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Total Reviews: 657
Jeremiah Kipp
Jeremiah Kipp
Jeremiah Kipp

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     (1986)      "Better than the second and third entries in the Scream series, this sequel is one elaborate in-joke about itself, and if you like the series you might have affection for what it's trying to do." [dvd review]      Slant Magazine   
  
2.5/4
     (1986)      "While there's a superficial been-there-done-that, why don't-we-just-mock-the-whole-thing quality to this entry in the series, it certainly livens up what has become by this point a stale franchise." [movie review]      Slant Magazine   
  
     (1985)      "Jason kills again--or does he?" [dvd review]      Slant Magazine   
  
1.5/4
     (1985)      "The tone is crude, raunchy, and leering, with kill scenes combined with more nudity than usual." [movie review]      Slant Magazine   
  
     (1984)      "Jason gets the proper sendoff." [dvd review]      Slant Magazine   
  
2.5/4
     (1984)      "This one certainly felt as if it properly closed out the Friday the 13th series before it devolved into unadulterated camp." [movie review]      Slant Magazine   
  
3.5/4
     (1975)      "Hearts and Minds is an essay told in a voice of thinly controlled moral outrage, which sometimes dribbles over into seething hate." [movie review]      Slant Magazine   
  
     (1921)      "The Haunted Castle makes the viewer wait in a state of anticipation for something to resonate on screen--and it feels positively endless." [dvd review]      Slant Magazine   
  
1.5/4
     (1921)      "There's almost no expressionistic phantasmagoria here." [movie review]      Slant Magazine   
  
     (1954)      "Hobson's Choice is a superb addition to the Lean canon, and a charming and surprising selection by Criterion." [dvd review]      Slant Magazine   
  
4/4
     (1954)      "Lean's splendid frames specifically work to show the high and low status of a social grid." [movie review]      Slant Magazine   
  
     (1984)      "Mondo Video should be commended for their handsome presentation of one of Zulawski's most lush, explosively romantic films." [dvd review]      Slant Magazine   
  
4/4
     (1984)      "Though Kessling can be interpreted as a stand-in for Zulawski, Femme Publique is not his autobiography in the same way his previous film Possession was." [movie review]      Slant Magazine   
  
     (1968)      "People compare Cassavetes to jazz because his films are lively, vivid, and bursting with energy, and Criterion packs this two-disc set of Faces with extras bursting with vitality. Enthusiasts will be pleased." [dvd review]      Slant Magazine   
  
3/4
     (1968)      "Cassavetes was interested in actors and their freak-show intensities, and their performances give his films a hyper-real quality." [movie review]      Slant Magazine   
  
     (1959)      "Shadows feels like a Beatnik relic, which gives it tremendous value." [dvd review]      Slant Magazine   
  
3/4
     (1959)      "The Beat generation espoused a rejection of mainstream American values, and John Cassavetes's Shadows feels like a relic from that movement." [movie review]      Slant Magazine   
  
     (1982)      "So bad it's good, or so bad it's mind-numbing? You decide." [dvd review]      Slant Magazine   
  
1.5/4
     (1982)      "Shot in such a way to capitalize on the brief fad of Reagan-era 3D movies, there's less memorable POV shots from the killer and more images from the perspective of the victims." [movie review]      Slant Magazine   
  
     (1981)      "Friday the 13th Part 2 is more existential than mumblecore art house cinema, paring life down to the basics: f****g and death." [dvd review]      Slant Magazine   
  
2.5/4
     (1981)      "Friday the 13th Part 2 never aspires to be termite art." [movie review]      Slant Magazine   
  
     (1980)      "Friday the 13th is the one that started them all, but that doesn't necessarily make it any good, does it?" [dvd review]      Slant Magazine   
  
2/4
     (1980)      "You really have to wonder what exactly made the Friday the 13th series so wildly successful." [movie review]      Slant Magazine   
  
     (1997)      "One of the finest television films John Frankenheimer made during his final decade of filmmaking, George Wallace deserves a more substantial DVD treatment." [dvd review]      Slant Magazine   
  
1/4
     (2008)      "Samuel L. Jackson has hit a rock bottom with The Spirit that's comparable only to Joan Crawford's appearance in Trog." [movie review]      Slant Magazine   
  
