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(2005) |
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"La Parola's assured debut is an energetic fusion of drama, social commentary and hilarious comedy with the occasional magical realist touch."
[movie review] |
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european-films.net |
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(2009) |
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"A bona fide documentary hit."
[movie review] |
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european-films.net |
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(2007) |
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"Mix the grave but clear message of An Inconvenient Truth with the alternatively raw and cute look at wildlife of La marche de l'empereur (March of the Penguins) and you will get Earth, a bona fide documentary hit."
[movie review] |
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european-films.net |
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(2006) |
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"Two touching performances only partially compensate for a weak script that never seems interested in challenging the superb Bella Martha (Mostly Martha)."
[movie review] |
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european-films.net |
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(2008) |
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"Leaves behind the raw power and direct impact tactics of Gegen die Wand (Head-on) for something more evocative and complex."
[movie review] |
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european-films.net |
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(2007) |
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"The true interest of Eduart lies in the way it offers an Albanian immigrant's point of view as presented through Greek eyes, with the Stockholm syndrome and Freudian and ancient Greek concepts playing out in the background."
[movie review] |
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european-films.net |
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(2005) |
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"Die fetten Jahre sind vorbei is an incredibly energetic, brave and ultimately winning feature."
[movie review] |
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european-films.net |
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(2006) |
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"Shot and edited in a combination of cinéma verité and MTV-style music videos, the film is a highly energetic piece that will likely appeal to youngsters everywhere."
[movie review] |
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european-films.net |
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(2004) |
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"The film is filled to the brim with music, yet strangely enough the problem of the film is one of rhythm; it is too heterogeneous to make for a coherent whole."
[movie review] |
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european-films.net |
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(2006) |
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"I want your (sanitized) sex -- and a happy ending."
[movie review] |
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european-films.net |
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(2007) |
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"The film might be trying to push boundaries in terms of male nudity, but no amount of penises can save this wannabe comedy that is just not funny."
[movie review] |
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european-films.net |
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(2007) |
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"An Elizabethan-era version of the madcap energy, penny-novel intrigue and intentional historical inaccuracies of Baz Luhrman's Moulin Rouge!."
[movie review] |
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european-films.net |
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(2005) |
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"Imagine Garden State by a better writer-director but with a worse editor and a loony studiohead who insisted on bringing the film in at two hours at any cost."
[movie review] |
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european-films.net |
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(2007) |
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"The rage of the director can be felt in each frame and clearly shapes the pamphlet-like narrative, though the film is still a compelling examination of autism and the way the outside world tries -- and, more often, fails -- to deal with it."
[movie review] |
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european-films.net |
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(2007) |
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"Elvis Pelvis proves Aduaka's talent for rummaging around in difficult themes in a thorougly cinematic way."
[movie review] |
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european-films.net |
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(2007) |
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"A smooth if unoriginal mix of emotions, heart, whimsey and farm animals."
[movie review] |
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european-films.net |
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(2007) |
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"For Vratné lahve (Empties), the Czech father and son duo Zdenek and Jan Sverák only slightly rework the recipe for their Oscar-winning film Kolya."
[movie review] |
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european-films.net |
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(2007) |
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"Frothy and intelligent in all the right places until the film’s overly clichéd ending robs it of much of its off-kilter charm."
[movie review] |
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european-films.net |
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(2005) |
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"If you have never loved de Oliveira, this film will be a hard sell, even though it is more lyrical than most of his previous work."
[movie review] |
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european-films.net |
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(2006) |
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"One of the characters says: "I think a lot of people will really want a divorce after this"; indeed, divorce has never been this much fun."
[movie review] |
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european-films.net |
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(2003) |
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"The narrative has the same familiarity as the setting as Erik has to fight forces bigger than himself, giving the audience a story that justifies (and, not so secretly, revels in) its violence. Call it Fight Club at a boarding school."
[movie review] |
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european-films.net |
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(2007) |
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"Because of the continuous barrage of swear words, bloody violence and explicit sex, distribution beyond its home country will be difficult, but industry professionals should all note the director's name, however: M-O-R-T-I-E-R."
[movie review] |
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european-films.net |
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