 |
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| |
2.5/5 |
|
(2008) |
|
"[a]neatly made but, ultimately, tepid high-school election documentary"
[movie review] |
|
Jaman.com Jaman |
|
|
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| |
4/5 |
|
(2008) |
|
"fabulous"
[movie review] |
|
Jaman.com Jaman |
|
|
|
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| |
1.5/5 |
|
(2008) |
|
"A clumsy, witless, tedious trudge."
[movie review] |
|
Jaman.com Jaman |
|
|
|
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| |
3/5 |
|
(2008) |
|
"a reasonably enjoyable, and very twisted romantic comedy"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"[a] thoroughly safe, slow-footed comedy"
[movie review] |
|
Jaman.com Jaman |
|
|
|
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| |
3.5/4 |
|
(2007) |
|
"one of the year's most pleasing films, intelligently written and directed, and featuring a veteran actor giving the performance of his career"
[movie review] |
|
Cinema Writer |
|
|
|
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| |
3.5/4 |
|
(2007) |
|
"the style feels utterly organic...rigorous yet unforced, always giving the sense that this is not only the best way, but the only way, to tell this particular story."
[movie review] |
|
Cinema Writer |
|
|
|
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| |
3.5/4 |
|
(2007) |
|
"[Page] plays each moment without ego and with total candor, and that's ultimately the secret to Juno's success."
[movie review] |
|
Cinema Writer |
|
|
|
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| |
3/5 |
|
(2007) |
|
"entertaining, and that's about the extent of it."
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
4/5 |
|
(2007) |
|
"a fascinating portrait of an underrepresented people, rich in humor, pathos and possible permutations"
[movie review] |
|
Boxoffice Magazine |
|
|
|
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| |
|
|
(2007) |
|
"An impressive achievement, one that combines terrific performances with a lovely storytelling style and themes and characters that actually matter."
[movie review] |
|
Boxoffice Magazine |
|
|
|
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| |
2/5 |
|
(2007) |
|
"Awake manages a weak pulse for a time but dies ultimately in its makers' hands."
[movie review] |
|
Boxoffice Magazine |
|
|
|
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| |
|
|
(2007) |
|
"Offensive to all and on every level, Badland tops the landfill of this year's worst."
[movie review] |
|
Boxoffice Magazine |
|
|
|
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| |
2/5 |
|
(2007) |
|
"Parmar scores pleasant performances across the board...Yet the story is bland, like it's been over-workshopped in a screenwriting class, too polite and too smooth around the edges."
[movie review] |
|
Boxoffice Magazine |
|
|
|
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| |
1.5/5 |
|
(2007) |
|
"If you detect anything fresh or original in terms of character or story development, you're probably not watching this movie."
[movie review] |
|
Boxoffice Magazine |
|
|
|
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| |
2.5/5 |
|
(2007) |
|
"amusingly off-kilter"
[movie review] |
|
Filmcritic.com |
|
|
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| |
2.5/5 |
|
(2007) |
|
"a strictly middle-of-the-road entry in the slasher genre, scoring points for performances and areas of execution but running out of creative juice far too early, settling for stock chills and thrills"
[movie review] |
|
Boxoffice Magazine |
|
|
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| |
2/5 |
|
(2007) |
|
"If Park aspired to any real insights or to any ambition beyond the routine, its hysterics would be worth sitting through."
[movie review] |
|
Boxoffice Magazine |
|
|
|
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| |
1.5/5 |
|
(2007) |
|
"trades in platitudes and cliches, for lack of anything distinctive or bold to say"
[movie review] |
|
Boxoffice Magazine |
|
|
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| |
2/5 |
|
(1992) |
|
"misguided and ludicrous"
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
4/5 |
|
(1984) |
|
"the American Dream inverted, that its characters are carefree is a by-product not of sharing in the Dream, but of dealing with life on the margins."
