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Total Reviews: 621
Jeremiah Kipp
Jeremiah Kipp
Jeremiah Kipp

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2.5/4
     (2008)      "As a champion for the beautiful and the strange, I'll take bottom-shelf Korine over just about anything else currently playing in theaters." [movie review]      Slant Magazine   
  
     (1997)      "We still await the definitive DVD release of Lost Highway, a film crying out for rediscovery." [dvd review]      Slant Magazine   
  
3.5/4
     (1997)      "It's pensive male anxiety, and for some cultural reason it's easier for audiences to accept female hysteria than the insecurities of men." [movie review]      Slant Magazine   
  
     (1988)      "See the Baron dance with Venus! See a man outrun a speeding bullet! See the beautiful, mad fiasco that is The Adventures of Baron Munchausen%u2014see it if you dare!" [dvd review]      Slant Magazine   
  
2.5/4
     (1988)      "Making your way through the film is like eating an entire beautifully sculpted wedding cake." [movie review]      Slant Magazine   
  
2.5/4
     (2007)      "Alternately terse and elegiac, Shotgun Stories works best when it observes the lives of its main characters, three lower-class brothers from southeast Arkansas." [movie review]      Slant Magazine   
  
2/4
     (2008)      "Brisk, peppy, light on its feet, and trying awfully hard to be reminiscent of a fast-talking Depression-era rags-to-riches comedy, the film can be best described as inoffensive." [movie review]      Slant Magazine   
  
1/4
     (2008)      "It's mind-numbingly tedious, perhaps because the rhythm, the plot, even the seemingly indestructible veteran secret service agent Barnes seem lifted wholesale from any random episode of 24." [movie review]      Slant Magazine   
  
1/4
     (2008)      "The lazy regard for David's moral crisis, or lack thereof, is pitiful." [movie review]      Slant Magazine   
  
     (1987)      "One of the greatest and most representative movies of the 1980s is still able to ironically laugh at the savagery and stupidity happening in our world right now." [dvd review]      Slant Magazine   
  
4/4
     (1987)      "Walker is the dark, neurotic flipside of Repo Man, where the antiheroic title character is not interested in any form of individual self-expression other than a single-minded pursuit of fame and glory." [movie review]      Slant Magazine   
  
3/4
     (2008)      "Chicago 10 is a reminder of a time when the counter-culture was out on the street making noise--a history lesson so removed from our present political climate it feels almost like science fiction." [movie review]      Slant Magazine   
  
3/4
     (2008)      "Some filmmakers do their best work when they don't have much money and their back is against the wall." [movie review]      Slant Magazine   
  
     (1972)      "Don't watch the trailer on the extras, because like so many of these low-budget shockers it shows all the best parts in advance, so why bother watching the rest? Then again, maybe that's not such a bad idea." [dvd review]      Slant Magazine   
  
1.5/4
     (1972)      "Tragic Ceremony isn't scary enough to induce terror, unintentionally funny enough for camp, or bizarre enough for mad surrealism." [movie review]      Slant Magazine   
  
     (1973)      "Ricco the Mean Machine is a throwback to when men could smack women around if they talked back too loud. In other words, it has a broad appeal to cultural anthropologists, ironic hipsters, bad movie buffs, and chauvinist pigs." [dvd review]      Slant Magazine   
  
2/4
     (1973)      "If you're feeling nostalgic for some 1970s Euro-sleaze, Ricco the Mean Machine is a guilty pleasure for stoners eager to revisit the land of shag carpeting, bellbottoms, and free love." [movie review]      Slant Magazine   
  
3/4
     (1985)      "None of Greenaway's films take place in anything resembling naturalism or realism, and they don't feel modern. They're like archaic storybook adaptations of Jacobean plays illustrated by Vermeer." [movie review]      Slant Magazine   
  
     (1985)      "Greenaway creates his thesis over the decaying corpses of animals, which doesn't inspire a middle-of-the-road kind of viewer response." [dvd review]      Slant Magazine   
  
     (1982)      "Greenaway creates his thesis over the decaying corpses of animals, which doesn't inspire a middle-of-the-road kind of viewer response." [dvd review]      Slant Magazine   
  
3/4
     (1982)      "A puzzle book for intellectual aesthetes." [movie review]      Slant Magazine   
  
