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2.5/5 |
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(2005) |
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"an awfully rickety, hollow exercise in style over substance"
[movie review] |
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Los Angeles Alternative |
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3.5/4 |
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(1954) |
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"The two lead performers...are marvelous and the imagery is gorgeous, with Fellini's precision cutting and dramatic lighting pointing the way to 8½"
[movie review] |
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Perihelion Journal |
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4/4 |
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(1974) |
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"Malle's absolute faith in his skills...and in the inherent power of this true story puts Lacombe, Lucien in the company of the best humanist portraits ever filmed"
[movie review] |
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Perihelion Journal |
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3/5 |
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(1985) |
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Click here to see the review!
[movie review] |
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Los Angeles Alternative |
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3.5/5 |
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(2008) |
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"Brilliantly atmospheric, beautifully and lyrically made, Late Fragment might've been a strong movie even without the interactive element."
[movie review] |
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Jaman.com Jaman |
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3/4 |
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(1967) |
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"an enjoyably stylish entry in the French crime film tradition, but a decidedly minor one"
[movie review] |
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Perihelion Journal |
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2/5 |
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(2006) |
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"a frustrating mess, redeemed intermittently by a few solid musical performances and by the towering, erudite presence of Cohen himself."
[movie review] |
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Filmcritic.com |
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4/4 |
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(1963) |
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"Vividly shot, beautifully acted, and paced slowly, deliberately, gathering a kind of power that only a true master can conjure"
[movie review] |
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Perihelion Journal |
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3/5 |
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(2008) |
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"Let the Right One In wasn't my favorite movie at Tribeca 2008, but it's definitely the one that's stuck with me"
[movie review] |
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Jaman.com Jaman |
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4/5 |
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(1944) |
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"boasts the filmmaker's trademark technical polish: His command over editing, framing, and optical effects deftly masters the challenges of a water-borne production"
[movie review] |
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Filmcritic.com |
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3/4 |
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(2003) |
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"Lilya 4-Ever gives us a glorious, heart-wrenching debut performance in the lead, as auspicious as any in the history of cinema."
[movie review] |
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Perihelion Journal |
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1/4 |
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(2009) |
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"Ondaatje's lack of certainty seeps from the dialogue and characterizations to his choice of an overwrought aria-heavy score and a shoddy sense of style that recalls episodic television and myriad Silence of the Lambs rip-offs."
[movie review] |
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Slant Magazine |
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(2007) |
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"An impressive achievement, one that combines terrific performances with a lovely storytelling style and themes and characters that actually matter."
[movie review] |
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Boxoffice Magazine |
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3.5/4 |
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(2003) |
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"If this wasn't quite the best movie of 2003, it was definitely the most fun to be had at the movies all year"
[movie review] |
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Perihelion Journal |
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3/5 |
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(2003) |
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"entertaining without always being compelling"
[movie review] |
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Los Angeles Alternative |
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2.5/5 |
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(2004) |
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"Gabel has potentially challenging material on her hands but her treatment of it feels too hygienic, mistaking tastefulness for subtlety
"
[movie review] |
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Los Angeles Alternative |
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3/5 |
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(2006) |
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"Lunacy lacks the teeth to be truly audacious. Yet its leisurely pacing and silly send-ups of psychosexual perversions make it an amusing enough gothic comedy."
[movie review] |
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Los Angeles Alternative |
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