   
  
     (1954)      "This movie gives "standard" quality a good name, and would be worth watching for the trial scene alone where Bogie intensely rambles on about how he studied the wardroom icebox key with "geometric logic."" [dvd review]      Slant Magazine   
  
3/4
     (1954)      "It's like the well-constructed house that's not meant to be distinctive, but was made to endure." [movie review]      Slant Magazine   
  
2/4
     (2005)      "While The Ordeal can't pass itself off as an art-house horror about the nature of love among the cannibals, it sometimes has a sick sexual frisson that resonates." [movie review]      Slant Magazine   
  
     (1942)      "This handsomely packaged three-disc DVD box set is jam-packed with extras, meant to please fans and cinema history buffs alike." [dvd review]      Slant Magazine   
  
4/4
     (1942)      "The movie has a peculiar magic to it, and it's in the richness of its details that mostly go unnoticed because of the film's pace." [movie review]      Slant Magazine   
  
B+
     (2000)      "If the stuff on the island is very, very good, let us at least admit that everything else could have been a lot worse. I mean, Ron Howard could have directed it, right?" [movie review]      Flipside Movie Emporium   
  
2/5
     (1982)      "When it's not going for outlandish smut, Cat People is a shambling bore." [movie review]      ToxicUniverse.com   
  
2/5
     (2002)      "[Bogdanovich's] old-school cinematic technique doesn't call unnecessary attention to itself, though it also never gets beyond the surface prettiness of his actors." [movie review]      Filmcritic.com   
  
5/5
     (2002)      "Steven Spielberg has always has a fascination with the Peter Pan boy who never grew up; he drops this one into the splashy clothes, cars, and high style of the early 1960s." [movie review]      ToxicUniverse.com   
  
3/5
     (2000)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
3/4
     (2009)      "Chelsea on the Rocks is very lively, somewhat thrown together in that loose yet aggressively visceral Ferrara style." [movie review]      Slant Magazine   
  
2.5/5
     (2000)      "Cherry Falls sticks to the tried and true formula, bringing to mind words like adequate or functional." [movie review]      Filmcritic.com   
  
3.5/5
     (2002)      "[E]njoyable in the way long summer afternoons can be..." [movie review]      Filmcritic.com   
  
3/4
     (2008)      "Chicago 10 is a reminder of a time when the counter-culture was out on the street making noise--a history lesson so removed from our present political climate it feels almost like science fiction." [movie review]      Slant Magazine   
  
     (1972)      "Clever title, insufferable movie!" [dvd review]      Slant Magazine   
  
1/4
     (1972)      "Clark's first film is memorable only for its catchy title." [movie review]      Slant Magazine   
  
     (1974)      "You know what to expect: it's Chinatown." [dvd review]      Slant Magazine   
  
4/4
     (1974)      "The exhaustive, labyrinthine narrative is built up like a fortress around this film's bitter heart." [movie review]      Slant Magazine   
  
3/4
     (1988)      "The Chocolate War is reminiscent of another kind of movie that one wishes could be jump-started again: Angry Young Man films." [movie review]      Slant Magazine   
  
3.5/5
     (1988)      "Slant Magazine's student governing body has elected to peer pressure you into selecting The Chocolate War." [dvd review]      Slant Magazine   
  
2/5
     (2001)      "Full of flawed, stylistic overdrive." [movie review]      Filmcritic.com   
  
3/5
     (1983)      "It manages to entertain." [movie review]      ToxicUniverse.com   
  
4/5
     (2001)      "What's most impressive about McElhinney's highbrow period film is its ability to satisfy snobbish cultural aesthetes while simultaneously fulfilling slasher film conventions." [movie review]      Filmcritic.com   
  
3/5
     (1990)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
2.5/5
     (1998)      "Clinically austere." [movie review]      Filmcritic.com   
  
3.5/5
     (1973)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
3.5/5
     (2000)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
     (1971)      "The fiercely ironic A Clockwork Orange has held up over time as a provocative comic horror show." [dvd review]      Slant Magazine   
  
4/4
     (1971)      "Spectacular, operatic, colorful, and exquisitely photographed." [movie review]      Slant Magazine   
  
2.5/5
     (2004)      "Code 46 offers false and confusing answers that lead to dead ends. It doesn’t provoke thought afterwards; just gestalt." [movie review]      Filmcritic.com   
  
3/5
     (2001)      "Though it's difficult to call the film a success, it's certainly beguiling." [movie review]      Filmcritic.com   
  
2.5/4
     (2004)      "Alas, Coffee and Cigarettes is more fun to reminisce about afterwards than it is to endure." [movie review]      Slant Magazine   
  
2.5/4
     (2004)      "A master of grand operatic gestures, Mann’s broad-sided portrayals of machismo don’t work when confined to a chamber piece." [movie review]      Slant Magazine   
  
4.5/5
     (2003)      "The Company is a well-observed and enticing portrait of artists at work and at play." [movie review]      Filmcritic.com   
  
4.5/5
     (1982)      "John Milius is skilled at allowing his story to unfold as though you were reading a pulp novel, never letting you get bored. He always throws something at you that's reminiscent of the best in fantasy novels." [movie review]      ToxicUniverse.com   
  
2/5
     (2003)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
5/5
     (1964)      "Screw Adaptation and its lack of temerity. Contempt is a meta-movie that places the onus back on the viewer. How are we to sensibly respond, and is there any sense in that at all?" [movie review]      ToxicUniverse.com   
  
2/5
     (1997)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
1/5
     (2003)      "It's an insult to Jet Li's acrobatic talent, and also to DMX's svelte, feral intensity." [movie review]      ToxicUniverse.com   
  
4/4
     (1996)      "It's the cold survival logic of Darwin, where libertarians leave their past behind as if it were dead." [movie review]      Slant Magazine   
  
3/5
     (1973)      Click here to see the review! [movie review]      ToxicUniverse.com   
  
D
     (2000)      Click here to see the review! [movie review]      Flipside Movie Emporium   
  
1/5
     (2000)      Click here to see the review! [movie review]      Filmcritic.com   
  
4.5/5
     (2004)      "[N]ot just a Middle Eastern nightmare, but a dark elegiac tale of the human condition." [movie review]      Filmcritic.com   
  
2/4
     (2005)      "For a film shot in Ecuador, Crónicas feels curiously American in design." [movie review]      Slant Magazine   
  
A
     (1999)      Click here to see the review! [movie review]      Flipside Movie Emporium   
  
3.5/5
     (1998)      "Far more successful at the gambler's rush than Matt Damon's schoolboy lessons in Rounders, Croupier is worth taking a chance on." [movie review]      Filmcritic.com   
  
3.5/4
     (1964)      "Watkins continually questions why wars are fought, and what the soldiers believe, and what the authorities say, and whether these things add up." [movie review]      Slant Magazine   
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