 |
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 |
 |
 |
| |
 3/5 |
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(2003) |
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" Fever packs its share of jolts and none-too-shabby black humor, both worthy of a place alongside Romero"
[movie review] |
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Los Angeles Alternative |
|
 |
 |
 |
| |
 3.5/4 |
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(1919) |
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"still creepy good entertainment on a rainy day"
[movie review] |
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Cinema Writer |
|
 |
 |
 |
| |
 3.5/4 |
|
(2005) |
|
"a milestone in modern acting, and quite fascinating in any number of ways, particularly its depiction of the minutiae of the writer's life."
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 1/4 |
|
(2006) |
|
"a steep step downwards for all and everything concerned, unless you're a Caucasian sports car"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 3.5/4 |
|
(2006) |
|
"The 21st Bond film is also the first truly worthy spin through the Bond universe since Roger Moore's goofy escapades of the late 70's/early '80s."
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 3/4 |
|
(2006) |
|
"Cavite...will probably be cited in years to come as a classic example of the post-9/11 action thriller"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 3/4 |
|
(2006) |
|
"[a] strangely moving love story"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 3/5 |
|
(2007) |
|
"entertaining, and that's about the extent of it."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 4/4 |
|
(1964) |
|
"A singularly accomplished song to love, idealism, heartbreak and disillusionment."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 3/4 |
|
(1977) |
|
"Its mannered goofiness echoes the pastoral comedy of Days and Nights In the Forest while the Raj-era dancing-girl trappings recall the decidedly grim The Music Room."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |

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(1977) |
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"Has the lightness of touch and narrative fluidity that's pure, inimitable Ray, and a drink from that well is always refreshing in this artistically and intellectually parched movie climate."
[dvd review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 3.5/4 |
|
(2006) |
|
"Alfonso Cuarón's futuristic adventure derives its power from a premise as potent and primal as they come"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 4/4 |
|
(1972) |
|
"a beautiful character study about what it is to love one woman and yet be in love with all women"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 3/5 |
|
(2008) |
|
"a reasonably enjoyable, and very twisted romantic comedy"
[movie review] |
|
Jaman.com Jaman |
|
 |
 |
 |
| |
 2/4 |
|
(2008) |
|
"an endlessly busy and stylish film with a hollow emotional and spiritual core."
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 3/4 |
|
(2005) |
|
"My guess is that [it] will appeal to all of us in need of a jab of earnest, old-fashioned moralism to save the day"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 3/4 |
|
(1994) |
|
"a pair of not-entirely-successful romantic stories but, fuelled by [Wong Kar Wai's] cinematic fervor and exuberant use of music...it's irresistible"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 4/4 |
|
(1931) |
|
"City Lights is a great gift to all of us by a filmmaker at a latter-day peak of his genius"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 3/4 |
|
(2009) |
|
"a sincere, thoughtful tale of the human heart"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 1.5/5 |
|
(2004) |
|
"a noir snore with no moral desperation, no clear-cut point-of-view and a love story whose eroticism feels about as urgent as yardwork"
[movie review] |
|
Los Angeles Alternative |
|
 |
 |
 |
| |
 3/5 |
|
(2004) |
|
"Coffee and Cigarettes feels thin and slight at times.... But at its best, the movie achieves the charm and delight that underscores Jarmusch’s best work"
[movie review] |
|
Los Angeles Alternative |
|
 |
 |
 |
| |
 3/4 |
|
(2003) |
|
"A movie of gorgeous moments alternating with many more that feel literate to the point of inducing boredom"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 3.5/4 |
|
(2004) |
|
"chic, solid filmmaking"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 2.5/5 |
|
(2007) |
|
"a playground for madman Malkovich to be set loose in."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/4 |
|
(2002) |
|
"Bollywood filmmaker Ram Ghopal Varma has a verve for violence and it's on vivid display in Company"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 3.5/5 |
|
(2003) |
|
"While it sometimes fails to live up to its title, Confidence ultimately, wins us over—in short, it dazzlingly does what all good cons are supposed to do.
"
[movie review] |
|
Los Angeles Alternative |
|
 |
 |
 |
| |
 4/5 |
|
(2006) |
|
"a soothing salve for blockbuster-bruised cinemagoers starved, like Conversations' own lovers, for something real and substantial"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/4 |
|
(1967) |
|
"gorgeous looking and terrifically acted"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 2/5 |
|
(2003) |
|
" The Cooler is too earnest a morality tale, saddled with derivative characters, to heat up much sympathy or interest.
"
[movie review] |
|
Los Angeles Alternative |
|
 |
 |
 |
| |
 4/4 |
|
(1957) |
|
"dazzling, magnificently made"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 2.5/4 |
|
(2005) |
|
"a corny Hollywood attempt at a social problem drama, well acted enough to recommend"
[movie review] |
|
Cinema Writer |
|
 |
 |
 |
| |
 2/5 |
|
(2004) |
|
"an artful failure, a moped-fueled odyssey into dramatic weariness and monotony"
[movie review] |
|
Los Angeles Alternative |
|
 |