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3.5/4 |
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(2005) |
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"runs along fairly conventional lines, but it's made with admirable conviction and clarity of purpose"
[movie review] |
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Perihelion Journal |
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3/4 |
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(2005) |
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"so impressive in so many ways that it makes the frustration over its miserable final moments that much harder to bear"
[movie review] |
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Perihelion Journal |
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3/4 |
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(2006) |
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"The direct-cinema authenticity that a soldier's eye gives to this largely street-fought war...lends The War Tapes its primary strength."
[movie review] |
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Perihelion Journal |
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4/5 |
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(2006) |
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"a tribute to all the dispossessed in our world and an amplification of their silent screams"
[movie review] |
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I.E. Weekly |
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2/4 |
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(2004) |
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"Failing to find the cinematic equivalent of Dubus’s vertical writing, Curran and Gross's movie strains for truths it never earns."
[movie review] |
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Slant Magazine |
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4/4 |
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(2003) |
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"a history lesson that takes us on a lacerating journey from the '60s anti-war movements to their emotional ripple effects in the modern-day"
[movie review] |
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Perihelion Journal |
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1.5/4 |
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(2005) |
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"What should've been an absolutely raucous and no-holds-barred lusty farce is nothing but lame-***, safe, predictable, lowest common denominator, no-laffs garbage"
[movie review] |
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Perihelion Journal |
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2/4 |
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(1967) |
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"This is Lord of the Flies as played by adults, and for Left Bank intellectuals, heady with righteous protest and wired on too many coffees and cigarettes"
[movie review] |
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Perihelion Journal |
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2/5 |
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(2007) |
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"Though the oblique and confused storytelling saps the heat out of Wind Chill, the picture still boasts a game performance from Emily Blunt"
[movie review] |
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Boxoffice Magazine |
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4/5 |
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(2003) |
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"Bolstered by its fiercely assured script and direction, Wonderland's cast soars, with Kilmer perhaps doing his career-best work."
[movie review] |
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Los Angeles Alternative |
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3/5 |
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(2004) |
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"Bacon’s Walter is a searing creation...breaking through the The Woodsman’s well-behaved exterior to reveal something of the...untrodden depths churning at its heart."
[movie review] |
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Los Angeles Alternative |
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2.5/4 |
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(2006) |
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"As pleasant and good-natured as Wordplay is, it's not exactly potent stuff"
[movie review] |
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Perihelion Journal |
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2/4 |
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(2008) |
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"Race, gender, tradition, politics and sexuality get thrown together into a bright but bland masala mix in Shamim Sarif's debut feature."
[movie review] |
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Slant Magazine |
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3.5/5 |
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(2005) |
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"makes no undue demands of the viewer... never overplays the conflicts in Munro's life"
[movie review] |
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Filmcritic.com |
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3.5/4 |
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(2008) |
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"Aronofsky's film demands much from its audience but, unlike the great majority of films, it repays with its tenderness of heart and soul, its wrenching and disarming sincerity."
[movie review] |
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Cinema Writer |
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