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(2009) |
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"The decidedly Nordic -- though not at all glacial -- O'Horten is a mixture of sweetness and deadpan that proves the Kaurismäki/Andersson school of filmmaking still has new delights in store."
[movie review] |
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european-films.net |
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(2006) |
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"The film's final scenes show in what genre you might end up if you start relying too much on a film to sort out your life. Hint: it is not pretty to look at."
[movie review] |
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european-films.net |
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(2004) |
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"Omagh might have been conceived for television, it nevertheless offers a provocative and well-produced night out at the cinema."
[movie review] |
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european-films.net |
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(2006) |
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"Its watery theme will guarantee that there is not a dry eye in the house when the end credits roll -and a queue at the bathroom straight after."
[movie review] |
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european-films.net |
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(2005) |
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"[A] simple message and inspired performances from its child actors barely keep this long and at times preachy film from drowning in its own melodrama."
[movie review] |
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european-films.net |
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(2006) |
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"The down-to-earth story, with a pacing more akin to classical French literature than a modern film, will probably only inspire upscale female audiences."
[movie review] |
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european-films.net |
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(2003) |
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"Arguably, the dogma movement has found its most accomplished expression to date in Open hearts."
[movie review] |
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european-films.net |
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(2008) |
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"As in Osama, the Afghan writer-helmer again uses a non-pro cast, but the result is stifled by poorly written English dialogue and a failure to reconcile apparent realism with occasional detours into absurdist tragicomedy."
[movie review] |
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Variety |
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(2008) |
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"Not only spoofs the original source material, Bond, Powers and 1960s TV series -- it also takes on French colonial relations in a politically incorrect way. One of the most hilarious films of the year."
[movie review] |
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european-films.net |
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--
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(1934) |
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Click here to see the review!
[movie review] |
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european-films.net |
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(2006) |
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"[A] return to a more observing style of documentary making as well as an audacious provocation that, in an odd twist, derives it audacity from its lack of explicit point of view."
[movie review] |
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european-films.net |
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(2008) |
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"Might at first seem like the umpteenth modern update of Romeo and Juliet, though in reality Uden for kærligheden (Outside Love) tries to grapple with complex issues as a reflection of our complex times."
[movie review] |
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european-films.net |
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(2005) |
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"Without its soporific asides, Oxygono would have succeeded in creating its own tone of intelligent noir irreverence."
[movie review] |
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european-films.net |
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