 |
|
|
|
|
|
|
Sort by
SOURCE |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"If only [Cerda's] storytelling and filmmaking techniques were on par with his compelling subject matter, The Abandoned might have been a horror movie worth screaming about."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Awake manages a weak pulse for a time but dies ultimately in its makers' hands."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
|
|
(2007) |
|
"Offensive to all and on every level, Badland tops the landfill of this year's worst."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"As a pop-culture parlor game for fans...Behind the Mask scores. Otherwise, it's a shaggy dog story, enlivened by Baesel and Wilson's terrific performances."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"von Trier is just too self-absorbed a filmmaker, too much "the boss of it all" to allow for anything as anarchic and joyful as a screwball comedy to bloom from this material"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1.5/5 |
|
(2007) |
|
"If you detect anything fresh or original in terms of character or story development, you're probably not watching this movie."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"as a dissection of injustice and inhumanity, Ghosts of Abu Ghraib is forthright and unsparing, and its message is a worthy one"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"Golden Door resounds with moments of pure cinema seldom encountered anymore, where sound and image combine to create a lyricism that transcends the story"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"a fascinating portrait of an underrepresented people, rich in humor, pathos and possible permutations"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3/5 |
|
(2006) |
|
"Idiocracy ultimately sputters out, managing to go only so far as an engine built on buffoonery without adequate brains can handle."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1.5/5 |
|
(2007) |
|
"trades in platitudes and cliches, for lack of anything distinctive or bold to say"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"In good quality horror, fear and suspense arise from a deepening sense of character, not a noisier sense of one."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
|
|
(2007) |
|
"An impressive achievement, one that combines terrific performances with a lovely storytelling style and themes and characters that actually matter."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1/5 |
|
(2006) |
|
"It's as fast and loud as you'd expect, but where it catches you off-guard is in its breathtaking stupidity."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"a Dante-esque descent into a distinctly American form of Hell"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
5/5 |
|
(2007) |
|
"a documentary that may well rank among the greatest re-tellings of a historical event put on film"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Parmar scores pleasant performances across the board...Yet the story is bland, like it's been over-workshopped in a screenwriting class, too polite and too smooth around the edges."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1.5/5 |
|
(2007) |
|
"Growing up has never felt so god-awful tedious."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Greater than the terror that Jim Carrey's character...feels in the course of The Number 23 may have been that which Carrey and his castmates felt midway through production as the glowering awfulness of this project began to dawn on them."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3.5/5 |
|
(2006) |
|
"A worthy attempt at a worthy topic."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2.5/5 |
|
(2007) |
|
"a strictly middle-of-the-road entry in the slasher genre, scoring points for performances and areas of execution but running out of creative juice far too early, settling for stock chills and thrills"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"If Park aspired to any real insights or to any ambition beyond the routine, its hysterics would be worth sitting through."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1/5 |
|
(2007) |
|
"While clocking in at a relatively painless 75 minutes, Brown fails to come up with anything so fresh and bold in his approach as to make a single one of those worth watching."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"After the Katrina tragedy, the filmmaker's fears are both well-grounded and keenly realized."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
4/5 |
|
(2005) |
|
"At once natural and designed, funny and sad, Dresen's story approximates the capriciousness of life itself, and that may be the highest praise any work of art could ask for."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
4/5 |
|
(2006) |
|
"A deftly blended melange of European styles, from the wide-open vistas reminiscent of Russian cinema to moments of intimate absurdity echoing Antonioni."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1/5 |
|
(2007) |
|
"Ineptly written by Arquette and Joe Harris, The Tripper is a carnival of cretins doing and saying one ass-headed thing after another."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3/5 |
|
(2006) |
|
"Gets the job done."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1/4 |
|
(2006) |
|
"a 90-minute succession of jokes, set pieces and false sentiment that, unless you're extremely young or undiscerning, has a distinctly been-there-done-that whiff about it."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2008) |
|
"Donal MacIntyre seems less interested in making a meaningful documentary and more in trumpeting his desire to be the next Quentin Tarantino or Guy Ritchie."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Though the oblique and confused storytelling saps the heat out of Wind Chill, the picture still boasts a game performance from Emily Blunt"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/4 |
|
(2009) |
|
"a nicely played but all-too-preciously eccentric romance"
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
3.5/4 |
|
(2009) |
|
"The movie's rewards outpace its flaws by a mile and give us another reason to follow the career of a gifted young lead actor."
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
2/4 |
|
(2003) |
|
"All Gordon Green can manage are...dreamy images, blunt-edged characters and dialogue, splattered like so-much Cheese Whiz over a shapeless mess of a pseudo-poetic narrative."
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
4/4 |
|
(1974) |
|
"A vulgar, crassly funny, tender, always affectionate nostalgia trip, Fellini style."
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
.5/4 |
|
(2004) |
|
"A waste of cinema, and of precious time."
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
3.5/4 |
|
(1969) |
|
"A strange and most challenging film"
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
2/4 |
|
(2005) |
|
"A tedious dud that sparks once or twice with big laughs"
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
3.5/4 |
|
(2004) |
|
"The Aviator feels like old-fashioned Hollywood with a bracing jolt of Scorsese's cinematic flair"
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
2.5/4 |
|
(2005) |
|
"It's passable entertainment that our culture has wildly overrated."
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
4/4 |
|
(1966) |
|
"what really resonates on watching Algiers is its message about the widespread loss of civilian life and the staggering destruction to civic infrastructure as the heaviest costs of war"
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
3/4 |
|
(2004) |
|
"Kevin Spacey's dedication is clear, both in his performance as Darin and in his wonderful direction"
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
4/4 |
|
(1915) |
|
"a masterpiece that still packs a punch and whose standard-bearing genius remains untarnished."
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
3.5/4 |
|
(2006) |
|
"in a storytelling strategy rare for [Zwick],we don't find ourselves laden with didactic demands, but, instead, swept up in an exciting narrative, free to process its moral equations on our own"
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
3/4 |
|
(1955) |
|
"a generally absorbing and sometimes funny look at the capricious nature of Luck"
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
2.5/4 |
|
(2006) |
|
"In spots, the movie can be hysterical. But, for the most part, its appeal is not unlike that of a veteran rock band putting on a greatest hits concert."
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
3.5/4 |
|
(2007) |
|
"a satisfying conclusion...to this intelligent series"
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
2.5/4 |
|
(2006) |
|
"Brick is just an elaborate noir send-up, and an enjoyably kooky one at that"
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
3.5/4 |
|
(2005) |
|
"A gallery of worthy performances, crisp direction and a quietly graceful script make Brokeback Mountain something of a landmark in Hollywood's 2005 slate of movies."
[movie review] |
|
Cinema Writer |
|
|
|
|
| |
3.5/4 |
|
(1919) |
|
"still creepy good entertainment on a rainy day"
[movie review] |
|
Cinema Writer |
|
|
