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Sources
• Filmcritic.com
Total Reviews: 3895
Christopher Null
Christopher Null
Christopher Null

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2.5/5
     (1997)      Click here to see the review! [movie review]      Filmcritic.com   
  
4/5
     (1997)      "The story is good, the comedy is goofy but still solid." [movie review]      Filmcritic.com   
  
4/5
     (1997)      "Bizarre." [movie review]      Filmcritic.com   
  
3.5/5
     (1997)      Click here to see the review! [movie review]      Filmcritic.com   
  
2/5
     (1987)      "Well, a rose is a rose is a rose, and a movie is a movie is a snoozefest." [movie review]      Filmcritic.com   
  
3.5/5
     (1998)      "Happy comedy. Light on the finish, though." [movie review]      Filmcritic.com   
  
1/5
     (2002)      "Everyone's to blame here." [movie review]      Filmcritic.com   
  
2/5
     (1998)      Click here to see the review! [movie review]      Filmcritic.com   
  
4/5
     (1996)      Click here to see the review! [movie review]      Filmcritic.com   
  
3.5/5
     (1973)      Click here to see the review! [movie review]      Filmcritic.com   
  
2.5/5
     (2001)      Click here to see the review! [movie review]      Filmcritic.com   
  
4/5
     (1965)      "has a frightening realism to it" [movie review]      Filmcritic.com   
  
3/5
     (2008)      "casual moviegoers won't get the in-jokes and won't care about the plot." [movie review]      Filmcritic.com   
  
4/5
     (1953)      "This is vintage Cold War-era sci-fi, and one of the best films in the genre." [movie review]      Filmcritic.com   
  
3.5/5
     (2002)      Click here to see the review! [movie review]      Filmcritic.com   
  
4/5
     (1992)      Click here to see the review! [movie review]      Filmcritic.com   
  
1.5/5
     (1965)      Click here to see the review! [movie review]      Filmcritic.com   
  
4.5/5
     (1983)      "The movie's effect on Hollywood and the American consciousness can still be seen today." [movie review]      Filmcritic.com   
  
2.5/5
     (1985)      Click here to see the review! [movie review]      Filmcritic.com   
  
2.5/5
     (2005)      Click here to see the review! [movie review]      Filmcritic.com   
  
3/5
     (1979)      Click here to see the review! [movie review]      Filmcritic.com   
  
2.5/5
     (2002)      Click here to see the review! [movie review]      Filmcritic.com   
  
3.5/5
     (1997)      Click here to see the review! [movie review]      Filmcritic.com   
  
1.5/5
     (2000)      "Following one of the most pitiful title sequences I've ever seen, The Watcher actually proceeds to become one of the most pitiful thrillers I've ever seen." [movie review]      Filmcritic.com   
  
2/5
     (2007)      "Even mega-fans of either of the headliners will have trouble muddling through it." [movie review]      Filmcritic.com   
  
2/5
     (2003)      "a series of whispered soliloquies, one from every major and minor character we've spent the last hour barely getting to know" [movie review]      Filmcritic.com   
  
2/5
     (1995)      "Waterworld is a marginal film: always extravagant, sometimes entertaining, often preachy and dull -- a pure formula picture." [movie review]      Filmcritic.com   
  
3/5
     (1973)      "Even Richard Pryor's tired old rant gets more screen time than any of the musicians" [movie review]      Filmcritic.com   
  
2.5/5
     (2003)      Click here to see the review! [movie review]      Filmcritic.com   
  
3.5/5
     (2002)      "The simplicity of The Way Home has few equals this side of Aesop" [movie review]      Filmcritic.com   
  
3/5
     (2000)      Click here to see the review! [movie review]      Filmcritic.com   
  
3/5
     (2000)      "Interminably slow" [movie review]      Filmcritic.com   
  
2/5
     (1973)      "Comes off as about as believable as a love affair between myself and a potted plant." [movie review]      Filmcritic.com   
  
2/5
     (1993)      "Wayne's World 2 is mostly just mining the same pop culture terrain as its far more worthy predecessor." [movie review]      Filmcritic.com   
  
2.5/5
     (2006)      "Hoping for these guys decide to get married is kind of like rooting for Britney Spears to get hitched again." [movie review]      Filmcritic.com   
  
3/5
     (1972)      "These issues have seen too many Lifetime movies in the last 30 years to make Wedding feel fresh." [movie review]      Filmcritic.com   
  
2/5
     (2001)      "The film is just plain stupid, consisting of ridiculous, random setups designed to get our star-crossed lovers intertwined, with an inevitable punch line to pay it all off." [movie review]      Filmcritic.com   
  
4/5
     (1967)      "give the man credit for bitching about the human condition in style" [movie review]      Filmcritic.com   
  
2/5
     (2002)      "Despite an impressive roster of stars and direction from Kathryn Bigelow, The Weight of Water is oppressively heavy." [movie review]      Filmcritic.com   
  
2/5
     (1985)      "All those who pine about John Hughes not making teen movies any more should be forced to watch this one again – they weren’t all Pretty in Pink." [movie review]      Filmcritic.com   
  
2/5
     (1997)      Click here to see the review! [movie review]      Filmcritic.com   
  
5/5
     (1996)      Click here to see the review! [movie review]      Filmcritic.com   
  
3/5
     (1997)      Click here to see the review! [movie review]      Filmcritic.com   
  
3/5
     (1997)      "The Well wins points for its creative use of filters and silence... but those looking for a real creepshow will probably be left wanting." [movie review]      Filmcritic.com   
  
3/5
     (1998)      Click here to see the review! [movie review]      Filmcritic.com   
  
1/5
     (2002)      "Does for Wes Craven movies what Psycho did for showers." [movie review]      Filmcritic.com   
  
2/5
     (1994)      "Craven takes us into one of the most bizarro horror setups ever put to film, as he reveals, yeah, those other six films were all just movies, but now it's for real. He's not kidding." [movie review]      Filmcritic.com   
  
4/5
     (1961)      "the aforementioned musical numbers have become showtune standards" [movie review]      Filmcritic.com   
  
2.5/5
     (1958)      "Calling this a "lost noir" is an uncommon stretch -- kind of like calling Blade II a "new classic" on TNT." [movie review]      Filmcritic.com   
  
3/5
     (1985)      "Wetherby has a pedigree which substantially outstrips its small and undercooked story." [movie review]      Filmcritic.com   
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