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(2008) |
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"This Flemish spin-off from a successful TV series never completely relinquishes its tube roots (especially in the script department) but its acting and technical prowess shout out for big-screen projection."
[movie review] |
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european-films.net |
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(2008) |
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"Are the characters completely believable? No. Are the feelings the characters talk and sing about pinpointed with a precision that seems to have become a Honoré trademark? Very much so."
[movie review] |
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european-films.net |
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(2008) |
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"If the film makes quite an impact, it is because of its candidness and the way Panh creates a heart-breaking portrait of these 'women of joy' without once resorting to voice-over or off-camera remarks."
[movie review] |
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european-films.net |
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(2008) |
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"Quiet, touching and poetic are not normally terms associated with vampire films, but there are no better words to describe Lat den rätte komma in (Let the Right One in) from director Tomas Alfredson."
[movie review] |
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european-films.net |
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(2008) |
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"A classroom example of how to mix different genres into a coherent whole, with some of the more daring scenes -- including a planned suicide saved by a serenade on a rooftop -- working according to their own logic."
[movie review] |
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european-films.net |
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(2008) |
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"Might at first seem like the umpteenth modern update of Romeo and Juliet, though in reality Uden for kærligheden (Outside Love) tries to grapple with complex issues as a reflection of our complex times."
[movie review] |
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european-films.net |
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(2008) |
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"The documentary Les animaux amoureux (Animals in Love) might seem cute on paper but lacks the rigour of recent documentary hits such as La marche de l'empereur (March of the Penguins) and Earth."
[movie review] |
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european-films.net |
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(2008) |
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"Though occasional stylistic flourishes feel unnecessary, Un secret makes for compelling viewing and Cécile de France and Patrick Bruel finally prove they are bona fide star material."
[movie review] |
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european-films.net |
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(2008) |
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"In all likelihood, Ma salama Jamil is one of the first Dogme-inspired films mostly spoken in Arabic."
[movie review] |
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european-films.net |
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(2008) |
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"'Enormous crowd-pleaser' and 'directed by Mike Leigh' were not phrases this critic ever thought he would be putting together in the same sentence, but Leigh's Happy-Go-Lucky is exactly that."
[movie review] |
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european-films.net |
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(2009) |
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"Grimaldi, Moretti and their co-screenwriters have cunningly opened up the narrative cinematically."
[movie review] |
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european-films.net |
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(2008) |
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"A grungy ensemble piece that casts a fascinating spell despite its many shortcomings, Madonna's directorial debut Filth and Wisdom is equal parts naughty and nice (or filthy and wise, as the title would have it)."
[movie review] |
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european-films.net |
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(2007) |
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"The greatest indication that a director is in complete control of his material is when everything seems to be casually in the right place, which certainly seems to be the case in Les amours d'Astree et de Celadon."
[movie review] |
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european-films.net |
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(2008) |
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"It may sound like silly wordplay, but this film is nothing short of rivetting."
[movie review] |
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european-films.net |
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(2008) |
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"About as far away from a conventional composer biopic as Kraft's products are from real cheese."
[movie review] |
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european-films.net |
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(2007) |
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"Though the film comes with a warning that it expresses only the point of view of its director, in reality, what Schroeder seems to offer is a portrait of a glib man who simply defies any conclusive description."
[movie review] |
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european-films.net |
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(2008) |
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"A pleasant if not entirely successful addition to the Scandinavian tragicomedy genre."
[movie review] |
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european-films.net |
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(2006) |
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"As a grey-haired feel-good movie, the film is a winner. But who thinks this might be Calendar Girls with mountains is wrong; it never quite reaches that level of sophistication or bite."
[movie review] |
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european-films.net |
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(2008) |
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"It would be hard to guess from the final result that Balthazar has never made a film before; Ben X takes full advantage of all that the medium has to offer."
[movie review] |
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european-films.net |
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(2008) |
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"A cute bedtime story that features spectacular photography and unaffected performances from both protagonists."
[movie review] |
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european-films.net |
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(2007) |
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"Tatt av kvinnen is much like a musical but only without the songs; the form has to be accepted no questions asked for the film to function. And any detected realism is surely unintended."
[movie review] |
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european-films.net |
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(2009) |
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"A bona fide documentary hit."
[movie review] |
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european-films.net |
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(2007) |
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"Mix the grave but clear message of An Inconvenient Truth with the alternatively raw and cute look at wildlife of La marche de l'empereur (March of the Penguins) and you will get Earth, a bona fide documentary hit."
[movie review] |
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european-films.net |
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(2007) |
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"The true interest of Eduart lies in the way it offers an Albanian immigrant's point of view as presented through Greek eyes, with the Stockholm syndrome and Freudian and ancient Greek concepts playing out in the background."
[movie review] |
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european-films.net |
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(2008) |
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"The lead actors are hot and the living is easy in the French summertime idyll Le fils de l'epicier (The Grocer's Son)."
