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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE            L'Amour Fou (1968)      "The irony is subtle ... but irresistible for anyone interested in narrative paradox. L'Amour fou is one of the few movies, and one of the best, to deal directly with a literary subject." [movie review]      Blogcritics.org            The Lady Vanishes (1938)      "[R]epresents Hitchcock's work at its most charming.... [T]he suspense is tonic rather than truly frightening, and almost comically glamorous." [movie review]      Blogcritics.org            The Last King of Scotland (2006)      "[T]he movie's emphasis on Nicholas's misadventures, as if the audience couldn't get into the story of Uganda without an educated, white, middle-class European as a protagonist, is a huge let-down in its own terms." [movie review]      Blogcritics.org            Laws of Attraction (2004)      "What's perfect for [Moore] is that the movie uses manic farce to crack the self-possession that usually keeps her so remote from us." [movie review]      Blogcritics.org            Life Is Beautiful (1998)      "Benigni does with the Nazi setting what Chaplin didn't dare in The Great Dictator--he lets the liberating nonsense triumph." [movie review]      Blogcritics.org            Lord of War (2005)      "Niccol squeezes his cartoonish irony for pathos, as if retelling Superman from the dark side but softening it to make us lament, 'Poor Lex Luthor. Poor, lost Lex Luthor'." [movie review]      Blogcritics.org            The Loved One (1965)      "Perhaps the only way to enjoy it is to accept that saying something offensive is better than saying nothing at all. The Evelyn Waugh who wrote The Loved One might have agreed with that, at any rate." [movie review]      Blogcritics.org

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