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Other Info
Sources
• Boxoffice Magazine
• Cinema Writer
• Filmcritic.com
• I.E. Weekly
• Jaman
• Los Angeles Alternative
• Perihelion Journal
• Reel.com
• Slant Magazine
Total Reviews: 357
Jay Antani
Jay Antani
Jay Antani

Article type:      Default Sorting (most recent)
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3/5
     (2003)      " Fever packs its share of jolts and none-too-shabby black humor, both worthy of a place alongside Romero" [movie review]      Los Angeles Alternative   
  
3.5/4
     (1919)      "still creepy good entertainment on a rainy day" [movie review]      Cinema Writer   
  
3.5/4
     (2005)      "a milestone in modern acting, and quite fascinating in any number of ways, particularly its depiction of the minutiae of the writer's life." [movie review]      Cinema Writer   
  
1/4
     (2006)      "a steep step downwards for all and everything concerned, unless you're a Caucasian sports car" [movie review]      Cinema Writer   
  
3.5/4
     (2006)      "The 21st Bond film is also the first truly worthy spin through the Bond universe since Roger Moore's goofy escapades of the late 70's/early '80s." [movie review]      Cinema Writer   
  
3/4
     (2006)      "Cavite...will probably be cited in years to come as a classic example of the post-9/11 action thriller" [movie review]      Cinema Writer   
  
3/4
     (2006)      "[a] strangely moving love story" [movie review]      Cinema Writer   
  
3/5
     (2007)      "entertaining, and that's about the extent of it." [movie review]      Filmcritic.com   
  
4/4
     (1964)      "A singularly accomplished song to love, idealism, heartbreak and disillusionment." [movie review]      Slant Magazine   
  
3/4
     (1977)      "Its mannered goofiness echoes the pastoral comedy of Days and Nights In the Forest while the Raj-era dancing-girl trappings recall the decidedly grim The Music Room." [movie review]      Slant Magazine   
  
     (1977)      "Has the lightness of touch and narrative fluidity that's pure, inimitable Ray, and a drink from that well is always refreshing in this artistically and intellectually parched movie climate." [dvd review]      Slant Magazine   
  
3.5/4
     (2006)      "Alfonso Cuarón's futuristic adventure derives its power from a premise as potent and primal as they come" [movie review]      Cinema Writer   
  
4/4
     (1972)      "a beautiful character study about what it is to love one woman and yet be in love with all women" [movie review]      Cinema Writer   
  
3/5
     (2008)      "a reasonably enjoyable, and very twisted romantic comedy" [movie review]      Jaman.com Jaman   
  
2/4
     (2008)      "an endlessly busy and stylish film with a hollow emotional and spiritual core." [movie review]      Cinema Writer   
  
3/4
     (2005)      "My guess is that [it] will appeal to all of us in need of a jab of earnest, old-fashioned moralism to save the day" [movie review]      Cinema Writer   
  
3/4
     (1994)      "a pair of not-entirely-successful romantic stories but, fuelled by [Wong Kar Wai's] cinematic fervor and exuberant use of music...it's irresistible" [movie review]      Cinema Writer   
  
4/4
     (1931)      "City Lights is a great gift to all of us by a filmmaker at a latter-day peak of his genius" [movie review]      Cinema Writer   
  
3/4
     (2009)      "a sincere, thoughtful tale of the human heart" [movie review]      Cinema Writer   
  
1.5/5
     (2004)      "a noir snore with no moral desperation, no clear-cut point-of-view and a love story whose eroticism feels about as urgent as yardwork" [movie review]      Los Angeles Alternative   
  
3/5
     (2004)      "Coffee and Cigarettes feels thin and slight at times.... But at its best, the movie achieves the charm and delight that underscores Jarmusch’s best work" [movie review]      Los Angeles Alternative   
  
3/4
     (2003)      "A movie of gorgeous moments alternating with many more that feel literate to the point of inducing boredom" [movie review]      Cinema Writer   
  
3.5/4
     (2004)      "chic, solid filmmaking" [movie review]      Cinema Writer   
  
2.5/5
     (2007)      "a playground for madman Malkovich to be set loose in." [movie review]      Filmcritic.com   
  
3/4
     (2002)      "Bollywood filmmaker Ram Ghopal Varma has a verve for violence and it's on vivid display in Company" [movie review]      Cinema Writer   
  
3.5/5
     (2003)      "While it sometimes fails to live up to its title, Confidence ultimately, wins us over—in short, it dazzlingly does what all good cons are supposed to do. " [movie review]      Los Angeles Alternative   
  
4/5
     (2006)      "a soothing salve for blockbuster-bruised cinemagoers starved, like Conversations' own lovers, for something real and substantial" [movie review]      Filmcritic.com   
  
3.5/4
     (1967)      "gorgeous looking and terrifically acted" [movie review]      Cinema Writer   
  
2/5
     (2003)      " The Cooler is too earnest a morality tale, saddled with derivative characters, to heat up much sympathy or interest. " [movie review]      Los Angeles Alternative   
  
4/4
     (1957)      "dazzling, magnificently made" [movie review]      Cinema Writer   
  
2.5/4
     (2005)      "a corny Hollywood attempt at a social problem drama, well acted enough to recommend" [movie review]      Cinema Writer   
  
2/5
     (2004)      "an artful failure, a moped-fueled odyssey into dramatic weariness and monotony" [movie review]      Los Angeles Alternative   
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