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
3.5/5 |
|
(2007) |
|
"After the Katrina tragedy, the filmmaker's fears are both well-grounded and keenly realized."
[movie review] |
|
Boxoffice Magazine |
|
|
|
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| |
3.5/4 |
|
(2007) |
|
"a satisfying conclusion...to this intelligent series"
[movie review] |
|
Cinema Writer |
|
|
|
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| |
3/4 |
|
(2007) |
|
"though Homer himself chastises us, near the start of the movie, for paying for something we can watch on TV for free, I consider the money I put down my contribution to Groening's good cause."
[movie review] |
|
Perihelion Journal |
|
|
|
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| |
2/4 |
|
(2007) |
|
"an exercise in patience and loyalty to have to sit through, at least for fans of the past two films"
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
2.5/4 |
|
(2007) |
|
"Fred Flintstone in the land of the Jetsons"
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
1.5/5 |
|
(2007) |
|
"Growing up has never felt so god-awful tedious."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"often great, and in all the ways that Herzog's cinema can be great"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/4 |
|
(2004) |
|
"Just short of dropping you into the ocean with a surfboard, Riding Giants serves as the definitive (and immersive) guide to the essence of all that is surfing."
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Doesn't register more than halfway up the comedy meter."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/4 |
|
(2007) |
|
"deft and stylish"
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"Golden Door resounds with moments of pure cinema seldom encountered anymore, where sound and image combine to create a lyricism that transcends the story"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"von Trier is just too self-absorbed a filmmaker, too much "the boss of it all" to allow for anything as anarchic and joyful as a screwball comedy to bloom from this material"
[movie review] |
|
Boxoffice Magazine |
|
|
|
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| |
1/5 |
|
(2007) |
|
"A staggering miscalculation."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(1985) |
|
"Twenty-two years later, I get all the jokes, but I remain only pleasantly amused, nothing more, nothing less"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Though the oblique and confused storytelling saps the heat out of Wind Chill, the picture still boasts a game performance from Emily Blunt"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1/5 |
|
(2007) |
|
"Ineptly written by Arquette and Joe Harris, The Tripper is a carnival of cretins doing and saying one ass-headed thing after another."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
4/5 |
|
(2005) |
|
"At once natural and designed, funny and sad, Dresen's story approximates the capriciousness of life itself, and that may be the highest praise any work of art could ask for."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"The Hoax pulls a good con, and we play along, delightedly."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1/5 |
|
(2007) |
|
"While clocking in at a relatively painless 75 minutes, Brown fails to come up with anything so fresh and bold in his approach as to make a single one of those worth watching."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2.5/5 |
|
(2007) |
|
"a playground for madman Malkovich to be set loose in."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2007) |
|
"I hereby declare a moratorium on any such filmmakers entering India in hopes of preventing any further culturally condescending journeys into the white man's heart of darkness."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"As a pop-culture parlor game for fans...Behind the Mask scores. Otherwise, it's a shaggy dog story, enlivened by Baesel and Wilson's terrific performances."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"a Dante-esque descent into a distinctly American form of Hell"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
4/5 |
|
(2006) |
|
"A deftly blended melange of European styles, from the wide-open vistas reminiscent of Russian cinema to moments of intimate absurdity echoing Antonioni."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"In good quality horror, fear and suspense arise from a deepening sense of character, not a noisier sense of one."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"as a dissection of injustice and inhumanity, Ghosts of Abu Ghraib is forthright and unsparing, and its message is a worthy one"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
5/5 |
|
(2007) |
|
"a documentary that may well rank among the greatest re-tellings of a historical event put on film"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"If only [Cerda's] storytelling and filmmaking techniques were on par with his compelling subject matter, The Abandoned might have been a horror movie worth screaming about."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Greater than the terror that Jim Carrey's character...feels in the course of The Number 23 may have been that which Carrey and his castmates felt midway through production as the glowering awfulness of this project began to dawn on them."
[movie review] |
|
Boxoffice Magazine |
|
|
