 |
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4/5 |
|
(2007) |
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"a fascinating portrait of an underrepresented people, rich in humor, pathos and possible permutations"
[movie review] |
|
Boxoffice Magazine |
|
|
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| |
1/4 |
|
(2004) |
|
"Happy Hour is strictly college-level compost, content with its mediocrity, if not wholly unaware of it."
[movie review] |
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Los Angeles Alternative |
|
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3.5/4 |
|
(1997) |
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"This is all-around fabulous work"
[movie review] |
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Perihelion Journal |
|
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2/5 |
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(2005) |
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"exploits the politics of pedophilia, sensationalizing it for today’s slasher market"
[movie review] |
|
I.E. Weekly |
|
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3.5/4 |
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(2004) |
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"a whacky, racially refreshing breather in Hollywood's white-dominated, politically over-correct bummer of a mainstream culture"
[movie review] |
|
Perihelion Journal |
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3/4 |
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(2005) |
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"The grim tone feels overwrought but, in [Mike] Newell's hands, and in those of his cast and screenwriter's, the movie remains dramatically solid"
[movie review] |
|
Perihelion Journal |
|
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2/4 |
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(2007) |
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"an exercise in patience and loyalty to have to sit through, at least for fans of the past two films"
[movie review] |
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Perihelion Journal |
|
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3.5/4 |
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(2004) |
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"[Director] Cuarón's imagery delights again and again"
[movie review] |
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Perihelion Journal |
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3/4 |
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(2009) |
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"First-time filmmaker Megumi Sasaki's documentary Herb & Dorothy is as simple and straightforward as the subjects of its title."
[movie review] |
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Slant Magazine |
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2.5/4 |
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(2004) |
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"While consistently watchable, Yimou's movie is infused with a dirge-like tone...making it a somewhat wearisome and sluggish experience"
[movie review] |
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Perihelion Journal |
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3.5/4 |
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(1958) |
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"I enjoyed The Hidden Fortress as I do all of Kurosawa's movies...for those wonderful, keenly felt moments of life in harmonious balance with the world surrounding it"
[movie review] |
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Perihelion Journal |
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3.5/4 |
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(1959) |
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"Hiroshima's imagery and music give it a feel at once modern and timeless, this is a beautiful piece of work."
[movie review] |
|
Perihelion Journal |
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3.5/4 |
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(2005) |
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"A smart, absorbing thriller"
[movie review] |
|
Perihelion Journal |
|
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| |
3.5/5 |
|
(2007) |
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"The Hoax pulls a good con, and we play along, delightedly."
[movie review] |
|
Filmcritic.com |
|
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3.5/4 |
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(2006) |
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"Particularly striking is the astonishing level of access Dotan seems to have had."
[movie review] |
|
Slant Magazine |
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3.5/5 |
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(2003) |
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"it's through its anarchic, try-anything chutzpah that this bizarrely erotic satire succeeds and entertains"
[movie review] |
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Los Angeles Alternative |
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1.5/4 |
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(2004) |
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"potentially fantastic material...unfortunately, [Terry] George's attempt is too mired in movie-of-the-week sensibilities...to do any justice to its subject matter"
[movie review] |
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Perihelion Journal |
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2.5/5 |
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(2004) |
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"a tedious...excuse for this director to indulge his fetish for digitalized blood and daggers and...immaculately composed nature shots"
[movie review] |
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Los Angeles Alternative |
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2/5 |
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(2008) |
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"the whole thing feels wrong and cheeky"
[movie review] |
|
Filmcritic.com |
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|