     (1994)      "This epic-length video essay is alternately a tedious school assignment and an eye-opener." [dvd review]      Slant Magazine   
  
2.5/4
     (1994)      "Even if it's good for you, it feels like you're taking medicine." [movie review]      Slant Magazine   
  
     (1976)      "Unflinching, uncompromising, and finally available in an uncensored version in America, this is one of the dark hidden gems of 1970s Euro horror." [dvd review]      Slant Magazine   
  
     (1999)      "Eyes Wide Shut merits reevaluation and reappraisal." [dvd review]      Slant Magazine   
  
4/4
     (1999)      "Misunderstood as a psychosexual thriller, Stanley Kubrick's final film is actually more of an acidic comedy about how Tom Cruise fails to get laid." [movie review]      Slant Magazine   
  
     (1971)      "The fiercely ironic A Clockwork Orange has held up over time as a provocative comic horror show." [dvd review]      Slant Magazine   
  
4/4
     (1971)      "Spectacular, operatic, colorful, and exquisitely photographed." [movie review]      Slant Magazine   
  
     (1990)      "If you're going to write a love letter to yourself, Jack, this is the way to do it." [dvd review]      Slant Magazine   
  
3/4
     (1990)      "The Two Jakes allows Nicholson to reprise one of his most memorable characters as a way of seeing whether he's still got it." [movie review]      Slant Magazine   
  
     (1974)      "You know what to expect: it's Chinatown." [dvd review]      Slant Magazine   
  
4/4
     (1974)      "The exhaustive, labyrinthine narrative is built up like a fortress around this film's bitter heart." [movie review]      Slant Magazine   
  
4/4
     (1972)      "Whether taken as a historical drama or a horror film, The Devil is unabashedly a parable about misappropriated anger against the forces of evil." [movie review]      Slant Magazine   
  
     (1986)      "This respectable piece of 1980s splatter cinema gets a classy DVD treatment." [dvd review]      Slant Magazine   
  
3/4
     (1986)      "Faithful to that netherworld of Lovecraft's fiction where otherworldly monsters lurk just under the fabric of our reality." [movie review]      Slant Magazine   
  
     (1964)      "Spider Baby is unclassifiable weirdness, and that's meant as a compliment." [dvd review]      Slant Magazine   
  
3/4
     (1964)      "Though hampered by bad distribution deals and multiple title changes, word of mouth helped Spider Baby to connect with fans of schlock cinema." [movie review]      Slant Magazine   
  
     (1972)      "Clever title, insufferable movie!" [dvd review]      Slant Magazine   
  
1/4
     (1972)      "Clark's first film is memorable only for its catchy title." [movie review]      Slant Magazine   
  
     (1985)      "Here's a bit of saucy punk dialogue that sums up the movie. Boy: "Hey Casey, do you like sex with death?" Girl: "Yeah, so **** off and die."" [dvd review]      Slant Magazine   
  
3/4
     (1985)      "A tongue-in-cheek, splatter-laden homage to George A. Romero's zombie pictures." [movie review]      Slant Magazine   
  
     (1972)      "A haunting masterpiece, as mysterious as the deep, dark woods." [dvd review]      Slant Magazine   
  
4/4
     (1972)      "This man-versus-nature story is also about man indulging his most uncivilized instincts, and in their various ways the four men on the canoe trip are transformed." [movie review]      Slant Magazine   
  
3.5/4
     (1976)      "A completely unheralded classic of bleak 1970s horror cinema." [movie review]      Slant Magazine   
  
     (1987)      "This fascinating cult item would be an even richer collectible if the DVD included a sense of the project's lost battle against government censorship." [dvd review]      Slant Magazine   
  
3/4
     (1987)      "On the Silver Globe takes raging philosophical bites on the subject of ethical freedom." [movie review]      Slant Magazine   
  
     (1962)      "Criterion deserves a medal." [dvd review]      Slant Magazine   
  
3.5/4
     (1962)      "Even in this, his first feature, we see that Andrei Tarkovsky is compelled by memories of precious things." [movie review]      Slant Magazine   
  
2/4
     (2007)      "Despite all that talent on display, Sunshine is a philosophical blank slate." [movie review]      Slant Magazine   
  
4/4
     (1940)      "Is The Philadelphia Story about cutting Katharine Hepburn down to size?" [movie review]      Slant Magazine   
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