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2.5/5 |
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(2007) |
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"a strictly middle-of-the-road entry in the slasher genre, scoring points for performances and areas of execution but running out of creative juice far too early, settling for stock chills and thrills"
[movie review] |
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Boxoffice Magazine |
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2.5/5 |
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(2005) |
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"Take away the subversive hilarity of his movies, and [Solondz] could well be the cinematic equivalent of the Unabomber."
[movie review] |
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Los Angeles Alternative |
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3/4 |
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(2006) |
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"a captivating, albeit unstable, blend of anti-Fascist social commentary and a visually sumptuous childhood fable"
[movie review] |
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Perihelion Journal |
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3/5 |
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(2005) |
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"never transcends its political posturing and finds the humanity as profoundly as it means to"
[movie review] |
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Filmcritic.com |
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3/4 |
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(2009) |
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"effectively scary"
[movie review] |
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Cinema Writer |
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2/5 |
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(2007) |
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"If Park aspired to any real insights or to any ambition beyond the routine, its hysterics would be worth sitting through."
[movie review] |
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Boxoffice Magazine |
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3/4 |
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(2004) |
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"Gibson's passion is all over this film...but his resorting to mawkish, superficial tactics blows the tone off-course from time to time"
[movie review] |
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Perihelion Journal |
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4/4 |
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(1954) |
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"There is a faith in the art form here, a pure, loving, embracing faith that really restores my own faith in movies"
[movie review] |
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Perihelion Journal |
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4/5 |
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(2007) |
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"one of the year's strangest and most compelling narratives."
[movie review] |
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Filmcritic.com |
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2/5 |
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(2006) |
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"takes all that was so charming about the first Pirates...and amps it up to the wattage of a Looney Tunes cartoon"
[movie review] |
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Los Angeles Alternative |
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2/4 |
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(2006) |
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"It looks and feels like an Altman film, but one made completely on a pointless lark"
[movie review] |
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Perihelion Journal |
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3.5/5 |
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(2008) |
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"the power of the material overcomes flaws in presentation"
[movie review] |
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Filmcritic.com |
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3/4 |
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(2008) |
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"Inevitably, Reticker's style falls into monotony that works against the material. Ultimately, though, the power of that material overcomes flaws in presentation."
[movie review] |
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Reel.com |
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1.5/4 |
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(2004) |
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"ridiculous, confusing, vaguely noir-ish nonsense"
[movie review] |
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Perihelion Journal |
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3/5 |
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(2006) |
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"Delhomme's gorgeously gritty cinematography, and Cave's searing score give The Proposition an operatic bark and bluster. What's sorely missing is the bite."
[movie review] |
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I.E. Weekly |
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4/5 |
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(1931) |
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"Overripe, rigid, and at times clunky ... and that's part of the enjoyment."
[movie review] |
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Filmcritic.com |
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