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(1 - 9) of 9

Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE            Fargo (1996)      "[Marge is] a good cop because everything abnormal stands out like a stain against her white-on-white sanity.... [H]er incomprehension [of criminality] is not only her strength as a detective, it justifies the deadpan style of the movie." [movie review]      Blogcritics.org            Fateless (2006)      "No depiction of the extermination camp experience of an individual has ever been so large; it verges on the ecstatic." [movie review]      Blogcritics.org            Fear and Trembling (2004)      "The movie is slight but in a way that makes it the opposite of pushy; it's companionably easy to laugh with." [movie review]      Blogcritics.org            Finding Neverland (2004)      "Finding Neverland moved me at times but didn't transport me, either to Edwardian London in the first instance, or from there to Neverland." [movie review]      Blogcritics.org            Flags of Our Fathers (2006)      "The movie ... debunks the [government's] use of the boys as symbols and then turns them back into symbols, though of something else. There's not a fully realized personality in 132 minutes." [movie review]      Blogcritics.org            Flightplan (2005)      "The makers of Flightplan have trimmed all the meat off The Lady Vanishes as if it were fat and served us the bone." [movie review]      Blogcritics.org            The Forgotten (2004)      "[W]hy dramatize your premise when you can blow the windows out of an abandoned warehouse instead?" [movie review]      Blogcritics.org            Frida (2002)      "[A]s in soap opera, drama is synonymous with the torments of love. Hayek is a brave, tireless performer, ... but given the script she can only play Kahlo the "beguiling personality" she liked to think of herself as ... rather than Kahlo the artist." [movie review]      Blogcritics.org            Friends With Money (2006)      "[I]t's hard to distinguish [Holofcener's] more tentative approach to narrative [here] from an identity crisis. Maybe that's why McDormand's material has by far the most bite." [movie review]      Blogcritics.org

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(1 - 9) of 9