 |
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|
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|
|
 |
 |
 |
| |
 1/5 |
|
(2007) |
|
"While clocking in at a relatively painless 75 minutes, Brown fails to come up with anything so fresh and bold in his approach as to make a single one of those worth watching."
[movie review] |
|
Boxoffice Magazine |
|
 |
 |
 |
| |
 5/5 |
|
(1980) |
|
"a work of religious devotion by a filmmaker to his craft and an apotheosis of Scorsese's promise"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2003) |
|
"ultimately, it lacks the backbone, the thematic heft, to be anything beyond a sweet redemption story"
[movie review] |
|
Los Angeles Alternative |
|
 |
 |
 |
| |
 3.5/4 |
|
(2004) |
|
"Foxx is brilliant, and sturdily supported by [James L.] White's script all the way"
[movie review] |
|
Perihelion Journal |
|
 |
 |
 |
| |
 3.5/5 |
|
(2007) |
|
"often great, and in all the ways that Herzog's cinema can be great"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 4.5/5 |
|
(2004) |
|
"an absorbing psychological drama and coming-of-age story in the guise of a road movie"
[movie review] |
|
Los Angeles Alternative |
|
 |
 |
 |
| |
 4/5 |
|
(2003) |
|
"Revolution... is not just a portrait of a fascinating, paradoxical leader but of a vibrant people and culture long-hidden by our own media."
[movie review] |
|
Los Angeles Alternative |
|
 |
 |
 |
| |
 3.5/4 |
|
(2004) |
|
"Just short of dropping you into the ocean with a surfboard, Riding Giants serves as the definitive (and immersive) guide to the essence of all that is surfing."
[movie review] |
|
Perihelion Journal |
|
 |
 |
 |
| |
 3.5/5 |
|
(2007) |
|
"After the Katrina tragedy, the filmmaker's fears are both well-grounded and keenly realized."
[movie review] |
|
Boxoffice Magazine |
|
 |
 |
 |
| |
 3.5/4 |
|
(1951) |
|
"a delicate tapestry of images that evoke a different way of life, of thinking, and of relating to the world"
[movie review] |
|
Perihelion Journal |
|
 |
 |
 |
| |
 3.5/4 |
|
(2008) |
|
"an essential entry in Hollywood's cultural chronicle"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 2.5/4 |
|
(2004) |
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"The viewer is left both impressed by the gracefulness and subtlety of its effects and confused by exactly what the sum total of those effects are."
[movie review] |
|
Slant Magazine |
|
 |