[movie review] |
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european-films.net |
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(2006) |
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"If Krohmer and Knocke meticulously crafted the world Miriam inhabits, it is Gedeck's presence that makes it such a tangible mess -- which is meant as high praise indeed."
[movie review] |
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european-films.net |
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(2008) |
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"Vivere is a study in contrasts that, though it has a somewhat laborious narrative structure, continues Maccarone's ascent as a strong new voice in European cinema."
[movie review] |
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european-films.net |
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--
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Click here to see the review!
[movie review] |
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european-films.net |
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(2007) |
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"Seduces with a surprisingly dense narrative and a decidedly French take on the role of extramarital affairs and everyone's undeniable right to happiness."
[movie review] |
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european-films.net |
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(2007) |
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"As a refracted psychological portrait of longed-for motherhood, Nadine offers a revealing glimpse of a subject not often seen on the big screen."
[movie review] |
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european-films.net |
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(2008) |
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"Though not all of the film's 151 minutes feel indispensable, the story and mise-en-scene of this immigrant family's daily struggles are so involving that it is still well worth seeing on the big screen."
[movie review] |
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european-films.net |
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(2007) |
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"An Elizabethan-era version of the madcap energy, penny-novel intrigue and intentional historical inaccuracies of Baz Luhrman's Moulin Rouge!."
[movie review] |
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european-films.net |
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(2006) |
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"Deftly reunites the emotional and the political, the historical and the natural into a familiar story infused with the particular details of Cypriot and Greek-language culture."
[movie review] |
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european-films.net |
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(2007) |
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"However good the script, it is Decleir's finely nuanced performance that is the cement of the movie, keeping all the various elements together because his character remains believable throughout."
[movie review] |
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european-films.net |
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(2007) |
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"While closely sticking to the traditional narrative structure of coming-of-age stories, the way in which writer-director Huolman juggles all her elements feels natural and true."
[movie review] |
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european-films.net |
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(2007) |
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"The rage of the director can be felt in each frame and clearly shapes the pamphlet-like narrative, though the film is still a compelling examination of autism and the way the outside world tries -- and, more often, fails -- to deal with it."
[movie review] |
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european-films.net |
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(2007) |
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"Set in the bourgeois and vaguely intellectual Parisian bubble of Bruni Tedeschi's alter ego, it veers more towards comedy as the film progresses, earning good-hearted laughs as well as, well, whatever one may feel towards this particular milieu."
[movie review] |
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european-films.net |
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(2007) |
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"That old-fashioned does not necessarily mean musty is proven by Flawless, which does not entirely do its title justice but is a deliciously entertaining heist thriller nevertheless."
[movie review] |
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european-films.net |
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(2002) |
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"Klopt elementen van een Agatha Christie whodunnit, een frivole chansonmusical en de kleurrijke melodramas van Douglas Sirk op tot een luchtige souffle, als is de kooktijd wel wat lang."
[movie review] |
|
bibloi.com |
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(2007) |
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"Has some trouble taking off before finally finding its way to a haunting conclusion."
[movie review] |
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european-films.net |
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(2008) |
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"Unflinching would be a gentle word to describe this portrayal of a doomed humanity, but the exact point of the film beyond its doomsday message is never really clear."
[movie review] |
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european-films.net |
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(2007) |
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"The words stylish and Flemish are rarely used in the same sentence by cinephiles, but after Ex Drummer, there is now a second film that just would justify their conjunction: Karakatsanis's demented road movie Small Gods."
[movie review] |
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european-films.net |
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(2007) |
|
"Conceived as tailor-made characters for the four actors, the roles obviously fit them like a glove, though the stories are not always as engaging as the characters in them."
[movie review] |
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european-films.net |
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(2009) |
|
"Klopka (The Trap) starts off as a fascinating post-Milosevic film noir but ends up somewhere in the land of day-time soap circa 1985."
[movie review] |
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european-films.net |
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(2007) |
|
"In this free world things might be ugly, but at least it's sunny."
[movie review] |
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european-films.net |
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(2008) |
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"What energises the film’s central section is the fact that Argento and Aattou make for a great couple."
[movie review] |
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european-films.net |
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(2007) |
|
"For those familiar with Anderson's work The Darjeeling Limited offers nothing new under the sun -- except that its an Indian sun."
[movie review] |
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european-films.net |
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(2008) |
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"A fair but far from brilliant Woody Allen effort."
[movie review] |
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european-films.net |
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(2007) |
|
"The titular act of violence is the best scene in the film, radiating a kind of unavoidable fatality that elevates the lethal gunshot from a just another bang to something triggering a very strong sense of epochal change."
[movie review] |
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european-films.net |
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(2007) |
|
"In the Valley of Elah David slew Goliath and Canadian director Paul Haggis tries to slay the US myth on the Good War in Iraq, though David was certainly more successful than Paul."
[movie review] |
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european-films.net |
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