 |
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2/5 |
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(2007) |
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"Doesn't register more than halfway up the comedy meter."
[movie review] |
|
Filmcritic.com |
|
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3.5/5 |
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(2008) |
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"like channeling Mike Leigh or John Cassavetes in bringing this marital drama to the screen."
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2006) |
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"Mamet's script may not be entirely convincing as either satire or social commentary, but in Macy's hands, poor, pathetic Edmond's story finds its shocking, darkly funny resonance."
[movie review] |
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Los Angeles Alternative |
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2.5/5 |
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(2005) |
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"too sweet-natured and, at 126 minutes, too desultory for its own good"
[movie review] |
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Filmcritic.com |
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4.5/5 |
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(1984) |
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"the definitive portrait of the experience of undocumented Latin-American workers in the United States"
[movie review] |
|
Filmcritic.com |
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2.5/4 |
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(1985) |
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"Nearly incomprehensible but stylistically dazzling"
[movie review] |
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Perihelion Journal |
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3/5 |
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(2003) |
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" Elephant is one of this year's boldest movies....But, in refusing to assert a point of view about what troubles American youth, Van Sant...flees the scene of the crime"
[movie review] |
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Los Angeles Alternative |
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4.5/5 |
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(1957) |
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"a perfect hybrid of French noir elegance and the New Wave's rough hewn realism"
[movie review] |
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I.E. Weekly |
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1.5/5 |
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(2007) |
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"If you detect anything fresh or original in terms of character or story development, you're probably not watching this movie."
[movie review] |
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Boxoffice Magazine |
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2/5 |
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(2005) |
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"confoundingly horrendous"
[movie review] |
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Filmcritic.com |
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4/5 |
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(2004) |
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"Eternal Sunshine is undeniably ambitious filmmaking and a feather in this year's cap of indie movies"
[movie review] |
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Los Angeles Alternative |
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2/5 |
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(2005) |
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"the energy and sense of purpose is missing, replaced by beautiful images that have little immediacy."
[movie review] |
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Filmcritic.com |
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