2/4
     (2008)      "Looking like he hasn't shaved in days, and wearing the same suit day after day, Smith is playing the Hollywood version of worn and weary." [movie review]      Slant Magazine   
  
     (1942)      "This handsomely packaged three-disc DVD box set is jam-packed with extras, meant to please fans and cinema history buffs alike." [dvd review]      Slant Magazine   
  
4/4
     (1942)      "The movie has a peculiar magic to it, and it's in the richness of its details that mostly go unnoticed because of the film's pace." [movie review]      Slant Magazine   
  
     (1999)      "This one was made for the fans, and they'll delight in the latest surreal battle against the Tall Man." [dvd review]      Slant Magazine   
  
     (1985)      "Kiss of the Spider Woman's beautifully compelling story of compassion and love cannot be separated from the time the film was made." [dvd review]      Slant Magazine   
  
4/4
     (1985)      "Argentine writer Manuel Puig's book Kiss of the Spider Woman has a theme that endures throughout all its various incarnations: that of human dignity and compassion surviving within a society that denies it." [movie review]      Slant Magazine   
  
     (1994)      "If it's only as politically savvy as a college term paper, it's also as gritty as an old-school western." [dvd review]      Slant Magazine   
  
3/4
     (1994)      "What it loses in novelty and subtlety it makes up for in its earnest depiction of love and individual human decency in the face of societal cruelty." [movie review]      Slant Magazine   
  
2/4
     (2008)      "Ben Stiller used to be unafraid of pointed mockery, but nowadays he pulls his punches." [movie review]      Slant Magazine   
  
3/4
     (2008)      "Even an average performance by the Rolling Stones isn't boring." [movie review]      Slant Magazine   
  
2/4
     (2008)      "Because the show has been off the air for so many years now, audiences may wonder why these characters haven't moved on from their obsessively singular points of view." [movie review]      Slant Magazine   
  
2.5/4
     (2008)      "The movie experience gets in its own way." [movie review]      Slant Magazine   
  
3/4
     (2008)      "Adolescent pulp fantasia meets sentimental married life in Guillermo Del Toro's follow-up to his 2004 working-class superhero movie." [movie review]      Slant Magazine   
  
     (1968)      "This shocker from 1968 is a time capsule of our fears from yesteryear." [dvd review]      Slant Magazine   
  
4/4
     (1968)      "There's a brute force in Night of the Living Dead that catches one in the throat." [movie review]      Slant Magazine   
  
     (1989)      "We learn that Indiana Jones was named after the family dog. Aren't you glad you tuned in for his latest adventure?" [dvd review]      Slant Magazine   
  
2/4
     (1989)      "There's considerable pleasure in watching these two lions spar, but sometimes Last Crusade mistakes dotting every I and crossing every T for detailed character development." [movie review]      Slant Magazine   
  
     (1981)      "Raiders of the Lost Ark holds up as a spectacle film, spooky funhouse ride and rollicking adventure yarn. Steven Spielberg was, then and now, the finest director of grand-scale Hollywood blockbusters." [dvd review]      Slant Magazine   
  
4/4
     (1981)      "Lost Ark holds up for many reasons, not least of which is because of Spielberg's consummate skill as a visual storyteller and his ability to draw charged performances from his actors." [movie review]      Slant Magazine   
  
2.5/4
     (2008)      "As a champion for the beautiful and the strange, I'll take bottom-shelf Korine over just about anything else currently playing in theaters." [movie review]      Slant Magazine   
  
     (1997)      "We still await the definitive DVD release of Lost Highway, a film crying out for rediscovery." [dvd review]      Slant Magazine   
  
3.5/4
     (1997)      "It's pensive male anxiety, and for some cultural reason it's easier for audiences to accept female hysteria than the insecurities of men." [movie review]      Slant Magazine   
  
     (1988)      "See the Baron dance with Venus! See a man outrun a speeding bullet! See the beautiful, mad fiasco that is The Adventures of Baron Munchausen%u2014see it if you dare!" [dvd review]      Slant Magazine   
  
2.5/4
     (1988)      "Making your way through the film is like eating an entire beautifully sculpted wedding cake." [movie review]      Slant Magazine   
  
2.5/4
     (2007)      "Alternately terse and elegiac, Shotgun Stories works best when it observes the lives of its main characters, three lower-class brothers from southeast Arkansas." [movie review]      Slant Magazine   
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